| Anthony Hopkins | |||
| Rachel Weisz | ... | Rose | |
| Jude Law | |||
| Ben Foster | ... | Tyler | |
| Moritz Bleibtreu | |||
| Mark Ivanir | |||
| Jamel Debbouze | ... | Algerian Man | |
| Peter Morgan | ... | Salesman | |
| Tereza Srbova | |||
| Sean Power | ... | AA Secretary | |
| Katrina Vasilieva | ... | Alyssa | |
| Riann Steele | ... | Waitress | |
| Sydney Wade | ... | Ellie | |
| Pamela Betsy Cooper | ... | Office worker | |
| Vladimir Vdovichenkov | ... | Sergei | |
| Gabriela Marcinkova | ... | Anna | |
| Johannes Krisch | ... | Rocco | |
| Dinara Drukarova | ... | Valentina | |
| Shaun Lucas | ... | Passenger / restaurant customer | |
| Russell Balogh | ... | Diner | |
| David Frost | ... | Well Dressed Passenger | |
| Maria Flor | ... | Laura | |
| Lucia Siposová | ... | Mirkha | |
| Juliano Cazarré | ... | Rui | |
| Gerard Monaco | ... | Airport Official | |
| Gino Picciano | ... | Stand in for Anthony Hopkins | |
| Mary Robinson | ... | Disgruntled passenger | |
| Alex Sander | ... | Leonardo | |
| Ginny Dee | ... | Prison secretary | |
| Henry Monk | ... | Airport Passenger | |
| William Byrd Wilkins | ... | Social Worker | |
| Martin Butler | ... | Usa prisoner | |
| Youssef Kerkour | ... | Phoenix Policeman | |
| Danica Jurcová | ... | Alina | |
| Kelvin Wise | ... | Airport passenger | |
| Cyril Hutteau | ... | Grocer | |
| Melissa Stepney | ... | Security officer | |
| Stuart J. Prowse | ... | Warehouse Worker | |
| Gordon Coe | ... | Diner | |
| Giorgio Spiegelfeld | ... | Photographer | |
| Darren Hammock | ... | Air Cabin Crew (uncredited) | |
| Luke Howard | ... | Office Worker / Passer-by (uncredited) | |
| Jools Newman | ... | Airport Passenger (uncredited) | |
| Adam Nowell | ... | Office Worker (uncredited) | |
| Gordon Round | ... | D.O.C. Officer: S. Millborough (uncredited) | |
| Bryan Shao | ... | Military Officer (uncredited) | |
| Eva Von Mitzka | ... | US Prison Office Worker (uncredited) | |
| Jon Wennington | ... | Passerby (uncredited) | |
| Josh Wichard | ... | Porter / Customer (uncredited) |
Directed by | |||
| Fernando Meirelles | |||
Writing credits(in alphabetical order) | ||
| Peter Morgan | screenplay | |
Produced by | |||
| Graham Bradstreet | .... | executive producer | |
| Chris Contogouris | .... | executive producer | |
| Andrew Eaton | .... | producer | |
| David Faigenblum | .... | executive producer | |
| Steven Gagnon | .... | executive producer | |
| Jordan Gertner | .... | executive producer | |
| Chris Hanley | .... | producer | |
| Danny Krausz | .... | producer | |
| David Linde | .... | executive producer | |
| David Linde | .... | producer | |
| Emanuel Michael | .... | producer | |
| Nikhil Sharma | .... | executive producer | |
| Andy Stebbing | .... | co-producer | |
Cinematography by | |||
| Adriano Goldman | |||
Film Editing by | |||
| Daniel Rezende | |||
Production Design by | |||
| John Paul Kelly | |||
Set Decoration by | |||
| Anna Lynch-Robinson | |||
Makeup Department | |||
| Frédérique Arguello | .... | makeup artist | |
| Fiona Matthews | .... | makeup artist: dailies | |
| Victoria Nugent | .... | make up trainee | |
| Daniela Skala | .... | makeup & hair designer | |
| Helen Speyer | .... | makeup supervisor: London shoot | |
Production Management | |||
| Susan Kirr | .... | production manager: US | |
| Cass Marks | .... | production manager | |
| Michael Solinger | .... | post-production supervisor | |
| Isabel Sztriberny | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Tom Browne | .... | additional third assistant director | |
| Glen Carroll | .... | additional third assistant director | |
| Markus Hautz | .... | third assistant director | |
| Carley Lane | .... | second second assistant director | |
| Guilhem Malgoire | .... | third assistant director | |
| Barrie McCulloch | .... | first assistant director | |
| Melani Murkovic | .... | crowd second assistant director | |
| Lisa Radin | .... | crowd second assistant director | |
| Harriet Worth | .... | second assistant director | |
Art Department | |||
| Rob Anderson | .... | construction coordinator | |
