| Eddie Izzard | ... | Anthony | |
| Jason Flemyng | ... | Frank | |
| Geoffrey Palmer | ... | Dr. Clarence | |
| Sorcha Cusack | ... | Nan | |
| Steven Mackintosh | ... | Henry | |
| Christine Bottomley | ... | Helen | |
| Larry Mills | ... | Goose / Richard | |
| Connie Hyde | ... | Linda | |
| Brett Fancy | ... | Paul | |
| Adlyn Ross | ... | Lal | |
| Chloe Newsome | ... | Alice | |
| Jason Watkins | ... | Noel Noble | |
| Jessie Clayton | ... | Jemma | |
| Libbi Rubens | ... | Milly | |
| Helen Rutter | ... | Young Mother | |
| Danielle Henry | ... | WPC | |
| Robert Lonsdale | ... | PC | |
| James Varley | ... | Tagga 1 | |
| Dwayne Scantlebury | ... | Tagga 2 | |
| Scott Wesley | ... | Young Guy | |
| Stephen Aintree | ... | Antiques Expert | |
| Enid Dunn | ... | White Haired Lady | |
| rest of cast listed alphabetically: | |||
| Paul J. Dove | ... | Harry the Landlord (uncredited) | |
Directed by | |||
| John Hay | |||
Writing credits | ||
| John Hay | (written by) & | |
| David Logan | (written by) | |
Produced by | |||
| Jeremy Bolt | .... | executive producer: Lost Christmas Ltd | |
| John Hay | .... | executive producer: Lost Christmas Ltd | |
| Eddie Izzard | .... | executive producer | |
| Elliot Jenkins | .... | producer | |
| David Logan | .... | associate producer | |
| Sue Nott | .... | executive producer: BBC | |
| Connal Orton | .... | executive producer: Lost Christmas Ltd | |
| Emily Russell | .... | line producer | |
| Artur Galstian | .... | executive producer (uncredited) | |
| Gareth West | .... | executive producer (uncredited) | |
| Vahan Yepremyan | .... | executive producer (uncredited) | |
Original Music by | |||
| Debbie Wiseman | |||
Cinematography by | |||
| Graham Frake | (director of photography) | ||
Film Editing by | |||
| Matthew Tabern | (film editor) | ||
Casting by | |||
| Suzanne Smith | |||
Production Design by | |||
| Jason Carlin | (designer) | ||
Art Direction by | |||
| Chris Kay | |||
Costume Design by | |||
| Louise Page | |||
Makeup Department | |||
| Gail Brownrigg | .... | makeup supervisor | |
Production Management | |||
| Beewan Athwal | .... | post-production supervisor | |
Art Department | |||
| Duncan Griffiths | .... | property master | |
| Kat Hale | .... | art department assistant | |
| Rosie Jones | .... | standby art director | |
| Andrew Laybats | .... | hod painter | |
| Duncan Wheeler | .... | production buyer | |
| Tony Boffey | .... | props: dailies (uncredited) | |
Sound Department | |||
| Simon Epstein | .... | supervising foley editor | |
| Marc Hope | .... | foley editor | |
| Dan Johnson | .... | dialogue editor | |
| Dan Johnson | .... | sound re-recording mixer | |
| Claire Mahoney | .... | foley artist | |
| Stefano Marchetti | .... | adr mixer | |
| Stuart McCutcheon | .... | boom operator | |
| John Mooney | .... | production sound mixer | |
| Jeremy Price | .... | supervising sound editor | |
| Stuart Read | .... | foley mixer | |
Visual Effects by | |||
| Arno Beekman | .... | compositor | |
| Steven Bray | .... | digital compositing lead | |
| Marco de Goeij | .... | matchmover | |
| Marijn Eken | .... | digital compositor | |
| Marcus Hindborg | .... | visual effects supervisor | |
| Linus Hofmann | .... | lead compositor | |
| Joerg-Mark Kasassoglou | .... | cg artist | |
| Joerg-Mark Kasassoglou | .... | roto artist | |
| Alexander Lehnert | .... | digital compositor | |
| Daniel Mark Miller | .... | compositor | |
| Konstantinos Panagiotopoulos | .... | digital compositor | |
| Zissis Papatzikis | .... | visual effects | |
| Massimo Pasquetti | .... | compositor: Molinare | |
| Imran Sajid | .... | visual effects artist | |
| Erik van der Tier | .... | visual effects supervisor | |
Camera and Electrical Department | |||
| Villing Chong | .... | dit tech | |
| Heather Crompton | .... | clapper loader | |
| Tom Gates | .... | gaffer | |
| Paul Hatchman | .... | key grip | |
