Directed by
| Sophie Fiennes | ||
Writing Credits (in alphabetical order)
| T.S. Eliot | ||
Cast (in credits order)
| Ralph Fiennes | ... | Performer | |
Produced by
| Mark Bell | ... | executive producer: BBC |
| Brook Crowley | ... | assistant producer: The Dry Salvages |
| James Dacre | ... | executive producer |
| Ralph Fiennes | ... | producer |
| Sophie Fiennes | ... | producer |
| Shani Hinton | ... | producer |
| Peregrine Kitchener-Fellowes | ... | line producer (as PK Fellowes) |
| Danny Moar | ... | executive producer |
| Martin Rosenbaum | ... | producer |
Cinematography by
| Mike Eley | ||
Editing by
| Sophie Fiennes | ||
Production Design by
| Hildegard Bechtler | ||
Costume Design by
| Hildegard Bechtler | ||
Makeup Department
| Lisa Mustafa | ... | hair & make up |
Production Management
| Jim Leaver | ... | production manager |
Second Unit Director or Assistant Director
| Harry Lowther | ... | assistant director |
Art Department
| Bob Belson | ... | carpenter |
| Lizzie Franki | ... | props supervisor |
| Silvia Gaspardo Moro | ... | poster |
| Andy Stubbs | ... | carpenter |
Sound Department
| Philippe Ciompi | ... | re-recording mixer / sound designer |
| Nick Laws | ... | sound operator |
| Christopher Shutt | ... | sound designer |
| Oliver Waton | ... | sound recordist |
| Gavin Winterborn | ... | boom operator |
Visual Effects by
| Alex Seery | ... | workflow supervisor |
Camera and Electrical Department
| Jason Acero | ... | grip trainee: Burnt Norton |
| Juliette Carton | ... | camera trainee: Little Gidding |
| Lisa Cottington | ... | first assistant camera |
| Andrew Douglas | ... | director of photography: The Dry Salvages |
| Harry Elvin | ... | head tech |
| Martin Elvin | ... | crane tech |
| Harry Fernberger | ... | assistant camera: The Dry Salvages |
| John P. Fitzpatrick | ... | camera operator: The Dry Salvages (as John Fitzpatrick) |
| Sonic Harrison | ... | electrician |
| Reece Hearnshaw | ... | key grip |
| Matt Humphrey | ... | still photographer |
| Dan Huntley | ... | key grip: Little Gidding |
| Luke Jefferson | ... | first assistant camera: Little Gidding |
| Tim Lutkin | ... | lighting designer |
| Paul Mammone | ... | key grip: Burnt Norton/East Coker |
| Graham Martyr | ... | first assistant camera: Burnt Norton |
| Davide Scalenghe Migliarini | ... | second assistant camera: Burnt Norton |
| Alexandra Médeville | ... | second camera assistant |
| Richard Saunders | ... | lighting |
| Ben Smith | ... | camera trainee |
| Nick Gordon Smith | ... | addition photography / director of photography: East Coker/Little Gidding |
| Jonny Stillwell | ... | second assistant camera |
| James Sweeting | ... | grip trainee |
| Alex Tate | ... | grip |
| Andy Taylor | ... | lighting |
Costume and Wardrobe Department
| Gabriel Firth | ... | costume dyeing |
| Ralph Mills | ... | dresser |
| Fred Nieddu | ... | tailor: Mr Fiennes |
| Lee Reikert | ... | tailor: Mr Fiennes |
Editorial Department
| Joshua Callis-Smith | ... | on-line editor |
| RJ Fernandez | ... | additional color |
| Marsela Jakaj | ... | post-production coordinator |
| Ryan Morris | ... | post-production coordinator |
| Alex Seery | ... | colorist |
| Richard Simpson | ... | post supervisor (as Rich Simpson) |
Music Department
| Peter Gregson | ... | writer & performer: "Inside" |
Script and Continuity Department
| Eva Sampson | ... | script supervisor |
Additional Crew
| Laura Coates | ... | assistant: Ralph Fiennes |
| James Dacre | ... | creative producer: original stage production |
| Vicky Eames | ... | deputy stage manager (as Victoria Eames) |
| Ralph Fiennes | ... | stage director |
| Eugene Hibbert | ... | general manager: Theatre Royal Bath |
| Stanley Hinton | ... | production assistant |
| Allegra Marland | ... | production assistant |
| Eva Sampson | ... | associate stage director |
| Andrew Speed | ... | company manager / stage manager |
| Fin Walker | ... | coach: physicality/expression |