| Samudrika Arora | .... | art department assistant | |
| Arwel Evans | .... | stand-by art director | |
| Julia Gmoser | .... | assistant art director | |
| Alain Guffroy | .... | art director: France | |
| James Hendy | .... | prop buyer: UK | |
| David Hindle | .... | art director: UK | |
| Chris Lunney | .... | graphics art director | |
| Hannah Moseley | .... | supervising art director | |
| Paul Robinson | .... | standby props | |
| Benoît Tetelin | .... | prop buyer: France (as Benoit Tetelin) | |
| Sebastian Thanheiser | .... | prop master: Austria | |
| Nick Thomas | .... | property master | |
| Holly Thurman | .... | art department assistant: UK | |
| Richard Van Den Bergh | .... | key prop maker | |
| Verena Wagner | .... | art director: Austria | |
Sound Department | |||
| Orin Beaton | .... | boom operator | |
| Malte Bieler | .... | sound designer | |
| Thomas Fennell | .... | sound assistant | |
| Thomas Fennell | .... | sound trainee | |
| Bernhard Maisch | .... | sound re-recording mixer | |
| Ingo Pusswald | .... | dialogue editor | |
| Ingo Pusswald | .... | supervising sound editor | |
| Andy Stallabrass | .... | adr recordist | |
| Thomas Voglreiter | .... | sound effects/dialogue editor | |
| Stuart Wilson | .... | sound recordist | |
Special Effects by | |||
| David Holt | .... | special effects technician | |
| Mark Holt | .... | special effects supervisor | |
Visual Effects by | |||
| Martin Cobelo | .... | digital compositor | |
| Simone Coco | .... | digital compositor | |
| Peter Collins | .... | digital intermediate | |
| Omar Colocci | .... | digital compositor | |
| Ronaldo Alves de Lima | .... | digital compositor | |
| Andrea de Paula | .... | digital compositor | |
| Diogo Girondi | .... | compositing supervisor | |
| Adam Glasman | .... | DI colourist | |
| Neil Harrison | .... | digital intermediate systems administrator | |
| Timothy P. Jones | .... | digital film bureau | |
| John Palmer | .... | digital film bureau manager | |
| Gustavo Schiapim | .... | digital compositor | |
| Aurora Shannon | .... | digital intermediate assistant | |
| Marcelo Souza | .... | digital effects artist | |
| Ana Claudia Streva | .... | visual effects coordinator | |
Casting Department | |||
| Leo Davis | .... | casting | |
Costume and Wardrobe Department | |||
| Vicki Hales | .... | costume assistant | |
| Alicia Hood | .... | costume supervisor: UK | |
Editorial Department | |||
| Rob Farris | .... | digital intermediate producer | |
| Emily Greenwood | .... | senior digital film editor | |
| Patrick Malone | .... | digital intermediate head of department | |
| Justin Tillett | .... | digital on-line editor | |
| Jon Ellis | .... | digital intermediate editor (uncredited) | |
Transportation Department | |||
| Lee Edwards | .... | driver: Sir Anthony Hopkins | |
| Charles Heidet | .... | picture car coordinator: Paris unit | |
| Derek McPhail | .... | driver: Rachel Weisz | |
| Bohdan Stoklasa | .... | driver | |
| Bohdan Stoklasa | .... | driver: costume | |
| Bohdan Stoklasa | .... | facilities driver | |
| Theresa Thanhofer | .... | production driver | |
| Dave Williams | .... | facilities captain | |
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| Klimt | Love Actually | Taking Sides | Titanic | A Tale of Five Women |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
360 is a beautifully made film that oozes class and tells us something about where we are at as human beings in the 21st century. The film makers and actors should be applauded for this huge achievement. The Cast are made up of fine actors from around the world and headed by sympathetic and unshowy performances from Anthony Hopkins, Rachel Weisz and Jude Law. Ensemble films like this don't always work, but in the hands of a master director such as Meirelles, Peter Morgan's script comes to life in a vivid and evocative way. I love the way the story progresses from one pair of characters to the next and the cinematography is superb. Verticals and horizontals are crisply defined and move into split-screen that unites the stories. 360 is a film with real heart and real purpose made by real talent.