Though in several ways related to the previous Heimat films, this beautifully shot black-and-white feature is accessible even for those unfamiliar with Reitz’s previous work.
Home From Home is imbued with the villagers’ attachment to the land, but while dutifully capturing the period, the film feels less layered than Mr. Reitz’s past work.
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Slant MagazineClayton Dillard
Slant MagazineClayton Dillard
For all of its evident toil in recreating historically accurate environments and researching the precise conditions in varying regions, it has little force as a work of cinema.