The Taste of Things (2023) Poster

User Reviews

Review this title
50 Reviews
Sort by:
Filter by Rating:
8/10
loving what you do
ferguson-614 February 2024
Greetings again from the darkness. I do not cook and have never had an interest in learning to. Still, I do understand how some are drawn to it as an art form ... creating new dishes and new flavors, while generating such pleasurable sensations across the palettes of others. It's a passion like many professions (or hobbies), and it's one that is best shared with others.

This is the first film from writer-director Anh Hung Tron since 2016, and he has adapted the popular novel, "The Passionate Epicure" by Marcel Rouff. An extended opening scene (30 plus minutes) features a camera weaving in and around the activities in a kitchen where a gourmet meal is being prepared. Chit-chat does not occur. These people know their work and go about preparing multiple dishes precisely, meticulously, and expertly. Specific timing is the only thing requiring spoken language. Despite this, we learn much about these folks.

Juliette Binoche (Oscar winner, THE ENGLISH PATIENT, 1996) portrays Eugenie, the cook to gourmet chef Dodin, played by Benoit Magimel. Dodin periodically takes leave to mingle with guests, while Eugenie finds pure joy in her task at hand. Two assistants Violette (Galatea Bellugi) and Pauline (Bonnie Chagneau-Ravoire) work efficiently and quickly. Pauline is young and relatively new to the kitchen, yet she possesses a preternatural taste palette and flavor instincts, while Violette is a long-trusted staffer. As viewers, we are in awe of the precision and coordinated efforts that go into preparing world class dishes.

As the film progresses, we learn Dodin has proposed marriage to Eugenie many times over the years. She has always turned him down, choosing instead their kitchen partnership as well as occasional evening soirees in her room (when the door is unlocked). This arrangement works for her and has made him famous in the culinary world. Love and respect exists between the two, and he worries about her too-frequent fainting spells and light-hearted moments. Their conversation one evening after work tells us all we (and they) need to know. As for their backstory, given Eugenie's mentorship of Pauline, we can't help but wonder if maybe Dodin had once recognized such rare talent in Eugenie some twenty years past.

This is a film, and these are performances, meant to be savored every bit as much as the dishes we see prepared and the garden Eugenie tends. It's a delicate world that requires precise movements and commitment ... just as any relationship. We can all strive to find the joy and satisfaction on display here, despite knowing that these types of connections will at some point lead to loss.

In theaters on February 14, 2024.
30 out of 34 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
Cooking With Occasional Story
kylebaus25 May 2023
A beautifully shot movie with excellent attention to sound and atmosphere. If you have an interest in cuisine I mean really strong interest and get joy out seeing the process of the making of haute French dishes then this is the movie for you. If not then it's a bit of a drag with more care put into these (very beautifully shot) scenes of plate after plate being prepared and enjoyed than actual story to be told. It's a frustrating film as there is a story underneath and when we are taken to that story on occasion it's full of potential and some well crafted monologue but it's too rarely visited to feel satisfied with this meal. There are some wonderful tender moments that are memorable but are drowned in one of the many sauces that the story puts ahead in priority. The story feels as though it ends before it really began and even with the ending being a sweet look at the past and what it means to love, it doesn't feel fully baked enough for that message to really mean much.
71 out of 89 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
Enjoy this lovely feast!
csm-7811926 February 2024
Juliette Binoche and Benoit Magimel shine in their respective roles as a beautiful cook and her long admiring gourmet lover. The film is a great celebration of food with the first 20 minutes or so being a real feast for the eyes as a sumptuous meal is prepared in intricate detail as we salivate in our seats. This is very skilfully done as with minimal dialogue and accomplished direction we get a deft introduction to the characters involved as they create the mouthwatering dishes. There's a lovely tone to this film which celebrates in equal measure the love between the two lead characters and their shared passion for wonderful food and the lighting and cinematography is exquisite. The sequence where Dodin cooks for Eugiene is a delight as his two great passions come together, not least in the dessert. It was a pleasure to watch this life affirming film though I'd recommend you either eat immediately before it or have food ready immediately after as it will engage your tastebuds. Finally there is a winning performance from Bonnie Chagneau Ravoire as Pauline that is impressive for such a young actress.
16 out of 18 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
An Oasis in a cultural desert
jhengell9 January 2024
Why dont they make movies like this anymore? The beauty of the food, people and surroundings take you away on a sensory trip. I also miss this idealized depiction of love. Everything is so delikate and Beautiful. I recommend you to what this if you respect and appreciate the art of food preparations and the beauty of a life Long romance. The asthetic is so pleasing, everthing from birds chirping in an early morning vegetable garden, the Sound of the food simmering, all the fine pressed linen clothing, the coiffed hair, the reflection of warm sunlight on the Walls and copper pots, the wind in the flowers on the forest floor. Exquisite!
47 out of 54 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Absolutely in love with this film
rdstead22 December 2023
Cooking is a huge part of my life. I dream of a kitchen like the one in the movie where everyone could cook together. I also dream on having enough time to have cooking as a lifestyle! I'm the happiest when I'm trying nicely cooked meals. That movie spoke to me in so many levels. The love story, how romantic! The girls helping out, the girls eating the same food as the adults and learning to enjoy it. The style of the filming. Now I wish all cooking tv programs were like that, you watch the magic happening without the nonsense of the narrative from a presenter. I watched in French with Spanish subtitles so I missed some of the storyline and yet, it moved me to tears!
31 out of 37 found this helpful. Was this review helpful? Sign in to vote.
Permalink
romance and food
Kirpianuscus25 February 2024
Difficult to write too much. Because not the story real matters in this case but the food, its stories, the acting- and it is just great-, the details as small pieces of a large broidery, the atmosphere and the feeling to become, scene by scene, part of story .

