A controversial true-crime writer finds a box of Super 8 home movies in his new home, revealing that the murder case he is currently researching could be the work of an unknown serial killer whose legacy dates back to the 1960s.
Director:
Writers:
Stars:
Awards:
- 3 wins & 14 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Ethan Hawke | ... |
Ellison Oswalt
|
|
| Juliet Rylance | ... |
Tracy
|
|
| Fred Thompson | ... |
Sheriff
(as Fred Dalton Thompson)
|
|
| James Ransone | ... |
Deputy
|
|
| Michael Hall D'Addario | ... |
Trevor
|
|
| Clare Foley | ... |
Ashley
|
|
 |
Rob Riley | ... |
E.M.T.
|
| Tavis Smiley | ... |
Anchor
|
|
|
|
Janet Zappala | ... |
Reporter
|
| Victoria Leigh | ... |
Stephanie
|
|
| Cameron Ocasio | ... |
BBQ Boy
|
|
| Ethan Haberfield | ... |
Pool Party Boy
|
|
| Danielle Kotch | ... |
Lawn Girl
|
|
| Blake Mizrahi | ... |
Sleepy Time Boy
|
|
| Nicholas King | ... |
Bughuul / Mr. Boogie
(as Nick King)
|
|
| Rest of cast listed alphabetically: | |||
| Chester the Chihuahua | ... |
Barking Dog (uncredited)
|
|
| Vincent D'Onofrio | ... |
Professor Jonas (uncredited)
|
|
|
|
Emma Jonnz | ... |
Flavian (uncredited)
|
| Rachel Konstantin | ... |
Mrs. Stevenson (uncredited)
|
|
Directed by
| Scott Derrickson | ||
Written by
| Scott Derrickson | ... | (written by) & |
| C. Robert Cargill | ... | (written by) |
Produced by
| Jason Blum | ... | producer |
| Bailey Conway | ... | associate producer |
| Scott Derrickson | ... | executive producer |
| Gerard DiNardi | ... | line producer |
| Brian Kavanaugh-Jones | ... | producer |
| Charles Layton | ... | executive producer |
| Jessica Malanaphy | ... | associate producer (as Jessica Hall) |
| Rick A. Osako | ... | associate producer |
| Jeanette Volturno | ... | associate producer (as Jeanette Volturno-Brill) |
Music by
| Christopher Young | ||
Cinematography by
| Christopher Norr | ... | director of photography |
Editing by
| Frédéric Thoraval | ||
Editorial Department
| Reggie Diaz | ... | digital intermediate producer: Cinelicious |
| Christine Dougherty | ... | digital intermediate producer / digital intermediate producer: Technicolor |
| Tony Dustin | ... | digital intermediate colorist: Technicolor |
| Tyler Fagerstrom | ... | digital intermediate assistant: Cinelicious |
| Paul Korver | ... | post-production consultant: Super 8mm |
| Sarah C. Reeves | ... | first assistant editor |
| Steve Rodriguez | ... | digital intermediate colorist: Cinelicious |
| David E. Schneider | ... | digital intermediate editor: Technicolor (as Dave Schneider) |
| Brian Swanson | ... | additional assistant editor |
| Gilbert Carreras | ... | color timer (uncredited) |
Casting By
| Sheila Jaffe | ||
| Ruth Salen | ||
Production Design by
| David Brisbin | ||
Art Direction by
| John El Manahi | ||
Costume Design by
| Abby O'Sullivan | ||
Makeup Department
| Ozzy Alvarez | ... | special effects makeup: Mr. Boogie |
| Joe Amella | ... | special makeup effects artist |
| Adam Bailey | ... | special makeup effects artist |
| Andre Bustanoby | ... | makeup effects pre-viz: MastersFX |
| Sonia Castleberry | ... | hair stylist |
| Sarah Hindsgaul | ... | hair stylist |
| Satoko Ichinose | ... | hair department head |
| Karma Karel | ... | makeup department head: Los Angeles |
| Rich Krusell | ... | special effects makeup artist (as Rich Krussell) |
| Laura Lieffring | ... | makeup effects technician |
| Liliana Maggio | ... | key hair stylist (as Liliana Meyrick) |
| Todd Masters | ... | special makeup effects producer |
| Jason Milani | ... | special effects makeup artist |
| Lauzanne Nel | ... | key makeup artist |
| Danielle Noe | ... | special effects makeup supervisor |
| Björn Rehbein | ... | special effects makeup artist (as Bjoern Rehbein) |
| Terry Robbins | ... | hair department head: Los Angeles |
| Stayc St. Onge | ... | special effects makeup artist (as Stacy St. Onge) |
| Arielle Toelke | ... | makeup department head |
| Dawn Tunnell | ... | additional makeup |
Production Management
| Kaylene Carlson | ... | unit production manager |
| Phillip Dawe | ... | post-production executive |
