Exclusive: Berlinale Series Head Julia Fidel is exiting after four years in post.
Fidel has been working with the Berlinale for almost two decades. Under her watch, the Berlinale Series – the Berlin Film Festival’s TV sibling – has grown rapidly.
The Series issued its first Award last year in collaboration with Deadline, has launched a market-skewing Series Market Selects strand, worked with top talent and expanded to showcase content from regions such as Latin America and China.
Shows to have been in competition in recent years include HBO Max’s Lust, Netflix’s The Eddy and Jason Segel’s AMC series Dispatches From Elsewhere, while Frank Doelger’s The Swarm played out of competition earlier this year.
The first Berlinale Series Award, meanwhile, was won by Disney+ Italy’s The Good Mothers, beating off competition from the likes of HBO Max’s Spy/Master and Chinese drama Why Try to Change Me Now.
Fidel has been working with the Berlinale for almost two decades. Under her watch, the Berlinale Series – the Berlin Film Festival’s TV sibling – has grown rapidly.
The Series issued its first Award last year in collaboration with Deadline, has launched a market-skewing Series Market Selects strand, worked with top talent and expanded to showcase content from regions such as Latin America and China.
Shows to have been in competition in recent years include HBO Max’s Lust, Netflix’s The Eddy and Jason Segel’s AMC series Dispatches From Elsewhere, while Frank Doelger’s The Swarm played out of competition earlier this year.
The first Berlinale Series Award, meanwhile, was won by Disney+ Italy’s The Good Mothers, beating off competition from the likes of HBO Max’s Spy/Master and Chinese drama Why Try to Change Me Now.
- 5/25/2023
- by Max Goldbart
- Deadline Film + TV
The Good Mothers, Disney+’s hard-hitting mafia drama series, has won the first ever Berlinale Series Award.
Forged in co-operation with Deadline, the award is the first of its kind for TV at a major film festival.
Revealed as winner at the Berlin Zoo Palast in the past few minutes, the Italian drama from Baghdad Central scribe Stephen Butchard tells the true story of how three courageous women inside the notorious Calabrian ‘Ndrangheta mafia worked with female prosecutor, Alessandra Cerreti, to bring down down a criminal empire. The Good Mothers is directed by Julian Jarrold and Elisa Amoruso and stars Gaia Girace, Valentina Bellè, Barbara Chichiarelli, Simona Distefano and Micaela Ramazzotti. Producers are House Productions and Wildside. It streams on Disney+ from April 5.
Related: 2023 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming
The Berlinale Series Award Jury, comprised of former Yes Studios boss Danna Stern, Moonlight star André Holland...
Forged in co-operation with Deadline, the award is the first of its kind for TV at a major film festival.
Revealed as winner at the Berlin Zoo Palast in the past few minutes, the Italian drama from Baghdad Central scribe Stephen Butchard tells the true story of how three courageous women inside the notorious Calabrian ‘Ndrangheta mafia worked with female prosecutor, Alessandra Cerreti, to bring down down a criminal empire. The Good Mothers is directed by Julian Jarrold and Elisa Amoruso and stars Gaia Girace, Valentina Bellè, Barbara Chichiarelli, Simona Distefano and Micaela Ramazzotti. Producers are House Productions and Wildside. It streams on Disney+ from April 5.
Related: 2023 Premiere Dates For New & Returning Series On Broadcast, Cable & Streaming
The Berlinale Series Award Jury, comprised of former Yes Studios boss Danna Stern, Moonlight star André Holland...
- 2/22/2023
- by Max Goldbart
- Deadline Film + TV
Crime shows look for a new angle, argued Berlinale Series participants on Monday.
There is no shortage of new offerings, from Berlinale Market Selects’ “Two Sides of the Abyss,” Serbia’s “The Fall” or South Africa’s “Donkerbos,” created by Nico Scheepers, to China’s melancholic, decades-spanning “Why Try to Change Me Now,” with Golden Bear winner Yinan Diao attached as executive producer.
But while there is still an appetite for traditional detective stories, producers and broadcasters are venturing out of the “damaged, middle-aged white detective slot on a Sunday night,” suggested All3Media International’s Rachel Glaister. They are also thinking about their younger audience.
“[‘The Gymnasts’] wasn’t born as a pure crime show. We were also attracted by other themes, including coming-of-age,” said Carlotta Claori of Indigo Film when discussing the series about a tournament in the Italian Alps, gone horribly wrong.
With “The Gymnasts” adding a female detective, absent...
