Four college girls who land in jail after robbing a restaurant in order to fund their spring break vacation find themselves bailed out by a drug and arms dealer who wants them to do some dirty work.
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An amoral, HIV-positive skateboarder sets out to deflower as many virgins as possible while a local girl who contracted his disease tries to save his next target from her same fate.
Director:
Larry Clark
Stars:
Leo Fitzpatrick,
Justin Pierce,
Chloë Sevigny
Set in Depression-era Franklin County, Virginia, a bootlegging gang is threatened by a new deputy and other authorities who want a cut of their profits.
Tells the story of seventeen year-old J (Josh) as he navigates his survival amongst an explosive criminal family and the detective who thinks he can save him.
Director:
David Michôd
Stars:
James Frecheville,
Guy Pearce,
Joel Edgerton
Cornered by the DEA, convicted New York drug dealer Montgomery Brogan reevaluates his life in the 24 remaining hours before facing a seven-year jail term.
Director:
Spike Lee
Stars:
Edward Norton,
Barry Pepper,
Philip Seymour Hoffman
Los Angeles, 1949: A secret crew of police officers led by two determined sergeants work together in an effort to take down the ruthless mob king Mickey Cohen who runs the city.
Brit, Candy, Cotty, and Faith have been best friends since grade school. They live together in a boring college dorm and are hungry for adventure. All they have to do is save enough money for spring break to get their shot at having some real fun. A serendipitous encounter with rapper "Alien" promises to provide the girls with all the thrill and excitement they could hope for. With the encouragement of their new friend, it soon becomes unclear how far the girls are willing to go to experience a spring break they will never forget. Written by
Muse Productions
People go into a movie with expectations. When those aren't met, they feel disappointed and decide to dislike the experience they just had. This is the case with most, if not all, of Harmony Korine's films. He's not making films to please audiences, he's offering an experience and making statements in profound ways. Spring Breakers is a dreamlike film with a loose narrative. It exists in a slightly warped reality. You cannot expect this movie to play like an episode of Law & Order. It is a visual and aural poem to be taken in like a painting. That said, the film is still very relevant to attitudes expressed and held in today's youth culture. How many times have you heard "YOLO" in the past year? This is showing the dark realities of the YOLO culture in dazzling day-glo. All of the sex appeal and glamour, all of the violence and emptiness. In interviews, Harmony Korine keeps referring to Spring Breakers as a "pop poem." I think what he's showing us with this film is every aspect of American pop culture at the same time. Most people are not prepared to be faced with how funny, sad, disturbing, violent, and just plain ridiculous these pop ideals can be when presented in such a confrontational and naked way. If you are able to put aside your expectations and let this film wash over you, you will be rewarded with a powerful experience from a beautifully crafted piece of "poetry in motion."
6 of 9 people found this review helpful.
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People go into a movie with expectations. When those aren't met, they feel disappointed and decide to dislike the experience they just had. This is the case with most, if not all, of Harmony Korine's films. He's not making films to please audiences, he's offering an experience and making statements in profound ways. Spring Breakers is a dreamlike film with a loose narrative. It exists in a slightly warped reality. You cannot expect this movie to play like an episode of Law & Order. It is a visual and aural poem to be taken in like a painting. That said, the film is still very relevant to attitudes expressed and held in today's youth culture. How many times have you heard "YOLO" in the past year? This is showing the dark realities of the YOLO culture in dazzling day-glo. All of the sex appeal and glamour, all of the violence and emptiness. In interviews, Harmony Korine keeps referring to Spring Breakers as a "pop poem." I think what he's showing us with this film is every aspect of American pop culture at the same time. Most people are not prepared to be faced with how funny, sad, disturbing, violent, and just plain ridiculous these pop ideals can be when presented in such a confrontational and naked way. If you are able to put aside your expectations and let this film wash over you, you will be rewarded with a powerful experience from a beautifully crafted piece of "poetry in motion."