| Neil Maskell | ... | Jay | |
| MyAnna Buring | ... | Shel | |
| Harry Simpson | ... | Sam | |
| Michael Smiley | ... | Gal | |
| Emma Fryer | ... | Fiona | |
| Struan Rodger | ... | The Client | |
| Esme Folley | ... | Hotel Receptionist | |
| Ben Crompton | ... | Justin | |
| Gemma Lise Thornton | ... | Keira | |
| Robin Hill | ... | Stuart | |
| Zoe Thomas | ... | Hotel Waitress | |
| Gareth Tunley | ... | The Priest | |
| Jamelle Ola | ... | Hotel Receptionist 2 | |
| Mark Kempner | ... | The Librarian | |
| Damien Thomas | ... | The Doctor | |
| Lora Evans | ... | Thorn Blindfold Woman | |
| Robert Hill | ... | High Priest | |
| Rebecca Holmes | ... | The Bride | |
| James Nickerson | ... | MP | |
| David Bowen | ... | Father of the Bride | |
| Sara Dee | ... | News Reader | |
| Alice Lowe | ... | Radio Reporter | |
| Steve Oram | |||
| Richard Stocks | ... | Wicker Face | |
| rest of cast listed alphabetically: | |||
| Lee Steele | ... | Born-Again Christian | |
Directed by | |||
| Ben Wheatley | |||
Writing credits(in alphabetical order) | ||
| Amy Jump | ||
| Ben Wheatley | ||
Produced by | |||
| Katherine Butler | .... | executive producer | |
| Ally Gipps | .... | associate producer | |
| Robin Gutch | .... | executive producer | |
| Hugo Heppell | .... | executive producer | |
| Mark Herbert | .... | executive producer | |
| Claire Jones | .... | producer | |
| Barry Ryan | .... | co-producer | |
| Andrew Starke | .... | producer | |
Original Music by | |||
| Jim Williams | |||
Cinematography by | |||
| Laurie Rose | (director of photography) | ||
Film Editing by | |||
| Robin Hill | |||
Casting by | |||
| Ali Fearnley | |||
Production Design by | |||
| David Butterworth | |||
Art Direction by | |||
| Julie Ann Horan | |||
Costume Design by | |||
| Lance Milligan | |||
Makeup Department | |||
| Patt Foad | .... | assistant makeup artist | |
| Patt Foad | .... | special makeup fx artist | |
| Fiona Lavin | .... | makeup department head | |
| Mike Stringer | .... | special makeup effects artist | |
Production Management | |||
| Kate Larking | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Sebastian Hendry | .... | third assistant director | |
| James Sharpe | .... | first assistant director | |
Art Department | |||
| Malcolm Gilbert | .... | construction coordinator | |
| Philiy Page | .... | props | |
| Caine Shirovay | .... | props | |
| Nick Wilkinson | .... | supervising art director | |
Sound Department | |||
| Ben Collinson | .... | boom operator | |
| Rob Entwistle | .... | sound recordist | |
| Martin Pavey | .... | sound designer | |
Special Effects by | |||
| Jim Allen | .... | flame operator | |
| Ben Ashmore | .... | special effects supervisor | |
| Ian Harland | .... | vfx post-producer | |
| Cyriak Harris | .... | graphics | |
| Matthew Strange | .... | lead armourer | |
| Chris Taylor | .... | vfx compositor | |
| Mike Wild | .... | armourer | |
Visual Effects by | |||
| Jim Allen | .... | visual effects | |
| Big Buoy | .... | visual effects | |
| Christopher Taylor | .... | digital compositor | |
Stunts | |||
| Glenn Marks | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Nick Gillespie | .... | first assistant camera | |
| Nick Gillespie | .... | still photographer | |
| Neil Lammond | .... | jib operator | |
| Terry Maskell | .... | head lighting technician | |
| Rob Mitchell | .... | video overlay operator | |
Casting Department | |||
| Paula McKie | .... | extras casting | |
| Mohsan Qureshi | .... | extras casting | |
Costume and Wardrobe Department | |||
| Hayley Neil | .... | costume assistant | |
Editorial Department | |||
| Chris Brown | .... | assistant editor | |
| Alice Harrand | .... | second assistant editor | |
| Rahat Kulshreshtha | .... | post-production coordinator | |
| Jason Rayton | .... | dit technician | |
Music Department | |||
| Lisa Abbot | .... | vocals | |
| Ian Belton | .... | violin | |
| Paul Golding | .... | music mix engineer | |
Transportation Department | |||
| George Morris | .... | action vehicles | |
| George Morris | .... | picture vehicle co-ordinator | |
Other crew | |||
| Nicky Ball | .... | crew & freelance development manager, screen yorkshire | |
| Bob Barker | .... | unit paramedic | |
| Daniel Bird | .... | runner | |
| Anita Christy | .... | continuity | |
| Anita Christy | .... | script supervisor | |
| Sue Clark | .... | animal handler | |
| Darren Conway | .... | runner | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Nick Girvan | .... | location scout | |
| Jude Goldrei | .... | production assistant | |
| Nadia Hall | .... | location scout | |
| Sebastian Hendry | .... | runner | |
| Chris Hordley | .... | production liaison manager | |
| Tom Jenkins | .... | location manager | |
| Gareth Jones | .... | production accountant | |
| Tracey Josephs | .... | head of production: Film 4 | |
| Ian Lisi | .... | location security | |
| Ian Lisi | .... | unit security | |
| Alex Marshall | .... | head of business and legal affairs | |
| Mandy Miller | .... | post production paperwork | |
| Fiona Morham | .... | head of production: UK Film Council | |
| Barry Ryan | .... | head of production: Warp X | |
| Samantha Warner | .... | continuity | |
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| Eureka | Killer Elite | Dark Corners | Bronson | The Taking of Pelham 1 2 3 |
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| News articles | IMDb Crime section | IMDb UK section |
It's been a while since I've seen a film that both attracted and repulsed me. "Kill List" has managed to do just that.
It's a difficult film to describe. Suffice it to say, it's been tagged a horror film and that the "similar" films referenced in other reviews give too much away. Let me just attempt to give you some idea of what you might experience if you choose to take a chance and seek out this film.
Before I begin, it must be said that this is a British film, and some of the accents are thicker than the Great Grimpen Mire. Sit back, and let your ears adjust.
The first third of the film might give you the impression it's a family drama. It isn't.
The second third of the film might give you the impression that it's a crime drama. It isn't.
Then comes the final third. It will make you question everything you've seen up to that point and either infuriate you or cause you to manually lift your jaw off the sticky theatre floor. It's out there. Waaaay out there.
The film does a terrific job of building a mood and layering suspense with discomfort. It is an incredibly violent film, graphic in a way I haven't seen since Gasper Noes' "Irreversible." The violence is intrinsic to the film and to its protagonist, but that doesn't make it any easier to watch.
This film bothered me, and except for the extreme violence, I can't really explain why. It left me feeling uneasy and uncomfortable - but I couldn't stop watching. I have so many questions about what I just watched that I will probably watch it again and I will probably still be bothered.
When's the last time you said that about a film that wasn't a documentary?
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