- 4 wins & 8 nominations.
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Cast
Christina Hendricks | ... |
Natalie
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Jodhi May | ... |
Anoushka
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Alessandro Nivola | ... |
Roland
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Luke Cloud | ... |
Rosa's Father
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Poppy Bloor | ... |
Young Ginger
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Magdalene Mountford | ... |
Young Rosa
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Elle Fanning | ... |
Ginger
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Ray Lonnen | ... |
Radio Announcer
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Alice Englert | ... |
Rosa
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Brock Everitt-Elwick | ... |
Beatnik
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Max Scully | ... |
Beatnik
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Marcus Shakesheff | ... |
Teddy Boy in Car
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Charlie Smith | ... |
Teddy Boy in Car
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Rupert Rixon | ... |
Boy on Beach
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Timothy Spall | ... |
Mark
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Andrew Hawley | ... |
Tony
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Ben Wimsett | ... |
YCND Boy
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Oliver Platt | ... |
Mark Two
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Annette Bening | ... |
Bella
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Aine Garvey | ... |
Child Playing
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Madison Deluca-Perry | ... |
Child Playing
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Amelie Deluca-Perry | ... |
Child Playing
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Rory Finn | ... |
Boy in café
(as Rory James)
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Oliver Milburn | ... |
Roger
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Richard Strange | ... |
Dinner Guest
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Stephen Boxer | ... |
Police Doctor
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Rest of cast listed alphabetically: | |||
Francesca Bennett | ... |
Nosey Neighbour (uncredited)
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Greg Bennett | ... |
Demo Policeman (uncredited)
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Gary Comerford | ... |
CND Protestor (uncredited)
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Robin George | ... |
Priest (uncredited)
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Philip Harvey | ... |
Demo Policeman (uncredited)
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Robin Harvey | ... |
CND Protester (uncredited)
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Andy Joy | ... |
Crucifer (uncredited)
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John F. Kennedy | ... |
Self (uncredited) (archiveFootage) (voice)
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Katherine Moran | ... |
Sixth Fomer (uncredited)
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Directed by
Sally Potter |
Written by
Walter Donohue | ... | (story consultant) |
Sally Potter | ... | (written by) |
Produced by
Jonas Allen | ... | co-producer |
Paula Alvarez Vaccaro | ... | executive producer |
Reno Antoniades | ... | executive producer |
Lene Bausager | ... | co-producer |
Caroline Blanco | ... | assistant producer: MISO Film |
Peter Bose | ... | co-producer |
Aaron L. Gilbert | ... | executive producer |
Goetz Grossmann | ... | executive producer |
Margot Hand | ... | co-executive producer: Media House Capital |
Kurban Kassam | ... | associate producer |
Marshall Leviten | ... | line producer |
Heidi Levitt | ... | executive producer |
Andrew Litvin | ... | producer |
Patrick Murray | ... | co-executive producer: Media House Capital |
Joe Oppenheimer | ... | executive producer |
Christopher Sheppard | ... | producer |
Michael Weber | ... | co-producer |
Cinematography by
Robbie Ryan | ... | director of photography |
Editing by
Anders Refn |
Editorial Department
Michael Aaglund | ... | assistant editor |
Morten Arnoldus | ... | post-production coordinator (as Morten Sylvest Arnoldus) |
Ejvind Bording | ... | color timer |
Thomas Caspersen | ... | digital mastering |
Per Sidor | ... | digital intermediate |
Jens Lilledal Sørensen | ... | mastering |
Thomas Therchilsen | ... | digital color grader |
Rasmus Toft | ... | on-line technician |