| James K. Jensen | ... | post-production supervisor |
| Lior Vardi | ... | production supervisor |
Second Unit Director or Assistant Director
| Nicholas R. Bell | ... | second assistant director |
| Adam Bernard | ... | second second assistant director |
| Gerard DiNardi | ... | first assistant director: Los Angeles |
| Erica Fishman | ... | second assistant director |
| Danny Giles | ... | second assistant director: Los Angeles (as Daniel A. Giles-Valera) |
| Eddie Griffith | ... | additional second second assistant director |
| Matthew Tibbenham | ... | second unit director (uncredited) |
Art Department
| Phil Beck III | ... | leadman |
| Sarah Berney | ... | scenic charge |
| Eric Bryant | ... | graphic artist |
| Peter Bundrick | ... | key carpenter |
| Jacqueline Canto | ... | assistant set decorator (as Jackie Canto) |
| Charles J. Coleman | ... | assistant property master |
| Roddy Cruz | ... | set dresser production assistant |
| Cortney Cunnane | ... | set decoration intern |
| Carmen Cárdenas | ... | assistant art director |
| Cate Devaney | ... | assistant to production designer / storyboard artist (as Catherine Devaney) |
| Doug Devine | ... | set dresser: Los Angeles |
| Richard Hebrank | ... | construction coordinator (as Richie Hebrank) |
| John Kennedy | ... | construction grip |
| Su Lee | ... | art department production assistant |
| Su Lee-Cruz | ... | art production assistant |
| Chris Leuzzi | ... | set dresser |
| Jackie Lipton | ... | set paintings |
| Nicolas Luna | ... | props |
| Mike Marzigliano | ... | on set dresser |
| David B. Newhouse | ... | art intern (as David Newhouse) |
| John Paul | ... | scenic |
| Justin Price | ... | set dresser: Los Angeles |
| Ben Ross | ... | carpenter foreman |
| Cecilia Scarabello | ... | art intern |
| Benjamin Thomas Scarsbrook | ... | concept artist |
| Evan Seide | ... | additional on-set dresser |
| Andrew Settle | ... | leadman: Los Angeles |
| Darren Sharkey | ... | props |
| Lee Shevett | ... | key construction grip |
| Mike Spence | ... | set dresser |
| Thomas Spence | ... | property master: Los Angeles |
| Dennis Tillberg | ... | scenic |
| Omar Vaid | ... | property master |
| Rocio Valenzuela | ... | art intern |
| Amy Vuckovich | ... | set decorator: Los Angeles |
Sound Department
| Marc Aramian | ... | sound designer |
| Dane A. Davis | ... | sound designer / supervising sound editor |
| Mark DeSimone | ... | adr mixer |
| Fritz Francois | ... | additional boom operator |
| Paul Hackner | ... | co-supervising sound editor / re-recording mixer |
| Jack Hutson | ... | sound mixer |
| Matthew Iadarola | ... | re-recording mixer |
| Thomas W. Jordan | ... | boom operator |
| Aaron Morgan | ... | additional foley mixer |
| Beauxregard Neylen | ... | adr mixer (as Beaux Neylon) |
| John Sanacore | ... | foley mixer |
| Ric Schnupp | ... | adr recordist |
| Alex Ullrich | ... | foley artist (as Alex Ullirch) |
| David A. Whittaker | ... | sound effects editor |
Special Effects by
| Peter Appold | ... | special effects technician |
| Phillip Beck | ... | special effects coordinator (as Phil Beck Jr.) |
| Robert Beck | ... | special effects technician |
| John DiClementi | ... | special effects technician |
| John Howell | ... | special effects technician |
| Ryan Senecal | ... | special effects coordinator: Los Angeles |
| Nick DeRosa | ... | special effects technician (uncredited) |
Visual Effects by
| David Altenau | ... | visual effects supervisor |
| Mike Bozulich | ... | compositor |
| Antonio Chang | ... | compositor |
| Adrian Colbert | ... | visual effects editor |
| Bruce Coy | ... | cg artist |
| Ryan Felix | ... | visual effects editor |
| Jason Fotter | ... | compositing supervisor |
| Ignacio Garcerón | ... | cg artist |
| Eric Hayden | ... | compositor |
| Tim Jacobsen | ... | visual effects producer |
| Benjamin Liu | ... | cg artist |
| Diane Macke | ... | visual effects coordinator |
| Matthew Massarella | ... | compositor (as Matt Massarella) |
| Josh Miyaji | ... | compositor |
| Kim O'Donnell | ... | compositor (as Kimberly Pepe) |
