Side by Side (2012)
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- Not Rated
- 1h 39min
- Documentary
- 22 Aug 2012 (USA)
- Movie
The documentary investigates the history, process and workflow of both digital and photochemical film creation.
Director:
Writer:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast
Directed by
| Christopher Kenneally | ... | (as Chris Kenneally) |
Written by
| Christopher Kenneally | ... | () (as Chris Kenneally) |
Produced by
| Keanu Reeves | ... | producer |
| Justin Szlasa | ... | producer |
Music by
| Bill Ryan | ||
| Brendan Ryan | ||
Cinematography by
| Chris Cassidy | ... | director of photography |
Editing by
| Malcolm Hearn | ||
| Mike Long | ||
Editorial Department
| Pete Conlin | ... | post production (uncredited) |
| Alex Coppedge | ... | teaser editor |
| Kamil Dobrowolski | ... | assistant editor |
| Jonathan Hoffman | ... | post production (uncredited) |
| Brian Reali | ... | on-line producer |
Makeup Department
| Andie Michaels | ... | makeup artist |
Art Department
| Tomasz Opasinski | ... | poster design |
Sound Department
| Erik Bailey | ... | sound editor |
| Lewis Goldstein | ... | re-recording mixer (as Lew Goldstein) / supervising sound editor (as Lew Goldstein) |
| Max Greene | ... | sound editor |
| Tom Ryan | ... | sound editor |
| Alex Soto | ... | sound editor |
| Wen Hsuan Tseng | ... | sound editor (as Wen Tseng) |
Visual Effects by
| Brian Boyd | ... | online colorist |
Camera and Electrical Department
| Kyle Blackman | ... | camera operator |
| Travis Blackwell | ... | camera operator |
| Gregory Lundsgaard | ... | steadicam operator |
| Ivan Wood | ... | camera operator |
Animation Department
| Charles Floyd | ... | animation |
| Anthony Kraus | ... | animation |
Music Department
| Brendan Ryan | ... | composer: theme music |
Additional Crew
| Sylvia Cahill | ... | clearances co-ordinator |
| Sheerin Khosrowshahi-Miandoab | ... | assistant: Mr Reeves |
| Sandrine Magloire-Szlasa | ... | production assistant |
| Adelyn Navarro | ... | production assistant |
| Daniel B. Polin | ... | story consultant |
| Ashish Saboo | ... | transcriptions |
| Marc H. Simon | ... | distribution and fair use counsel / legal counsel: Cowan DeBaets Abrahams & Sheppard, LLP |
| Innes Smolansky | ... | production counsel |
| Thomas Strauss | ... | production coordinator |
| John Szlasa | ... | production assistant (as John D. Szlasa) |
| Janette Vecchiarelli | ... | production assistant |
| Ewelina Wesolowska | ... | production assistant |
| Ivan Wood | ... | production assistant |
| Max Wuttke | ... | production assistant |
Thanks
| Pamela Abdy | ... | special thanks |
| Dominick Aiello | ... | special thanks |
| Elizabeth Avellan | ... | special thanks |
| Eduardo Ballerini | ... | special thanks |
| Barry Bassett | ... | special thanks |
| Affonso Beato | ... | special thanks |
| Mark Benson | ... | special thanks |
| Mike Bergeron | ... | special thanks |
| Reid Burns | ... | special thanks |
| Frank Calabritto | ... | thanks |
| Enrique Chediak | ... | special thanks |
| Michael Cioni | ... | special thanks |
| Costa-Gavras | ... | special thanks |
| Amitanshu Das | ... | special thanks |
| Roger Deakins | ... | thanks |
| Peter Dobson | ... | special thanks |
| Bruce Dorn | ... | special thanks |
| Bruno Dumont | ... | special thanks |
| James Eggleton | ... | special thanks |
| Ben Gervais | ... | special thanks |
| Todd Gustavson | ... | special thanks |
| Sallie Hard | ... | thanks |
| James Harrison | ... | special thanks |
| Charles Herzfeld | ... | very special thanks |
| Robert Hoffman | ... | special thanks |
| Márk Jászberényi | ... | special thanks |
| Áron Jászberényi | ... | special thanks |
| Milan Krsljanin | ... | special thanks |
| Edward Lachman | ... | special thanks |
| Matt Livingston | ... | special thanks |
| Geoff Mansfield | ... | special thanks |
| Christian Manz | ... | special thanks |
| Eric McLeod | ... | special thanks |
| Bill Mead | ... | special thanks |
| Douglas C. Merrifield | ... | special thanks |
| Anastas N. Michos | ... | special thanks (as Anastas Michos) |
| Pierre Michoud | ... | special thanks |
| Claude Miller | ... | special thanks |
| Tak Miyagishima | ... | in memoriam (as Takuo 'Tak' Miyagishima) |