Romance and French gastronomy. Can be something better ? I suppose not.

Juliette Binoche and Benoit Magimel . Can zou be not seduced by high expectations , based on preview performances and full confirmed by this film ?

It is a film for seduction in round, delicate, precise manner. And it makes just a precious job. So, cooking and love and challenges and discreet passions. And a profound magnificent work in which the taste buds are served by imagination helped by admirable images..
11 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
A promising romance swallowed too fast
annelauremilleville17 November 2023
Benoit Magimel and Juliette Binoche are masterful, as usual, as they subtlety unveil a discreet but moving love story linked to their common passion for cooking and the art of French gastronomy. Accompanied by two stunning young actresses (Galatea Bellugi and Bonnie Chagneau-Ravoire) and excellent actors such as Emmanuel Salinger, nonetheless this film disappoints. Although I particularly enjoyed the (too?) long scene of the multi-course meal preparation, where the camera follows everyone's movements and gives us the impression of being with them in the kitchen, each sequence drags on and bores. It's a pity to have sacrificed the development of this atypical couple's story in favor of scenes of repeated culinary orgies that are unappetizing to watch.
20 out of 39 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
A transcendent romance film honoring the art of food
spencermcook16 February 2024
During a time where food is rarely explored due to the demand for convenience and lack of energy that we're willing to provide, "The Taste of Things" invites audiences to transcend into a space that most of us have never known. Not only a space of pure romance in 1889, but one that is tied together with an equal adoration for the artistic and emotional nature of food, and the endless beauty that stems from the smallest details. Whether it's because Juliette Binoche and Benoît Magimel were married for 5 years in real life or simply because they're incredible actors, the chemistry and understanding for one another are potently sincere and encourage viewers to seek nothing less than what they're experiencing. Discover passion, meticulous care embedded under a foundation of years-long expertise, and a chase toward love that never ends even when most relationships do. The framework of a slow rotating camera, necessary silence, patient observation, and organic expression creates a tone that you can nearly taste. A delightful masterpiece by Anh Hung and one that I'm craving to see again.
22 out of 26 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Style, taste, but..
grahamschafer15 February 2024
Lovingly filmed (in natural light?), with much clatter and sizzle, it will appeal to foodies. The plot is not entirely predictable, partly because it is as fragile as a sheet of buttered and baked filo (?) pastry.

Every shot is like a painting. In particular, an outside meal successfully channels Renoir.