| Jason Piccioni | ... | visual effects producer |
| Aldo Ruggiero | ... | cg artist |
| Evan Underwood | ... | visual effects artist |
| Matt von Brock | ... | cg supervisor: FuseFX |
| Pablo Wang | ... | compositor |
| Jason Piccioni | ... | visual effects supervisor (uncredited) |
Stunts
| Stanton Barrett | ... | stunts |
| Emily Brobst | ... | stunt double |
| Heidi Burger | ... | stunt performer |
| Scott Burik | ... | stunt performer |
| Chris Colombo | ... | stunt performer |
| Roy Farfel | ... | stunt rigger |
| Jim Ford | ... | stunt rigger |
| Tanner Gill | ... | stunts |
| Szilvia Gogh | ... | stunts |
| Greg Harvey | ... | stunt rigger |
| David Januzzi | ... | stunt rigger |
| Chris J. King | ... | stunt performer |
| Michael R. King | ... | stunts |
| Rob King | ... | stunt coordinator: Los Angeles |
| Jasi Cotton Lanier | ... | stunt double |
| Katie Letien | ... | stunt rigger (as Katie Leiten) |
| Victor Paguia | ... | stunt rigger (as Victoria Paguia) |
| Devin Sanchez | ... | stunt performer |
| David Shumbris | ... | stunt rigger |
| Manny Siverio | ... | stunt coordinator |
| Mark Stefanich | ... | stunts |
| Shawnna Thibodeau | ... | stunt performer (as Shawnna Thibodeaw) |
| Trampas Thompson | ... | stunt coordinator: New York |
| Aaron Vexler | ... | stunt double: Ethan Hawke |
| Katie Letien | ... | stunt double: Mrs.Stevenson (uncredited) |
Camera and Electrical Department
| Craig Addonizio | ... | electrician |
| George Bianchini | ... | steadicam operator |
| Ethan Borsuk | ... | camera first assistant |
| Kenith Bruzzo | ... | grip |
| Jenna A. Bush | ... | camera intern (as Jenna Bush) |
| Randolph Carty | ... | dolly grip (as Randolph 'Rudie' Carty) |
| Phillip V. Caruso | ... | still photographer (as Phil Caruso) |
| Carl Casano | ... | electrician |
| Scott DeAngelo | ... | grip |
| Will Dearborn | ... | first assistant camera: Los Angeles |
| Jack Donnelly | ... | b camera operator |
| Sean Feehan | ... | electrician |
| Daniel Feighery | ... | first assistant camera: "b" camera (as Danny Feighery) |
| Kenneth Fundus | ... | best boy grip |
| Justin W. King | ... | additional electrician |
| Alex Klabukov | ... | key grip: Los Angeles |
| Nina Kuhn | ... | chief lighting technician |
| Jeremy Launais | ... | chief lighting technician: Los Angeles |
| Scott Maguire | ... | additional camera operator / camera operator |
| Daniel James McCabe | ... | best boy electric / lighting technician (as Daniel McCabe) |
| Daniel C. McFadden | ... | still photographer: Los Angeles |
| Dan Merrill | ... | camera second assistant |
| Blaise Miller | ... | genny operator |
| Ryan Nethery | ... | additional electrician |
| Ross Neugeboren | ... | additional electrician |
| Mark Petronio | ... | grip |
| Brent Poleski | ... | key grip |
| Chris Reynolds | ... | additional b-camera operator |
| Steve Scammell | ... | motion control technician |
| Randy Schwartz | ... | b camera second assistant |
| Adam Smelin | ... | video playback operator |
| Jacob Stahlman | ... | media manager |
| Rob Tedeschi Jr. | ... | grip |
| Matthew Tibbenham | ... | b camera: supervisor |
Casting Department
| Susan Paley Abramson | ... | casting associate |
| Alex Franklin | ... | casting assistant (as Alexandra Franklin) |
| Lee Genick | ... | extras casting: Sylvia Fay & Associates |
| Ronen Gevint | ... | extras casting: Sylvia Fay & Associates |
| Joseph Hicks | ... | extras casting: Los Angeles |
Costume and Wardrobe Department
| Lainie Anderson | ... | additional costumer |
| Safiyyah Fatin | ... | costume assistant |
| Jane Gerber | ... | additional wardrobe assistant |
| Shawnique Hill | ... | costume supervisor |
| Delvan James | ... | on set costumer |
| Alyssa Rodriguez | ... | additional costumer |
| Gina Ruiz | ... | wardrobe assistant |
| Jessica Wenger | ... | costume supervisor: Los Angeles |
Location Management
| Alex Dorman | ... | location assistant |
| Paul Lucero | ... | location assistant |
| Murray Miller | ... | location manager: Los Angeles |
| Michael Nickodem | ... | location manager |