Beatrice von Schwerin | ... | post-production coordinator: MISO Film |
Casting By
Irene Lamb | ||
Heidi Levitt |
Production Design by
Carlos Conti |
Art Direction by
Andrea Matheson |
Set Decoration by
Liz Griffiths |
Costume Design by
Holly Waddington |
Makeup Department
Francesco Alberico | ... | key hair stylist |
Tara McDonald | ... | hair & make up designer / makeup designer |
Sophie Roberts | ... | hair stylist / makeup artist |
Wakana Yoshihara | ... | hair supervisor / makeup supervisor |
Lisa Mustafa | ... | crowd makeup and hair (uncredited) |
Jacqueline Rathore | ... | hairdresser (uncredited) |
Production Management
Benjamin Bailey | ... | unit manager (as Ben Bailey) |
Alistair Hopkins | ... | post-production supervisor |
Fiona Morham | ... | head of production: L BFI Film Fund |
Second Unit Director or Assistant Director
Matthew Hanson | ... | first assistant director |
Andrew Mannion | ... | second assistant director (as Andy Mannion) |
Darren Price | ... | third assistant director |
Christian Rigg | ... | second assistant director |
Toby Spanton | ... | third assistant director: dailies (uncredited) |
Andrew Vanneck | ... | crowd third assistant director (uncredited) |
Art Department
Yasmin Alvarez | ... | trainee art department assistant |
Rob Anderson | ... | construction services |
Roddy Dolan | ... | dressing props |
Antonia Gibbs | ... | production buyer |
Maud Gircourt | ... | illustrator |
Neil Griffiths | ... | dressing props |
Tom Knight | ... | art department assistant |
Emily Norris | ... | graphics |
Craig Price | ... | property master |
Mark Sindall | ... | standby props |
Lasse Strøm | ... | graphic designer |
Oli van der Vijver | ... | stand-by art director |
Ben Bagley | ... | dressing prop (uncredited) |
Anthea Dixon | ... | painter (uncredited) |
Jai Field | ... | graphic designer (uncredited) |
Jason Line | ... | scenic artist (uncredited) |
Seb Palmer | ... | carpenter (uncredited) |
Sound Department
Jonathan Acbard | ... | boom operator |
Alex Bryce | ... | sound assistant |
Simon Chase | ... | additional dialogue editor |
Anne Jensen | ... | re-recording mixer |
Andrea King | ... | foley artist |
Jean-Paul Mugel | ... | sound mixer |
Kyle Pickford | ... | sound assistant |
Lars Rasmussen | ... | sound assistant |
Eddie Simonsen | ... | supervising sound editor |
Katharina Bormann | ... | post sound facility coordinator (uncredited) |
Christopher Swaine | ... | voice over recording engineer (uncredited) |
Special Effects by
Graham Povey | ... | special effects supervisor |
Andrew Ryan | ... | special effects technician (uncredited) |
Visual Effects by
Michael Holm | ... | compositor: Nordisk Film ShortCut |
Martin Madsen | ... | visual effects supervisor: Nordisk Film ShortCut |
Dann Damgaard Sandgreen | ... | compositor: Nordisk Film ShortCut |
Morten Skytte | ... | graphics: Nordisk Film ShortCut |
Mia Bang Stenberg | ... | digital production manager: Nordisk Film ShortCut |
Lasse Strøm | ... | compositor: Nordisk Film ShortCut |
Stunts
Gary Arthurs | ... | stunt performer |
Zarene Dallas | ... | stunt performer |
Sarah Franzl | ... | stunt performer |
Gary Hoptrough | ... | stunt performer |
Cristian Knight | ... | stunt performer (as Christian Knight) |
Derek Lea | ... | stunt performer |
Belinda McGinley | ... | stunt performer |
Ray Nicholas | ... | stunt performer |
James O'Donnell | ... | stunt coordinator (as James O'Dee) |
Arran Topham | ... | stunt performer |
Tony Van Silva | ... | stunt performer |
Martin Wilde | ... | stunt performer |
Camera and Electrical Department
Niall Barry | ... | camera assistant |
Rachel Clark | ... | second assistant camera: dailies |
Andy Cole | ... | gaffer |
Paul Cronin | ... | best boy |
Nicola Dove | ... | still photographer |
Rob Garvie | ... | camera equipment: Pnavision |
Tony Kelly | ... | rigger (as Toni Kelly) |
Sean Leonard | ... | second assistant camera |
Adrian Mackay | ... | electrician |
Simon Muir | ... | key grip |
Andrew O'Reilly | ... | first assistant camera |
James Paul Thomas | ... | camera trainee |
Chris Tann | ... | electrician |
Laura Thompson | ... | lighting equipment: ARRI Lighting |
Casting Department
Solomon Artistes | ... | extras casting |
Lisa Essary | ... | casting associate |
Lauren Fernandes | ... | casting associate |
David Lowe | ... | casting assistant (uncredited) |
Costume and Wardrobe Department
Bartholomew Cariss | ... | assistant costume designer |
Lucy Donowho | ... | standby costume |
Alex Grace | ... | costume assistant |
Emma Harding | ... | costume assistant |
Dougie Hawkes | ... | costumer |
Ivy Hill | ... | costume assistant |
Susan Kulkarni | ... | costumer |