The main characters seem to stand for male, female, child archetypes. But not a hell of a lot happens. Just let it wash over you. Questions about who these people are and what happened to the poor people (and the washing up) are elided in a rather dated way. And don't go on an empty stomach-unless you don't eat meat.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
This film could only be made in French
Lomax34324 February 2024
I am, I admit, a Crocodile Dundee cook - you can live on it, but it tastes like s*** Nevertheless, I revere those who are masters in the gastronomic arts.

Set in the 1870's, this film is a hymn to the pleasures of the table. The camera lingers lovingly over every pot and pan, every ingredient, every procedure, to the extent that it would have been wrong for the film to have been in any language but French. Anyone who can watch this film without salivating has no soul.

The plot is secondary to the food. Dodin (Benoit Magimel) is an expert, though amateur cook, whose hobby is hosting dinner-parties for a group of friends. For twenty years, Dodin has employed Eugenie (Juliette Binoche) as his cook, though she's far more than that. They sleep together, though she repeatedly declines his offers of marriage. Both performances are nigh-on perfect. There's also a young girl, the daughter of a neighbour, who has superlative taste-buds, and who wants to be taken on as an apprentice.

There's a bit more plot than that, including a comic dig at those who equate excess with excellence, but everything is subordinate to cooking and eating - and the actors do actually eat the food. One thing that grates with me is films where people don't actually eat the food in front of them.

I left the cinema hungry, and wishing that I had the patience and the dedication (and the time) to cook like that.

Oh, and though I grudgingly accept that, with the possible exception of the Chinese, the French are the finest cooks on Earth, I draw the line at ortolan.
19 out of 24 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
The Taste of Things
CinemaSerf9 March 2024
"Dodin" (Benoît Magimel) and "Eugénie" (Juliette Binoche) have a synergy in the kitchen that creates mouthwatering and innovative culinary treats for their friends. She does the cooking, he more the design; she shuns the limelight, he is more gregarious - but it's a professional relationship that has worked well for the last two decades. It's probably fair to say that they are both a bit slow off the mark, but gradually now their relationship begins to become one of a more personal, intimate, nature but she is still uncertain. How to win her round? Well he starts to prepare delicacies to tempt both her palate and her heart. The path of truth love never runs smooth, though, and soon their dynamic is facing a testing time that will likely see unwelcome change for all concerned. What I actually liked about this film is that there's not a great deal of dialogue. It looks great and the two actors genuinely convince as they prepare their gourmet dishes using ingredients and techniques that are way more fascinating than the unfolding drama between their characters. You can almost smell the food! It also doesn't shy away from some of the culinary curiosities of rustic French cuisine, so be prepared for a few dishes that might not do for your appetite what they do for those on screen, but by two hours in I found myself genuinely invested in what I was watching - and very glad I'd eaten first. Cooking is an art form; so is good cinema - we get both here in abundance.
3 out of 5 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Absolute Perfection.
malmevik7719 February 2024
La passion de Dodin Bouffant (The Taste of Things)

Ordinarily I would write a review of a French film in French, but I don't think I have the ability to convey what needs to be said. It will be hard enough in my native language.

Food is more than just sustenance. Food has language. Food has emotion. Food has meaning. When someone prepares a meal with such elegance and finesse to awaken your senses and inspire emotional responses, then they are expressing how much they love and care for you.

To allow the food to speak, this film has absolutely no musical score. The sounds used are those of the frying pan, the stove top, knives and utensils. There is also attention paid to the breathing of those preparing food. Every sound a person would encounter is amplified in the film to remind us of how food speaks to us. The audience will also notice that when the food is placed in a person's mouth, there is no sound. There is no chewing, no crunching, no sound whatsoever except for when the person swallows. True genius.

The film takes place in the 19th century, so the art of cooking takes a lot of time. No microwaves or electronic timers. Everything is done with skill and a timer built inside the heads of the chefs. My eyes were glued to the screen during the scenes of preparing food, of which there are many. It is shot almost as an action film with all the moving parts.

The metaphor of preparing food as expressing emotion drives the plot as the chef, Dodin, and his cook of 20 years, Eugenie, work through feelings they both can't seem to express.