| James Neihouse | ... | special thanks |
| Joe Pagano | ... | special thanks |
| Alan Parker | ... | special thanks (as Sir Alan William Parker) |
| Michael Phillips | ... | special thanks |
| Demetri Portelli | ... | special thanks |
| Sarah Priestnall | ... | special thanks |
| Frank Prinzi | ... | special thanks |
| Thomas Pritchard | ... | special thanks |
| Tim Reynolds | ... | special thanks |
| Giovanni Ribisi | ... | special thanks |
| Rick Robinson | ... | special thanks |
| Jesse Rosen | ... | special thanks |
| Mike Ryan | ... | special thanks |
| William Sargent | ... | special thanks |
| Steve Schklair | ... | special thanks |
| Andrew Shipsides | ... | special thanks |
| Jean-Clement Soret | ... | special thanks |
| Oliver Stapleton | ... | special thanks (as Oliver Stapelton) |
| Tom Stern | ... | special thanks |
| Marc Stone | ... | thanks |
| Kenny Suarez | ... | special thanks |
| Kazimierz Suwala | ... | very special thanks (as Kazik Suwala) |
| Peter Sykes | ... | special thanks |
| David Throup | ... | special thanks |
| Kristen Troyansky | ... | thanks |
| Stefan Ukas-Bradley | ... | special thanks |
| Andrew Weisblum | ... | special thanks |
| Michael P. Whipple | ... | special thanks (as Mike Whipple) |
| Martin Zeichner | ... | special thanks |
| Marek Zydowicz | ... | very special thanks |
Production Companies
Distributors
- Axiom Films (2013) (Ireland) (theatrical)
- Axiom Films (2013) (United Kingdom) (theatrical)
- Tribeca Films (2012) (United States) (theatrical)
- Uplink (2012) (Japan) (theatrical)
- Film4 (2013) (United Kingdom) (tv)
- I Wonder Pictures (2014) (Italy)
- Kadokawa Shoten Publishing Co. (2013) (Japan) (DVD)
- Public Broadcasting Service (PBS) (2013) (United States) (tv)
- Yleisradio (YLE) (2012) (Finland) (tv)
Special Effects
- Noisy Neighbor Productions (animation)
Other Companies
- ARRI (thanks)
- AVID Technology (archive footage provided by)
- AbelCine (thanks)
- Alcatel-Lucent USA (archival footage provided by)
- Arri (archive footage provided by)
- Cineric (thanks)
- Corbis Motion (archive footage provided by)
- Cowans, DeBates, Abrahams & Sheppard (distribution counsel)
- Dolby Laboratories (sound mix)
- Eastman Kodak Company (archive footage provided by)
- Eastman Kodak Company (thanks)
- Framestore (archive footage provided by)
- Framestore (thanks)
- Getty Images (archive footage provided by)
- Goldcrest Films NYC (thanks)
- Industrial Light & Magic (ILM) (archive footage provided by)
- Industrial Light & Magic (ILM) (thanks)
- Light Iron (thanks)
- Lucasfilm (thanks)
- Moving Picture Company (MPC) (thanks)
- Panavision (thanks)
- Parabolic NY (sound post-production)
- Red Digital Cinema (thanks)
- Sixteen19 (post production services)
- Technicolor (thanks)
- Thought Equity Motion (archive footage provided by)
- Tribeca Film Festival (festival)
- University of Pennsylvania Archives (archive footage provided by)
Storyline
| Plot Summary |
Investigates the history, process and workflow of both digital and photochemical film creation. It shows what artists and filmmakers have been able to accomplish with both film and digital and how their needs and innovations have helped push filmmaking in new directions. Interviews with directors, cinematographers, colorists, scientists, engineers and artists reveal their experiences and feelings about working with film and digital. Where we are now, how we got here and what the future may bring. Written by aolse9 |
| Plot Keywords | |
| Taglines | a documentary about the science, art, and impact of digital cinema See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
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Box Office
| Opening Weekend United States | $6,956, 19 Aug 2012 |
Did You Know?
| Goofs | Identifies District 9 (2009) as being shot on the Sony F23. It was actually shot on Red One cameras. See more » |
| Movie Connections | Featured in Episode dated 13 February 2013 (2013). See more » |
| Soundtracks | Moon Side by Side See more » |
| Quotes |
Martin Scorsese:
The only way you can make sure that a film or anything on the moving image is going to be around sixty or seventy years from now, interestingly enough, ironically enough, is celluloid. See more » |