If you're a fan of Richard Moog, this film (his first) isn't quite what you'd expect. It's still a low budget horror film, obviously, but missing are his disdain of storytelling and filmmaking conventions. Shockingly, this film proves Moog to be quite conversant in both.
It's disorienting to see a Moog film with actual props, trained actors, scripted dialogue, even pacing, a real location, wardrobes, and plausible subtext, but that's what this film has. More surprising still, they all work. It doesn't capture the anarchic glee of his later films, but unlike those, it still functions as an earnest horror film.
Credit must also be given to the ensemble cast, so many of whom are so likable and so different from what we're used to seeing in movies. That's something this does have in common with Moog's later films: his eye for casting unusual talent.
Better horror films exist, but Easter Bunny Bloodbath remains worthy of your investment.