Sarah Jane Reichert | ... | costume assistant |
Hannah Walter | ... | costume supervisor |
Madison Steigerwald | ... | costume assistant: la (uncredited) |
Location Management
Tobin Hughes | ... | location scout |
Sarah Kate Lewis | ... | location assistant |
Nick Oliver | ... | location scout |
Jane Soans | ... | location manager |
Georgette Turner | ... | assistant location manager |
Alex Darby | ... | location assistant (uncredited) |
Music Department
Amy Ashworth | ... | music supervisor |
Der-Shin Hwang | ... | music tutor |
Alan Lewens | ... | music consultant |
Karen Street | ... | music tutor |
Script and Continuity Department
Penny Eyles | ... | script supervisor |
Christian Routh | ... | script consultant (uncredited) |
Transportation Department
Justin Ackroyd | ... | driver: props |
Andy Barton | ... | unit driver |
Hassan Blal | ... | Driver: Elle Fanning |
Mark Cherry | ... | unit driver |
Micky Watts | ... | driver: minibus |
Additional Crew
Debbie Banbury-Morley | ... | clearances (as Debbie Banbury Morley) |
Jimmy Barnett | ... | production assistant: Adventure Pictures |
Nigel Barnett | ... | accountant: Rawse Varley and Co, Adventure Pictures |
Matthew Bensley | ... | floor runner (as Matt Bensley) |
Daniel Bliss | ... | floor runner |
Valentina Borfecchia | ... | floor runner |
Russell Boswell | ... | unit catering: Ace Catering |
Diana Branch | ... | unit nurse |
Zoe Brown | ... | head of business affairs: BBC Films |
Rosa Camero | ... | publicist |
Jessica Carp | ... | chaperone |
Dean Clack | ... | facilities |
Anita Cording | ... | unit medic: dailies |
Stella Corradi | ... | assistant to director |
Laura Crowley | ... | legal services: Reed Smith |
Will Evans | ... | head of business affairs: BFI Film Fund |
Lizzie Francke | ... | senior production executive: BFI Film Fund |
Sandra Frieze | ... | dialect coach |
Laura Gary | ... | on-set tutor |
Simon Gillis | ... | legal and business affairs manager: BBC Films |
Charmian Gradwell | ... | dialect coach |
Anwen Griffiths | ... | legal services: Lee & Thompson |
Mick Hurrell | ... | fire and safety advisor: JHA Safety |
Steve Joberns | ... | auditor: Shipleys (as Stephen Joberns) |
Ian Kirk | ... | head of production finance: BFI Film Fund |
Lauren Mack | ... | production assistant |
David Madison | ... | production assistant: Adventure Pictures |
Martin Madsen | ... | title designer |
Michael Manzi | ... | production executive |
Rachel Martin | ... | assistant production coordinator |
Stephen Masters | ... | title designer: Shosho Rotterdam |
Joseph Matthews | ... | making-of director |
Meagan Maudsley | ... | production assistant: Adventure Pictures |
Charles McDonald | ... | unit publicist |
Sheila Fraser Milne | ... | production executive |
Kevin O'Shea | ... | insurance services: Gallagher Enterainment |
Beth Pattinson | ... | development editor: BBC Films |
Malcolm Pearce | ... | health & safety officer |
Richard Phillips | ... | legal services: Reed Smith |
Charlie Pinsent | ... | assistant accountant |
Freya Pinsent | ... | production accountant |
Amelia Price | ... | production coordinator |
Jane Rundle | ... | archive consultant |
Matthew Sanders | ... | unit publicist |
Thomas Schlein | ... | laboratory production manager |
Angela Scurrah | ... | legal services: Lee & Thompson |
Tanya Seghatchian | ... | head of film fund: BFI Film Fund |
Kate Seymour | ... | floor runner |
Lee Stone | ... | legal services: Lee & Thompson |
Shiva Talwar | ... | floor runner |
Liam Thornton | ... | production assistant |
Philip Varley | ... | accountant: Rawse Varley and Co, Adventure Pictures |
Charlotte Winsor | ... | assistant production coordinator |
Michael Wood | ... | production executive: BBC Films |
Chrissie S. Vides Alvarado | ... | executive assistant: Aaron L. Gilbert (uncredited) |
Helenka Boden | ... | crowd runner: dailies (uncredited) |
Jason Devil | ... | on-set security (uncredited) |
Ashton Fontana | ... | publicist (uncredited) |
Mark Rowan | ... | health & safety advisor (uncredited) |
Azia Tron | ... | business affairs assistant (uncredited) |
Derek Warman | ... | fire officer (uncredited) |
Thanks
Mary Jane Arrington | ... | thanks |
John Berger | ... | thanks |
Nella Bielski | ... | thanks |
Reinhard Brundig | ... | thanks |
Xavier Collin | ... | thanks |
Joy Fanning | ... | thanks |
Brittany Kahan | ... | thanks |
Christine Langan | ... | thanks |
Dixie Linder | ... | thanks |
Caroline Potter | ... | in loving memory of |
Sarah Radclyffe | ... | thanks |
Christian Routh | ... | thanks |
Bart Walker | ... | thanks |
Production Companies
- Adventure Pictures
- BBC Film
- British Film Institute (BFI)
- Det Danske Filminstitut