It's a beautiful movie, heartwarming, and heart wrenching. For all the chefs reading this, you will love it. And for all people that love food, go see it and learn how much love goes into your meals.
14 out of 19 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
A foodie may enjoy the lingering preparation of gourmet food
steiner-sam25 February 2024
It's a period-based love story inspired by gourmet French cooking on a large estate in France in the late 19th century. The estate owner, Dodin Bouffant (Benoît Magimel), appears to live a lonely, wealthy life distracted only by friends who also enjoy carefully prepared gourmet food. His cook for the past 20 years has been Eugenie (Juliette Binoche), who lives in the third-floor servants' quarters but seems OK with periodic nighttime visits from Dodin, who wants to marry her. Eugenie's assistant is Violette (Galatea Bellugi), whom Dodin dismisses as unable to boil water. However, Violette's young niece, Pauline (Bonnie Chagneau-Ravoire), shows a natural aptitude for discerning flavors and seasonings.

The film follows the preparation of several elaborate meals along with Dodin's ongoing efforts to get Eugenie to marry him. We also learn of Eugenie's health issues and their impact on Dodin and their relationship.

What to say about this movie? If you're a foodie, you may enjoy the lingering (and I mean lingering) preparation of gourmet food items. I'm not a foodie; where are my meat and potatoes? Dodin's gourmet companions are colorless, leaving a reasonably meager plot to Magimel and Binoche. By the end, I still didn't understand why Eugenie resisted Dodin's marriage proposal so long before eventually succumbing. Or did she finally resist another way? The ending leaves open possibilities.

I don't see this film doing well at the Academy Awards.
4 out of 8 found this helpful. Was this review helpful? Sign in to vote.
Permalink
5/10
30 minutes of "drama" 100 minutes of people cooking and eating
pol-mas7 January 2024
Let's start by the positive things: acting, photography, settings, detail. What could go wrong with so many tasteful ingredients? That the measures were wrong. Instead of focusing on the promising and mysterious relationship unfolding between the main protagonists, for most of the runtime we are forced to gorge on an endless parade of French culinary glories (unfortunately, only visually, which is what makes it frustrating). It is not that I did not like the movie, it is more like I felt that there was no "movie", no drama. I consider myself a fan of European slow paced cinema, but only when a drama is actually unfolding. Maybe it's just that I missed something. Would not recommend unless you are a studying French high cuisine from the XIX century, in that case, go ahead, it is the perfect documentary.
29 out of 48 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
Food 🌰, Filmaking 🎥 and Romance 💖
Just Got out Of a The Taste of Things Screening.

Such an Excellent Watch.

Things I Liked about the Film -

1. 🌾🐦Firstly, the Naturalistic Elements of the Whole Thing. From the Birds in the Background, to the Walks throughout Beautiful Greenery. Scenes of Finely Preparing the Various Meals and then to the Sound of the Sizzling During The Different Dishes Actually being Cooked. It had this Certain Type of Beauty about it and it was also Very Relaxing to Watch.

2. 👪 The Performances -

  • Benoit Magimel as Dodin, Perfect Performance by him, he Conveyed the Deep Care for Eugenie that was Indeed Needed for this Film.


  • Juliette Binoche as Eugenie, Literally Perfectly Casted, She Has this Super Maternalist Nature to Her with her Cooking and Caring, even though none of those Girls were Her Daughters. And her Understanding Perfectly of the Process of Taste Within Various Dishes.


  • Galatea Bellugi as Violette, Eugenies assistant, she added more feminity to the whole Picture.


  • Bonnie Chagneau-Ravoire as Pauline, the Prodigy, she has Exceptional Skill at such an Early Age, and with Honing by Dodin or Eugenie, she can Become an Absolute Master of this Thing.


3. 🎥 Some of the Cinematography Shots both indoors & outdoors were Crystal Clear and Coupled with the Colour Grading in Certain Shots, those Shots were Gorgeous to Watch.

