The fragile peace between apes and humans is threatened as mistrust and betrayal threaten to plunge both tribes into a war for dominance over the Earth.The fragile peace between apes and humans is threatened as mistrust and betrayal threaten to plunge both tribes into a war for dominance over the Earth.The fragile peace between apes and humans is threatened as mistrust and betrayal threaten to plunge both tribes into a war for dominance over the Earth.
- Nominated for 1 Oscar
- 17 wins & 48 nominations total
Larramie Doc Shaw
- Ash
- (as Doc Shaw)
Storyline
Did you know
- TriviaThere are two clues to the fate of Will Rodman (James Franco) after the events of Rise of the Planet of the Apes (2011). When Caesar returns to his house, a sign can be seen with an "X" on the stoop by the door. Usually this means someone living there is infected, so it can be assumed he was one of the first to die in the plague. Also, Will's 1980s-era Jeep Wagoneer is still parked in front of the house, covered in vines and vegetation, but it can clearly be seen when Caesar and friends first arrive to the house. Of course, if Will had left his house, he most likely would have driven his vehicle.
- GoofsWhen the hydro electricity supply is turned on, the humans say they can now contact other humans on the radios, yet they already had electricity supplied by diesel-powered generators.
- Crazy creditsAfter the credits there is an audio cue of Apes digging through, and removing rubble and concrete. Then Koba's distinctive breathing is heard, hinting at Koba surviving the fall after his struggle with Caesar.
- ConnectionsFeatured in Film '72: Episode dated 5 March 2014 (2014)
- SoundtracksThe Weight
Written by Robbie Robertson
Performed by The Band
Courtesy of Capitol Records, LLC
Under license from Universal Music Enterprises
Featured review
Well meaning, but a bit too full of its own importance, becoming a bit heavy and ponderous in the process
I had enjoyed the first film in what I guess is the modern version of the PotA franchise, so I was quite looking forward to this second film. The plot jumps quite some time ahead, to find mankind surviving in small bands following the outbreak of a virus around a decade ago. Meanwhile Caesar has established a community deep in the woods, founded off the survivors of the battle on the Golden Gate bridge. When a group of men ventures into the woods looking for an old dam in the hope of getting power to their community, it tests trust and loyalty within both camps.
As the title suggests, this is the point where the Apes start to develop rather than just survive, and as such it holds a key point in the series; unfortunately this is something that the film very much feels and as a result it carries itself much more seriously than it can bear. The base elements of the plot are all well and good, with a narrative that expands on war, peace, trust, fear and aggression in a way that balances the apes and humans pretty well. The problem is not that it does this, but that it carries it all too heavily, producing a rather ponderous tone that sees the delivery imbued with too much weight, with all the characters and every line seeming to be aware of the import which it has. This robs it of flow and naturalism, both of which it could have done with.
When the action comes, it carries this same weight. It provides plenty of good moments but again there is the constant sense of importance and darkness about it – so there is nothing that really rivals the Golden Gate Bridge sequence for spectacle and tension. In terms of the technical side of things, it is hard to fault the film, and the motion-capture performances really feed back into the effects to produce more than just impressive computer generated effects. Performances from Serkis and Kebbell are both very good, and it is shame therefore that Clarke is as stiff as a board and Oldman mostly wasted with little to actually do. The rest of the cast are the same – the humans seems overly labored while the apes are generally better.
It is not a bad film by any means, and there is a lot to like about it, even if a lot of this is what it could have been rather than what it is. The weight it carries is evident, so it doesn't just deliver an epic plot, it feels that it is doing that, in every word and scene. This stifles it, making it feel ponderous and too self- aware, which is a shame because there are a couple of very good performances in here, and a lot of impressive effects work.
As the title suggests, this is the point where the Apes start to develop rather than just survive, and as such it holds a key point in the series; unfortunately this is something that the film very much feels and as a result it carries itself much more seriously than it can bear. The base elements of the plot are all well and good, with a narrative that expands on war, peace, trust, fear and aggression in a way that balances the apes and humans pretty well. The problem is not that it does this, but that it carries it all too heavily, producing a rather ponderous tone that sees the delivery imbued with too much weight, with all the characters and every line seeming to be aware of the import which it has. This robs it of flow and naturalism, both of which it could have done with.
When the action comes, it carries this same weight. It provides plenty of good moments but again there is the constant sense of importance and darkness about it – so there is nothing that really rivals the Golden Gate Bridge sequence for spectacle and tension. In terms of the technical side of things, it is hard to fault the film, and the motion-capture performances really feed back into the effects to produce more than just impressive computer generated effects. Performances from Serkis and Kebbell are both very good, and it is shame therefore that Clarke is as stiff as a board and Oldman mostly wasted with little to actually do. The rest of the cast are the same – the humans seems overly labored while the apes are generally better.
It is not a bad film by any means, and there is a lot to like about it, even if a lot of this is what it could have been rather than what it is. The weight it carries is evident, so it doesn't just deliver an epic plot, it feels that it is doing that, in every word and scene. This stifles it, making it feel ponderous and too self- aware, which is a shame because there are a couple of very good performances in here, and a lot of impressive effects work.
helpful•7569
- bob the moo
- Oct 5, 2014
Details
- Release date
- Countries of origin
- Languages
- Also known as
- Untitled Rise of the Planet of the Apes Sequel
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $170,000,000 (estimated)
- Gross US & Canada
- $208,545,589
- Opening weekend US & Canada
- $72,611,427
- Jul 13, 2014
- Gross worldwide
- $710,644,566
- Runtime2 hours 10 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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