| Gregory Routt | ... | location scout (as Greg Routt) |
Music Department
| Jason Acuna | ... | composer: additional music / music sound designer / synth programming |
| Marc Aramian | ... | composer: additional music / music sound designer / synth programming |
| Samantha Barker | ... | score music coordinator |
| Sebastian C. Besquet | ... | orchestrator (as Sebastian Cano Besquet) |
| Art Denissov | ... | music sound designer / synth programming |
| Silke Matzpohl | ... | score coordinator |
| Thomas Milano | ... | music editor |
| Rebecca Nuñez | ... | score coordinator (as Rebecca Nunez) |
| Thomas Parisch | ... | orchestrator |
| Megumi Sasano | ... | orchestrator |
| Daniel Wehr | ... | composer: additional music / music sound designer / synth programming |
| Christopher Young | ... | orchestrator |
| Vivita Zheng | ... | orchestrator |
| Laurent Ziliani | ... | orchestrator |
| Max Blomgren | ... | additional synthesizer programming (uncredited) |
Script and Continuity Department
| Olenka Denysenko | ... | script supervisor |
| Stacy Rowe | ... | script supervisor |
Transportation Department
| J. Tom Jones | ... | transportation captain: LA Unit (as Tom Jones) |
| Herb Lieberz | ... | transportation coordinator |
| Scott Lieberz | ... | driver |
| James Messersmith | ... | driver: Los Angeles |
| Austin Nisar | ... | driver |
| Gary O'Connell | ... | driver |
| Harry Ycaza | ... | production driver |
| Stacy Robinson | ... | driver: Los Angeles (uncredited) |
Additional Crew
| Michael Andrews | ... | provider: film projector |
| Giuseppe Ardizzone | ... | set production assistant |
| Aaron Becker | ... | title designer |
| Josh Bell | ... | payroll accountant |
| Steve Berens | ... | animal wrangler / animal wrangler: Los Angeles |
| Mitchell Berkowitz | ... | set medic |
| Deborah Blake | ... | set medic |
| Keith Blomberg | ... | personal assistant to Mr. Blum |
| Charmaine Boos | ... | on-set teacher: Los Angeles |
| George Brassey | ... | key set production assistant |
| Rosa Camero | ... | marketing |
| Blaine Chou | ... | set production assistant |
| Maryann C. Contrubis | ... | production accountant (as Maryann C. Fondulas) |
| Cortney Cunnane | ... | set production assistant |
| Pete DiFolco | ... | assistant production coordinator |
| Minnie Duerr | ... | post-production accountant |
| Howard Fabrick | ... | legal counsel: production union |
| David Falicki | ... | lifeguard: Los Angeles |
| Alyssa Fannick | ... | production assistant |
| Erik Feig | ... | production executive |
| David Formentin | ... | production office assistant |
| Emmanuelle George | ... | production secretary |
| George Gotischalk | ... | projectionist |
| Richard Green | ... | epk producer |
| Avalonne Hall | ... | set production intern |
| Brian Havens | ... | chef: Star Struck Catering |
| Parker Haynes | ... | production assistant: Los Angeles |
| Cathy Heskin | ... | set medic |
| Matt Hill | ... | set production assistant: Los Angeles (as Matthew Hill) |
| Gary A. Hirsch | ... | production legal counsel |
| Joe Hui | ... | craft service: Los Angeles |
| Kerri Hundley | ... | production coordinator |
| Natali Jones | ... | production assistant / set production assistant |
| Ruzanna Kegeyan | ... | international sales |
| Elliott Kerman | ... | tax credit accountant |
| Greg Knapp | ... | set medic: Los Angeles |
| Daniel Kopulos | ... | snake wrangler |
| Eric Ladd | ... | end credits |
| Timothy LaFleur | ... | set production assistant |
| Duke Lee | ... | snake wrangler |
| Jackie Lipton | ... | provider: set paintings |
| Charles Loguidice | ... | dog wrangler |
| Jesse A. Magan | ... | projectionist |
| Nino Mancuso | ... | set production assistant / set production assistant: Los Angeles |
| Nat McCormick | ... | international sales |
| Thomas Meyer | ... | office intern |
| Mike Mitchell | ... | production assistant |
| Sarah Nadeau | ... | office intern |
| Amy Paquette | ... | legal counsel: Alliance Films |
| Daniel A. Parker | ... | production coordinator: Los Angeles (as Dan Parker) |