4. 🍁 That Autumn Speech was so Beautiful and had so much Substance. Part of the Speech was Autumn Passing The Height of the Summer 🌞 to Get into Preparation for the Winter💧

Overall, it was a Gem of a Watch 💎
13 out of 18 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
La passion de Dodin Bouffant or Food being a Flirt Instrument
london_angel17 February 2024
Warning: Spoilers
Who would think that a 2-hour food drama can be captivating? Yet, it is, especially if the movie is directed by Anh Hung Tran and features a crew to the viewer's taste. I believe the secret recipe of the movie's success lies in its analogy of food being an instrument of love. We see this not only in the straightforward relationship between the cook and the gourmet she has been working for, but also in the way they express their love for each other, in subtle jokes, like men covered with napkins and going for 'another round' of chicken wings, and in the love of nurturing the estates. With food flirtation being the red thread of the movie and French cuisine as the quintessential form of art, the development of Eugénie and Dodin's relationship appears elegant and is reminiscent of the sentiments of the past century.

Nevertheless, the passion for food comes from the development of taste. The storyline of a young girl with the rudiments of future culinary talent exhibits this idea. Being able to recognise and express the myriad scents of a dish's symphony, she is heading her future towards a culinary career. Everyone should watch it, but with a caveat: your own food sensitivity will likely enhance as a byproduct of watching the main characters' attitude towards the dishes, assessing them with great attention and delight.

Leaving all else aside, the aesthetic pleasure derived from viewing the French garden, the exquisite interior, and dish designs, and the sunbeams in the kitchen, creates an idyllic balance in the movie, making it a perfect pastime for a connoisseur of elegance. I would highly recommend this movie to those who are looking for unique aesthetic pleasure in cinema.
10 out of 14 found this helpful. Was this review helpful? Sign in to vote.
Permalink
6/10
FOODIE PORN
js-6613018 March 2024
Turn of the century (not this one) France with the rise of an adventurous chef experimenting with culinary combinations previously impossible, is the tasty setting here. Opening with a meticulous and lengthy food prep scene that feels good enough to sniff, "Taste of Things" is a loving ode to the craft of culinary magic largely destroyed by present day reality television. It is sweet, dedicated, artful and reverential.

It is also lacking proper exploration of the human characters involved. As the tale of a longtime chef and his equally adept cook, this is a love story of a partnership without any bite. Much of the human interaction is banal and staged, with a dearth of character development. Instead the players are presented much like the dishes: served on a plate, ready to consume, easily digestible, posed as a carefully lit oil painting. They exist solely in the moment. Emotions are rendered bland, even when love, life and death are involved. Too bad, because there is much to work with here.

The food prep, creation and devouring is the sumptuous lure for seeing this delicious (looking) film, which should come with an inevitable hunger warning. While the kitchen is the real star, the story is only half-baked. That is all.

  • hipCRANK.
1 out of 1 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A Leisurely, Luminous Portrait Of Love, Culture And Cuisine, The Taste Of Things Is A Feast For The Eyes
rannynm11 February 2024
A leisurely, luminous portrait of love, culture and cuisine, The Taste of Things is a feast for the eyes. It's all about partnership through a shared passion, conveying feelings through fewer words and baked Alaska. With such deep themes and beautiful visuals, no wonder it's France's selection for this year's Academy Awards.

The Taste of Things is a tough movie to summarize. It's about so much more than its plot... but here goes. The film takes place entirely in a 19th century French manor, mostly in its warmly-lit, wood-accented kitchen and centers on the bonds between the characters. Dodin Bouffant (Benoit Magimel), an esteemed gourmet partly based on real-life gastronome Jean Brillat-Savarin, oversees the meal, helps with the cooking and visits with his group of friends. His partner in the kitchen, Eugenie (Juliette Binoche), beams as she whips up dozens of French culinary marvels. They have two assistants, who seem more like daughters, the teen Violette (Galatea Bellugi) and her niece Pauline (Bonnie Chagneau-Ravoire). This scene unfolds each day for years. The film follows Dodin's and Eugenie's romance as it evolves from unspoken partnership to marriage to separation by illness, as well as how the younger members of the kitchen grow.