- Media House Capital
- Miso Film
- Miso Films
Distributors
- A24 (2013) (United States) (theatrical)
- Alfa Films (2013) (Argentina) (theatrical)
- Artificial Eye (2012) (United Kingdom) (theatrical)
- Cinematográfica Blancica (CB) (2013) (Venezuela) (theatrical)
- Concorde Filmverleih (2012) (Germany) (theatrical)
- Distribuye Movie (2013) (Uruguay) (theatrical)
- Eurozoom (2013) (France) (theatrical)
- Filmcoopi (2013) (Switzerland) (theatrical)
- Filmfreak Distributie (2013) (Netherlands) (theatrical)
- Future Film (2013) (Finland) (theatrical)
- Playtime (2013) (Japan) (theatrical)
- Calinos Films (2012) (Turkey)
- Concorde Home Entertainment (2013) (Germany) (DVD)
- Concorde Home Entertainment (2013) (Germany) (Blu-ray) (DVD)
- EuroVideo (2013) (Germany) (Blu-ray) (DVD) (Rental)
- EuroVideo (2013) (Germany) (DVD) (Rental)
- Film1 (2014) (Netherlands) (tv) (limited)
- Filmfreak Distributie (2013) (Netherlands) (DVD)
- Filmfreak Distributie (2013) (Netherlands) (Blu-ray) (DVD)
- HBO Max (2022) (United States) (video) (VOD)
- Paris Filmes (2013) (Brazil)
- Remain In Light (2013) (Belgium)
- Remain In Light (2013) (Netherlands)
- Sky Cinema (2014) (Germany) (tv)
- Transmission (2013) (Australia)
- Union Pictures (2013) (Canada)
Special Effects
- Nordisk Film ShortCut (visual effects)
Other Companies
- ARRI Lighting Rental (lighting equipment)
- Academy Costumes (costume hire)
- Ace Film Catering (unit catering)
- Angels the Costumiers (costume hire)
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- Bickers Action Vehicles (tracking vehicles)
- Carlo Manzi Rentals (costume hire)
- Casting Collective (extras casting)
- Davoli Davids (financial legal services)
- Deutsche Filmversicherungsgemeinschaft (completion guarantee)
- ET Travel (travel services)
- European Film Bonds (completion guarantee)
- GPT Groundwork Services (set groundworks)
- Gallagher Entertainment (insurance services)
- Hyperactive Broadcast (post-production facilities)
- JHA Film Safety Partnership (health and safety advisors)
- Law Office Diane Gelon (legal services: Adventure Pictures)
- Lee & Thompson (legal services)
- Lil & Kate London (accomodation services)
- Mainstream (sound design)
- Mediacom 24-7 (accommodation agent)
- Mediacom 24-7 (accomodation services)
- MovieTone (costume hire)
- Nordisk Film ShortCut (digital intermediate)
- On Set Facilities (location facilities)
- Panavision Grips (dolly and crane)
- Panavision (camera equipment)
- Peek and Boo (epk production)
- Rawse Varley and Co (accountant: Adventure Pictures)
- Shipleys (auditors)
- TLO Film Services (picture vehicles)
- Team Services (paramedics)
- The Movie Lot (unit security)
- Warner Bros. De Lane Lea (adr recording)
Storyline
Plot Summary |
London, 1962. Two teenage girls - Ginger and Rosa -- are inseparable; they play truant together, discuss religion, politics and hairstyles, and dream of lives bigger than their mothers' frustrated domesticity. But, as the Cold War meets the sexual revolution, and the threat of nuclear holocaust escalates, the lifelong friendship of the two girls is shattered - by the clash of desire and the determination to survive. Written by Adventure Pictures |
Plot Keywords | |
Taglines | Friendship pulled them together. Love tore them apart. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
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Additional Details
Also Known As |
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Official Sites | |
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Did You Know?
Trivia | Elle Fanning had her first screen kiss on this movie. See more » |
Goofs | Ginger and Rosa supposedly ride upon a whirling children's roundabout, and yet their hair isn't blown about by the wind. See more » |
Movie Connections | Featured in Episode #21.63 (2012). See more » |
Soundtracks | L'il Darlin See more » |
Quotes |
[last lines]
Ginger: [sitting writing in notebook] We had a dream... that we would always be best friends. When we were born... for some it was the end. Now it seems there may not be tomorrow. But despite the horror... and the sorrow... I love our world. I want us all to live. Now, Rosa, you've asked me to forgive. One day, if Mum survives this bitter night... then we shall meet again, and I will say... I loved you, Rosa. Don't you see? But we are different. You dream of everlasting love. Not me. Because what really matters, is to live. And if we do... there will be nothing to forgive. Roland: [sitting nearby] What are you writing? Ginger: Oh, a poem... about the future. Roland: I'm sorry, Ginger. I'm so sorry. Ginger: [continues to writing] But I'll forgive you anyway. See more » |