14th Mumbai Film Festival (Mff) announced its complete lineup today in a press conference. Mff will be held from October 18th to 25th at the National Centre for the Performing Arts (Ncpa) and Inox, Nariman Point, Liberty Cinemas, Marine Lines as the main festival venues and Cinemax, Andheri and Cinemax Sion as the satellite venues. Click here to watch trailers and highlights from the festival.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
Here is the complete list of films to be screened during the festival (October 18-25)
International Competition for the First Feature Films of Directors
1. From Tuesday To Tuesday (De Martes A Martes)
Dir.: Gustavo Fernandez Triviño (Argentina / 2012 / Col. / 111′)
2. The Last Elvis (El Último Elvis)
Dir.: Armando Bo (Argentina / 2012 / Col. / 91′)
3. The Sapphires
Dir.: Wayne Blair (Australia / 2012 / Col. / 103′)
4. The Wall (Die Wand)
Dir.: Julian Pölsler (Austria-Germany / 2012 / Col. / 108′)
5. Teddy Bear (10 timer til Paradis)
Dir.: Mads Matthiesen (Denmark / 2012 / Col. / 93′)
6. Augustine
Dir.: Alice Winccour (France / 2012 / Col.
- 9/24/2012
- by NewsDesk
- DearCinema.com
Going into this year’s Berlinale you could be forgiven for thinking that all the A-list talent was presiding over the jury. It’s an impressive roster: Mike Leigh is at the head, accompanied by Iranian filmmaker Asghar Farhadi (last year’s Golden Bear champion for A Separation), Hollywood star Jake Gyllenhaal, French auteur Francois Ozon (Potiche), Dutchman Anton Corbijn (Control), and Charlotte Gainsbourg. By comparison the competition line-up seemed extremely obscure. Whilst Cannes and Venice tend to lead with premieres from established directors, the Berlin Film Festival continues its recent tradition of backing more obscure auteurs.
Out of the directors in the main competition only Italian veterans the Taviani brothers (with drama-doc hybrid Ceasar Must Die) and actor-turned-director Billy Bob Thornton (Jane Mansfield’s Car) came with anything like a reputation. Most of the films come via relative unknown talents with few previous features to their name, such as...
Out of the directors in the main competition only Italian veterans the Taviani brothers (with drama-doc hybrid Ceasar Must Die) and actor-turned-director Billy Bob Thornton (Jane Mansfield’s Car) came with anything like a reputation. Most of the films come via relative unknown talents with few previous features to their name, such as...
- 2/19/2012
- by Robert Beames
- Obsessed with Film
Trace it to the 2006 Natascha Kampusch case or the even more terrible 2008 Elisabeth Fritzl one reverberating through into fiction, but longterm kidnapping is having a moment. Despite apparently opening with a card that claims otherwise, the incidents seem unavoidable inspirations for Frédéric Videau’s "A Moi Seule," which just had its premiere in Berlin, a film that tracks through the eight-year relationship between an man and the girl he kidnaps and hides in his basement. Emma Donoghue's acclaimed 2010 novel "Room" is narrated by a five-year-old kid who's lived his entire life in the claustrophobic space in which he and his mother have been imprisoned. And Markus Schleinzer's "Michael," which opens in New York this week after bowing at Cannes last year, gazes impassively at five months in the life of the title character, played by Michael Fuith, who's been holding a 10-year-old boy named Wolfgang (David Rauchenberger)...
- 2/15/2012
- The Playlist
Opening with a bit of a historic snooze fest yet also offering greatness… While costumes and pictures of opening film Les Adieux à la Reine (Farewell My Queen) by Benoït Jacquot were absolutely stunning the story itself was more on the boring side. The film focuses on Léa Seydoux as Sidonie Laborde, Queen Marie Antoinette’s (Diane Krüger) reader, during the days of the French Revolution. The director however is clearly more interested in his female protagonists’ shapes and an overall composed aesthetic than in actually constructing an engaging story; when the camera isn’t busy resting on mademoiselle Sydoux well-shaped breasts there is a lot of slow rushing through Versailles and very little story development going on. In a way it feels like everyone’s hurrying to get off the Titanic, except Versaille is a much more impressive set.
Frédéric Videau’s A Moi Seule (Coming Home) – also in...
Frédéric Videau’s A Moi Seule (Coming Home) – also in...
- 2/11/2012
- by Merle Fischer
- SoundOnSight
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