Director Tran Anh Hung opens The Taste of Things with a 38-minute long tracking-shot scene of the characters preparing an intricate meal with zero technology (it is the 1880s, after all), relishing every step of the way. I found it so satisfying to watch that I didn't pay any heed to its length, though this may not be the case for some viewers, as the only lines said are "Put the veal in the oven" and a couple directions like this. I actually enjoyed getting to know the characters by watching what they do and observing their body language. There's many more scenes like this one, none 38 minutes long, though. The film does have a bit of a languid pace, which takes some getting used to and might not suit some viewers' taste (pun intended). The few events that happen outside the kitchen happen either in the bedroom, in the living room or the adjacent garden. On another note, Dodin and Eugenie's relationship is a centerpiece of this film, and Magimel and Binoche as Dodin and Eugenie spellbind with their subtle yet powerful acting and palpable bond. Dodin has proposed to Eugénie a number of times over their 20 years together, to no avail. She says marriage is not right for them, because their bond is one of mutual respect and tenderness. The openness with which they discuss love is rare in modern films, as is their clarity on the matter - truly a mature romance. Additionally, the interactions between Binoche and Chagneau-Ravoire as Pauline are a delight to watch. Pauline's passion for food is shown in a scene where she names each of the two dozen items in a dish and when she nearly cries after tasting a baked Alaska; Eugenie sees herself in the young girl and takes her under her wing. Jonathan Ricquebourg's mouth-watering and skillful cinematography - tracking people as if walking beside them, sometimes peering into pots, and sitting at the same table as Dodin's "suite" of friends - along with Tran Anh Huang's careful direction adds an indescribable realism to the film. It's a film that will make you hunger for more.

The Taste of Things is a film about indulgence - in food, in love, in family. It also shows viewers that truly powerful relationships are those that transcend labels and that are bound by shared love for one another and, in this case, a shared passion. It shows viewers that food is inextricably tied to love, life and joy. Be forewarned that the film does contain scenes with partial nudity and smoking.

I give The Taste of Things 4 out of 5 stars and recommend it for ages 12 to 18, plus adults. The Taste of Things releases on February 9, 2024 in theaters and is an Oscar nominee. By Eshaan M., KIDS FIRST!
10 out of 15 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
The Taste of Things has an aftertaste
moira-sullivan26 February 2024
Most people have small apartments with tiny kitchens and barely enough room for preparing the kind of meal that in the first 17 minutes of The Taste of Things is served to six men in suits and ties by a young apprentice and female cook. Eugénie (Juliette Binoche) learned the art of cooking from her mother and father, a renowned Parisian pastry chef. The main course includes a cream sauce for vegetables she spoons into a large bread bowl, topped off by flaming cake filled with ice cream - "baked Alaska" ("bombe Alaska" actually in this film) or "omelette norvégienne" in French. It is called a "scientific desert" created by the American physicist Sir Benjamin Thompson who made the discovery that egg whites made a great insulator for cold filling in a hot cake. After making this elaborate meal Eugénie almost faints, and I understand why she would after this physically exhausting and demanding culinary ordeal. She was a cook long before the manor owner Dodin but she never sits with his friends at the table. The original title of the film was Pot-au-Feu (Pot on the Fire), the name of an elaborate but comparably unerotic and bland looking meat and vegetable stew.

The film's title in French is La Passion de Dodin Bouffant and the narrative is about Dodin's desire for Eugénie and her cooking. Funding for this film came from the Loire region, Canal Plus and French National Television, directed by Tran Anh Hung, winner of the best director award at Cannes in May. Originally from Vietnam he has lived in France since 1974 and attended film school at École nationale supérieure Louis-Lumière (ENS Louis-Lumière). Several of his films have won at Cannes in the past.

One thing I have noticed about cooking films set in France are the large kitchens, great utilities, and open spaces. It's a joy to cook in a place where there's room and so I pause here to note that it is a class difference if you don't have a good kitchen or can afford installing one. In Paris apartments can come without kitchens and so it is nothing to take for granted. When the owner moves, they take the kitchen with them. I have a stove in the US where the heat does not go outside anymore via a stove pipe but stays in the kitchen, that becomes like a furnace. In Stockholm during some renovations 'kitchens' are built into a closet with no room for the heat to escape except a ventilator that circulates above the stove. There is no storage for large pans or pots. The kitchen in The Taste of Things is in a French manor with a huge garden, a wine cellar and underground well of fresh water. A film like this is enjoyable for spectators who don't have such resources. Since this is a period pieces dressing for dinner is a luxury.