| Chris Perez | ... | production legal counsel (as Christopher L. Perez) / production legal counsel |
| Andi Polland | ... | stand-in |
| Alexandros Potter | ... | finance executive: IM Global |
| Timothy Scott Ralston | ... | screening operations executive |
| Anthony Rigual | ... | production assistant |
| Javier Rojas | ... | craft service |
| Shatirah Rolle | ... | production assistant |
| Christine Rudakewycz | ... | educator: on set |
| Baltimore Russell | ... | stand-in |
| Alex Saks | ... | assistant: Mr. Kavanaugh-Jones |
| Michael Schaefer | ... | production executive |
| Windi See Vianello | ... | first assistant accountant |
| Evan Seide | ... | snake wrangler |
| Matthew Shreder | ... | International Sales And Distribution |
| Chelsea Stardust | ... | assistant: Mr. Blum (as Chelsea Peters) |
| Adam M. Stone | ... | product placement coordinator: Stone Management, Inc. (as Adam Stone) |
| Cat Stone | ... | product placement coordinator: Stone Management, Inc. |
| Matthew Tibbenham | ... | assistant to director |
| Roger R. Velilia | ... | on-set craft service (as Roger Velilla) |
| Lisa Walker | ... | set medic |
| Brian Wiggins | ... | production assistant |
| Stephen Belmont | ... | production assistant (uncredited) |
Thanks
| Angie Conners | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Diego Fernando Coronel | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Jonathan Deckter | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Alex Demetriades | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Stuart Ford | ... | the filmmakers wish to extend their personal thanks for their contribution |
| W.B. Kirby Hill | ... | the filmmakers wish to extend their personal thanks for their contributions and support to the making of this movie |
| Sammy Janowitz | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Stephen Kempser | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Richard Kuhnla | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Julie Mandelbaum | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Dror Mohar | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Miguel Palos | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Frank Prugo | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Michael Roban | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Tavis Smiley | ... | the filmmakers wish to extend their personal thanks for their contributions and support to the making of this movie |
| Lauren Valenti | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Bonnie Voland | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Rebecca Weis | ... | the filmmakers wish to extend their personal thanks for their contribution |
| Cornel West | ... | the filmmakers wish to extend their personal thanks for their contribution (as Dr. Cornel West) |
Production Companies
- Summit Entertainment
- Alliance (presents)
- IM Global (in association with)
- Blumhouse Productions
- Automatik Entertainment
- Possessed Pictures
- Alliance Films (presents)
Distributors
- Top Film Baltic (2012) (Estonia) (theatrical)
- Top Film Baltic (2012) (Latvia) (theatrical)
- Top Film Baltic (2012) (Lithuania) (theatrical)
- Alfa Films (2012) (Argentina) (theatrical)
- Aurum Films (2012) (Spain) (theatrical)
- Corazón Films (2012) (Mexico) (theatrical)
- Entertainment One (2012) (Netherlands) (theatrical)
- Golden Village Pictures (2012) (Singapore) (theatrical)
- Happinet(I). (2013) (Japan) (theatrical)
- Icon Film Distribution (2013) (Australia) (theatrical)
- Koch Media (2013) (Italy) (theatrical)
- Lionsgate Films (2012) (United States) (theatrical)
- Momentum Pictures (2012) (United Kingdom) (theatrical)
- Motion Picture Distribution (2012) (Canada) (theatrical)
- Scanbox Entertainment (2012) (Finland) (theatrical)
- Summit Entertainment (2012) (United States) (theatrical)
- Thimfilm Filmverleih (2012) (Austria) (theatrical)
- Top Entertainment (2013) (India) (theatrical)
- United Cinema (2013) (Japan) (theatrical) (in association with)
- Viva International Pictures (2012) (Philippines) (theatrical)
- Wild Bunch (2012) (France) (theatrical)