| Shirley Schumacher | .... | first assistant camera | |
Casting Department | |||
| Daniel Edwards | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Samantha Green | .... | costume supervisor | |
Editorial Department | |||
| Ed Coltman | .... | assistant editor | |
| Michelle Cort | .... | digital intermediate technician | |
| Tim Drewett | .... | digital intermediate technician | |
| Guy Ducker | .... | additional editor | |
| Justin Eely | .... | on-line editor | |
| Katelin Westwood | .... | data transfer | |
Music Department | |||
| Steve Price | .... | music engineer/mixer | |
Transportation Department | |||
| Ian Yea | .... | facilities department | |
Other crew | |||
| Joanne Bendon | .... | production accountant | |
| Mel Churcher | .... | dialogue coach: Larry Mills | |
| Dan Connolly | .... | location manager | |
| Rachel Eggleston | .... | production secretary | |
| Mandy Mason | .... | script supervisor | |
| Samantha Milnes | .... | production coordinator | |
| Emma Smith | .... | unit manager | |
| Mandy Miller | .... | post production paperwork (uncredited) | |
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| Gone with the Wind | After the Wedding | Rat | Feast of Love | Paris, je t'aime |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
There are numerous Christmas classics that we all know and love. And this year one has been added to the list. Lost Christmas is a poignant story that will touch the hearts of many. We are all familiar with A Christmas Carol, where we meet with the Ghost of Christmas Past, Present and Future. But what if we've forgotten one on this list? What about the Ghost of Christmas Lost?
We start the story of a young boy who goes by the nickname of Goose who receives a puppy as a Christmas present. As he is so keen to go for a walk with his dad and the dog, but his dad cannot join him and so a chain of events is set in motion. This child's simple wish of wanting his dad home rather than going to work will alter the course of many lives.
One night, Frank, Goose's uncle, meets Anthony a man he sees lying in the street, who seems to be babbling nonsense and vanishes as fast as he appears. Anthony seems to have no recollection of who he is, where he came from nor where he's supposed to go but he seems to know things. Find things that are lost and make lives whole again.
The performance of the cast was brilliant and intense. I fell in love with Anthony's innocence, inherent sweetness, fearlessness and brutal honesty. Eddie Izzard's performance is flawless and stellar. The way Eddie brought Anthony to life is done in such a manner that I will remember Anthony for each Christmas to come in my life. He might be the Ghost of Christmas Lost but I'll see him as an Angel too. I have seen almost all of Eddie's work and I must say this performance has to be one of his best.
In casting Larry Mills as Goose, we see a rare performance of a child that brings so much life to a character that he becomes real. I foresee a long career for this young man, that will take him many places. I can't wait to see what he will do next.
John Hay did a marvelous job into bringing the story to life, he has a great vision on how to bring raw emotions to the screen, so much so that you're not simply following a story on a screen but you're right there with them joining them on this incredible adventure. A rare and precious gift to have. The lingering camera shots all over the city bring you to a different world, indeed the world of an urban fairytale.
And in praise of the writers of the story, I love the fact that the story seems to work on so many levels so that both children and adults will appreciate the story. When children grow older and see the film again I am sure they will be amazed at realizing more and more of the underlying story they might have overlooked when younger.
All in all a wonderful, touching, loving Christmas story that will linger with you a long time after the film is done.