Historically film is a window to a world of privilege as the characters in this film. I was surprised to see a film like this at Cannes for it is about a world of an ideal past. The extraordinarily refined scenes with meat intensive dishes that require elaborate preparation are beautifully arranged. The kitchen has sauté pans, huge pots for boiling and apprentices who assist in the creation of delicacies from the garden or the market. If you watch this film while you're hungry it should make it even more pleasurable. The sounds of washing vegetables, steaming food, whipping, pouring, and sizzling dishes are part of this almost edible film. The young female apprentices are so used to cooking that they can even taste what the ingredients are without ever seeing them. In one scene, six men with napkins over their heads guzzle and slurp a dish with great relish, reminiscent of Hayao Miyazaki's animated classic Spirited Away (Japan 2001) when the parents of ten-year-old "Sen" turn into pigs in an outdoor restaurant. But it is not just the consumption of food in The Taste of Things: we are instructed in the film that ostentatious, lavish meals constructed without a knowledge of food preparation is not French "haute cuisine".

The focus of the cinematography is of course on the utensils and preparation of gourmet meals. The conversation centers on how wonderful the food is with a short history of French cooking with important historical figures. The great Burgundy wines such as 'Clos Vougeot' revered in the Papacy situated in Avignon in the 13th century is part of the history lesson. The men at the table tell the story of Marie-Antoine Carême who grew up poor with fourteen brothers and sisters and not enough food to eat.

At the end of the film is a soliloquy by Dodin Bouffant on where food first lands in the mouth and on the peristaltic movement involved in digestion. The relish in which he tells this story is almost erotic, which makes it clear why it took 20 years for him to ask Eugénie to marry him. After all, he regarded her more as his cook than his wife. This is a question posed by Eugénie to him and it is important to her. Her 20 year relationship based on labor intensive food preparation with Dodin involves knocking on her door for permission to enter and peering into her bedroom to watch her partially undressed with her back to the door like a piece of sculpture. The way he thinks about her almost as a meal to devour is contained in his voyeuristic glances. In the meanwhile, his rudeness to the young female apprentices in the manor and other female cooks is obvious all the more since he in contrast relishes speaking with his male comrades who consume Eugénie's cooking and discuss her food with scientific detachment over wine and tobacco; Dodin may love Eugenie but she is eroticized in an uncomfortable way in Tran Anh Hùng almost perfectly created film and meticulously arranged mise en scène like one of Eugénie's gourmet meals.

Copyright Moira Jean Sullivan Movie Magazine International May 24, 2023.
2 out of 4 found this helpful. Was this review helpful? Sign in to vote.
Permalink
8/10
A very beautiful movie.
Rogermex18 February 2024
This was like watching some grand French painting in motion, it is so beautifully filmed, edited, so colorful. I don't think it actually is a "foodie movie" despite the prolonged scenes of complex French food preparation, cooking, serving and pleasure. At the end of the movie there is a wonderful coda scene, which I will not reveal, except that it resonates back to a scene in which Dodin has a monologue about the physical and physiological process of consuming and enjoying a morsel of food. You know all along that there is something wrong with Eugenie (Binoche) but you don't quite understand what exactly is wrong with Dodin. It will take some thinking over.

By the way, you should look up what an "ortolan" is.
5 out of 7 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
Like it for what it is
srgymrat332 April 2024
This is an exceptionally slow burn ( only in the allegorical sense , as they don't actually burn any of the food )

The aesthetics are mesmerizing and the presentation of the food was enough to make me hungry, even never having eaten French food in my life and being extremely picky . It was a love letter to food , to cooking , to art , to patience and to a lifestyle that no longer exists .

The natural feeling was amazing as well , these were good people , trustworthy people , people you want happiness for and want to win and that was all developed in the first scene , with no dialogue which is amazing filmmaking .