- Wild Bunch (2012) (Germany) (theatrical)
- Corazón Films (2013) (Mexico) (Blu-ray)
- Corazón Films (2013) (Mexico) (DVD)
- E Stars Films (2012) (China)
- Entertainment One (2012) (Spain)
- Entertainment One (2013) (Netherlands) (Blu-ray)
- Entertainment One (2013) (Netherlands) (DVD)
- Film1 (2013) (Netherlands) (tv) (limited)
- Hero (2014) (Finland) (tv)
- IM Global (2012) (World-wide)
- Icon Home Entertainment (2013) (Australia) (Blu-ray)
- Icon Home Entertainment (2013) (Australia) (DVD)
- Lionsgate Home Entertainment (2013) (United States) (Blu-ray)
- Lionsgate Home Entertainment (2013) (United States) (DVD)
- Momentum Pictures (2013) (United Kingdom) (Blu-ray)
- Momentum Pictures (2013) (United Kingdom) (DVD)
- Mongkol Major (2012) (Thailand)
- Panorama Distributions (2013) (Hong Kong) (Blu-ray)
- Panorama Distributions (2013) (Hong Kong) (DVD)
- Paris Filmes (2012) (Brazil)
- Pris Audiovisuais (2012) (Portugal)
- Scanbox Entertainment (2013) (Finland) (DVD)
- Studio Solutions Group (2012) (Taiwan)
- Tanweer Films (2012) (Bangladesh)
- Tanweer Films (2012) (Bhutan)
- Tanweer Films (2012) (India)
- Tanweer Films (2012) (Nepal)
- Tanweer Films (2012) (Pakistan)
- Tanweer Films (2012) (Sri Lanka)
- Transeuropa Video Entertainment (TVE) (2013) (Argentina) (DVD)
- Universal Pictures (2013) (Germany) (Blu-ray)
- Universal Pictures (2013) (Germany) (DVD)
- Wild Side Vidéo (2013) (France) (Blu-ray)
- Wild Side Vidéo (2013) (France) (DVD)
Special Effects
Other Companies
- Star Struck Catering (catering)
- Dawn Animal Agency (animals)
- Fauna Redefining Pets (animals)
- Sheila Jaffe Casting (casting)
- Sylvia Fay/Lee Genick & Associates Casting (extras casting)
- Deluxe Digital Studios (electronic press kit)
- Danetracks (sound services)
- Anarchy Post (foley recording)
- Soundtrack New York (adr recording)
- Technicolor (digital intermediate)
- Cinelicious (scanning: 8mm film)
- Global Entertainment Partners (avid/editorial equipment)
- Reiff & Associates (production insurance)
- Entertainment Partners (payroll services)
- Technological Cinevideo Services (TCS) (camera equipment)
- Monster Remotes (motion control)
- Eastern Effects (electric equipment)
- Polecat Lighting (grip equipment)
- Sourcemaker Lighting Balloons (lighting balloons)
- MPX/GKE Construction (phoenix crane)
- Action Camera Cars (picture cars)
- Movie Time Cars (picture cars)
- Road Runner Camera Cars (picture cars)
- IndieClear (clearances)
- Stone Management (product placement)
- New York State Governor's Office for Motion Picture & Television Development (filmed with the support of)
- Airwaves (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Apple (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- AT&T (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Bennington College (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Blackberry (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Buffalo Trace Distillery (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Converse (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Cuisinart (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- French Connection (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Friends of the Sands Point Reserve (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Gold Coast Studios (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Heineken (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Hostess Products (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Janoson Construction (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Le Creuset Of America (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- The Luxottica Group (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Maglite Industries (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Microsoft (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Murray Hill Studios (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Nike (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Nixon (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Ogio (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Old