There is no shortage of new offerings, from Berlinale Market Selects’ “Two Sides of the Abyss,” Serbia’s “The Fall” or South Africa’s “Donkerbos,” created by Nico Scheepers, to China’s melancholic, decades-spanning “Why Try to Change Me Now,” with Golden Bear winner Yinan Diao attached as executive producer.
But while there is still an appetite for traditional detective stories, producers and broadcasters are venturing out of the “damaged, middle-aged white detective slot on a Sunday night,” suggested All3Media International’s Rachel Glaister. They are also thinking about their younger audience.
“[‘The Gymnasts’] wasn’t born as a pure crime show. We were also attracted by other themes, including coming-of-age,” said Carlotta Claori of Indigo Film when discussing the series about a tournament in the Italian Alps, gone horribly wrong.
With “The Gymnasts” adding a female detective, absent...
- 2/21/2023
- by Marta Balaga
- Variety Film + TV
Berlinale Series, established in 2015, keeps offering new shows proper cinema treatment. But it’s not just about that “dark room and the level of concentration you hardly get when you sit on a sofa,” explains head of the event Julia Fidel, noting a surge in stories with a “reasonable” budget.
“We want to screen very different episodic narrative styles from any country in the world. There is this expectation of showcasing ‘blockbuster’ series, which we also include, but the real benefit of [having] a series section at a major festival are the discoveries.”
Such as Market Selects’ Israeli offering “Traitor.” “If the story is outstanding and the characters relatable, the language doesn’t matter,” state showrunners Ron Leshem and Amit Cohen.
“Good shows have to be meaningful,” states Cristina Iliescu, creator- director of Co-Pro Series title “Export Only,” the first foray into series by “Bad Luck Banging” producer Ada Solomon.
“We want to screen very different episodic narrative styles from any country in the world. There is this expectation of showcasing ‘blockbuster’ series, which we also include, but the real benefit of [having] a series section at a major festival are the discoveries.”
Such as Market Selects’ Israeli offering “Traitor.” “If the story is outstanding and the characters relatable, the language doesn’t matter,” state showrunners Ron Leshem and Amit Cohen.
“Good shows have to be meaningful,” states Cristina Iliescu, creator- director of Co-Pro Series title “Export Only,” the first foray into series by “Bad Luck Banging” producer Ada Solomon.
- 2/20/2023
- by Marta Balaga
- Variety Film + TV
Berlinale Series head Julia Fidel reflects on this year’s selection.
Back in 2015, Berlin became the first A list festival to launch a strand for high-end TV shows, acknowledging changing viewing patterns and the growth of long-form storytelling.
A festival within a festival, Berlinale Series has since become a microcosm of the competitive world of high-end TV shows, where key trends shaping the sector can be observed.
This year’s eight-strong selection, for example, has a raft of streamer titles jostling for attention – from HBO Max’s Cold War thriller Spy/Master to Disney Plus’s mafia tale The Good Mothers,...
Back in 2015, Berlin became the first A list festival to launch a strand for high-end TV shows, acknowledging changing viewing patterns and the growth of long-form storytelling.
A festival within a festival, Berlinale Series has since become a microcosm of the competitive world of high-end TV shows, where key trends shaping the sector can be observed.
This year’s eight-strong selection, for example, has a raft of streamer titles jostling for attention – from HBO Max’s Cold War thriller Spy/Master to Disney Plus’s mafia tale The Good Mothers,...
- 2/19/2023
- by Tim Dams
- ScreenDaily
As China’s post-pandemic reopening gathers steam, film executives in Beijing are feeling cautiously optimistic for the first time in years. Local audiences have cast off their masks and returned to the multiplex, regulators are signaling a relaxing of control, and film professionals are finally traveling freely again to re-engage with international festivals and markets.
Beijing industry players warn, however, that the current recovery is likely to benefit China’s big commercial tentpoles and Hollywood studio movies first — and that any rebound for the country’s nascent indie import business could take time.
On the international front, China’s re-engagement with the global film community at large is readily apparent at the year’s first major film festival, the 73rd Berlin International Film Festival, where six Chinese features will premiere — including two in competition (Liu Jian’s animated film Art College 1984 and Zhang Lu’s drama The Shadowless Tower) — along...
Beijing industry players warn, however, that the current recovery is likely to benefit China’s big commercial tentpoles and Hollywood studio movies first — and that any rebound for the country’s nascent indie import business could take time.
On the international front, China’s re-engagement with the global film community at large is readily apparent at the year’s first major film festival, the 73rd Berlin International Film Festival, where six Chinese features will premiere — including two in competition (Liu Jian’s animated film Art College 1984 and Zhang Lu’s drama The Shadowless Tower) — along...
- 2/17/2023
- by Patrick Brzeski
- The Hollywood Reporter - Movie News
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