Another major shout out goes to the sound editing / track . The sound of the garden and the kitchen felt so real and added to your closeness so the characters , their lives and the food itself .

It's very very slow , it's very foreign , it's an art film and it's meant to develop at a snails pace . Appreciate that . Be ready for that and you'll love it. .
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
9/10
50min cooking and 90min drama
azuolasgrazulis7 December 2023
Warning: Spoilers
I enjoy cooking so these few short minutes did not last long. But the movie is not about food..... Its about a man who is in love, but only in the end you find out what hes in love with. The idea of passion and how deep it goes into ourselves and how it changes us from within is immeasurble. The fact that you can love someone for twenty yers and don't realise, that you feel love not for them, but for the thing they do is scaring. But the movie show it in such easy note, that its hard to realise even after a few hours or days of watching. If you are not into cooking or cooking videos of some sort, be aware that that part takes a huge part in this movie:)
8 out of 13 found this helpful. Was this review helpful? Sign in to vote.
Permalink
7/10
engrossing in the culinary arts with passionate love
HankCoT28 March 2024
Most prolific artists work meticulously and with great respect for their craft, no matter how small or arbitrary some chores may seem.

The Taste of Things showcases this mindset in a way that is calm and warm, thus providing its audience with an enjoyment that follows the same pace as the cook(s) working. This serene vibe is partly achieved with its attention to detail on the meals created, whether it be their sounds, or how the camera flows around to show us minute details. And of course,, the time, setting and art form is perfect for a slow film like this one. I just wish the characters would give me more emotionally, as they felt more like vessels for the craft and the themes presented.

Still, I really like what is being told here, not only about the enjoyment and the commitment of creating something, but also the burden of knowing that this is a privilege that will not last.
0 out of 0 found this helpful. Was this review helpful? Sign in to vote.
Permalink
4/10
Memories of Eden
GeneSiskel20 February 2024
A man and a woman co-exist for twenty years in the same heavenly space -- a kitchen garden and all that comes from it -- self-absorbed in a craft and hardly interacting. Call them Adam and Eve. Then one day she feeds him -- a French apple so to speak -- and he feeds her, and after that reality emerges and they experience desire, evil, and mortality. Or maybe they just dream that they do. This French-Vietnamese take on the Book of Genesis is overly long and, I'm sorry to say, ultimately not all that interesting. See it if you enjoy 18th or 19th century kitchens and their daily routines. Otherwise consider spending the price of admission elsewhere.
14 out of 23 found this helpful. Was this review helpful? Sign in to vote.
Permalink
10/10
The Perfect Food Comfort Movie
chenp-5470818 February 2024
This movie is basically a two hour food porn movie with gorgeous production designs, wonderful performances, and absolutely fantastic cooking atmospheres throughout. Filmmaker Tran Anh Hung's direction was tender and sweet as Hung was able to capture the atmosphere and tone really well. His previous works like "The Scent of Green Papaya, Cyclo, and The Vertical Ray of the Sun" were pretty great and while his more recent works haven't been great, I am happy to hear Hung was able to come back with this gorgeous movie.

Throughout, the production designs, colors, camerawork, and sound designs are amazing. Many of the food moments where the characters are cooking and demonstrating their works are absolutely amazing. As someone who enjoys seeing various food around different cultures, seeing the various French cuisines being cooked and people mastering their own crafts is satisfying and admittedly, made me hungry when watching.

The narrative is simple and while I can understand others may find it to be too basic, I personally think it is perfect for what the atmosphere, tone and style the movie is going for. The simple romance between the characters, the comforts of food, and the lovingly atmosphere creates a feel good story with interesting characters, dynamics and scenes together. Really makes it the perfect vibe movie. All of the performances are great as Juliette Binoche and Benoît Magimel have great chemistry, dialogue and character traits together.

Having won the best director award at the 2023 Cannes Film Festival, I can see why because Hung's direction, writing, and the atmosphere of this movie is amazing. Definitely his best work in a long time.
6 out of 10 found this helpful. Was this review helpful? Sign in to vote.
Permalink
An error has occured. Please try again.

See also

Awards | FAQ | User Ratings | External Reviews | Metacritic Reviews


Recently Viewed