Critic Reviews

78

Metascore

Based on 15 critic reviews provided by Metacritic.com
100
You may not be able to figure it out, but that's part of the point of this sensually-directed, sensory-laden experiential (and experimental) piece of art that washes over you like a sonorous bath of beguiling visuals, ambient sounds and corporeal textures.
91
Upstream Color is routinely confusing but not oppressively so; its final exquisite moments explain little yet still manage to invite you in.
88
Upstream Color is lush, rhythmic, and deeply sensual, a film of exceptional beauty.
88
A romance, a thriller, and a science-fiction drama, Upstream Color tantalizes viewers with an open-ended narrative about overcoming personal loss.
83
As willfully oblique as his first film was densely foreboding, a rumination on the perils and pleasures of interpersonal connection that would seem to refuse any easy connection with even the most curious of audiences.
80
Upstream Colors certainly is something to see if you're into brilliant technique, expressive editing, oblique storytelling, obscuritanist speculative fiction or discovering a significant new actress.
80
So Upstream Color is defiantly pitched in its own idiosyncratic key, but it bears the unmistakable influence of Carruth's fellow Texan Terrence Malick and also of Steven Soderbergh's early films.
63
This enigma-delivery system from a sharp mind has enthralling moments but becomes a bit enervating in its self-seriousness. By the end, the whole thing feels more academic than mind-bending.
60
No one is going to explain any of this for you - and the slightly snobby implication of Upstream Color is that explanations are for suckers.
60
Upstream Color is weird, but it's worth the time.

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