Brookville Police Department (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- The Oriental Trading Company (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Pelican Products (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Planting Fields Arboretum (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Puma (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Razor (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Skechers (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Splendid (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- New York State Office of Parks, Recreation and Historical Preservation (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Town of Oyster Bay (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- United Methodist Church (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Vans (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Village of Matinecock (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Village of Muttontown (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Village of Sands Point (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Town of Upper Brookville (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Vivitar (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- VTech Group (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- W.B. Kirby Hill (the filmmakers wish to extend their personal thanks for their contributions to the making of this movie)
- Chapman/Leonard Studio Equipment (acknowledgement)
- International Alliance of Theatrical Stage Employees (IATSE) (this picture made under the jurisdiction of)
- Dolby Digital (in selected theatres)
- Dolby Laboratories (sound mix: Dolby Digital)
- SAG-AFTRA (acknowledgement)
- Teamsters - Motion Picture & Theatrical Trade Division (acknowledgement)
- The International Brotherhood of Teamsters (acknowledgement)
- Alliance Films (author of this motion picture for the purpose of copyright and other laws)
- BLT Communications (poster design)
- Datasat Digital Sound (in selected theatres)
- Fintage CAM (collection account management)
- SDDS Sony Dynamic Digital Sound (in selected theatres)
- South By Southwest Film Festival (SXSW) (festival)
- Technicolor (acknowledgement)
- Varèse Sarabande (soundtrack)
- Visual Icon (exclusive clip and still licensing)
- Warner Bros. Records (soundtrack)
Storyline
| Plot Summary |
Crime writer Ellison Oswalt moves his family into a house where a horrific crime took place earlier, but his family doesn't know. He begins researching the crime in hopes of writing a book about it. Oswalt examines video footage that he finds in the house to help him in his research, but he soon discovers more than he bargained for. Written by Michael Hallows Eve |
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| Taglines | Once you see him, nothing can save you. See more » |
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| Parents Guide | View content advisory » |
| Certification |
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Additional Details
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Box Office
| Budget | $3,000,000 (estimated) |
| Opening Weekend United States | $18,007,634, 14 Oct 2012 |
| Cumulative Worldwide Gross | $87,727,807 |
Did You Know?
| Trivia | The family that was hanged on a tree were all played by stuntmen, however when the scene was first done the stunt coordinator botched the preparations for the scene resulting in the actors being legitimately hanged and choked. Fortunately they survived, and the coordinator was fired soon after. See more » |
| Goofs | (at around 4 mins) Near the beginning of the film, we see Ashley painting a girl in red on the wall. We see that Ashley has painted the girl fully in red, however, in the next shot we see that the girl has a white space where the red paint was before. See more » |
| Movie Connections | Edited into Sinister (2012). See more » |
| Soundtracks | Silence Teaches You How to Sing See more » |
| Quotes |
[last lines]
Ashley: Don't worry, Daddy. I'll make you famous again. See more » |