| Kristin Scott Thomas | ... | Julia Jarmond | |
| Mélusine Mayance | ... | Sarah Starzynski | |
| Niels Arestrup | ... | Jules Dufaure | |
| Frédéric Pierrot | ... | Bertrand Tezac | |
| Michel Duchaussoy | ... | Édouard Tezac | |
| Dominique Frot | ... | Geneviève Dufaure | |
| Natasha Mashkevich | ... | Mme Starzynski | |
| Gisèle Casadesus | ... | Mamé | |
| Aidan Quinn | ... | William Rainsferd | |
| Sarah Ber | ... | Rachel | |
| Arben Bajraktaraj | ... | M. Starzynski | |
| Karina Hin | ... | Zoé | |
| James Gerard | ... | Mike Bambers | |
| Joseph Rezwin | ... | Joshua (as Joe Rezwin) | |
| Kate Moran | ... | Alexandra | |
| Paul Mercier | ... | Michel Starzynski | |
| Alexandre Le Provost | ... | Policier en civil | |
| Serpentine Teyssier | ... | Gardienne Immeuble | |
| Simon Eine | ... | Franck Levy | |
| Julie Fournier | ... | Femme brune Vel d'Hiv | |
| Paige Jennifer Barr | ... | Ornella Harris (as Paige Barr) | |
| Joanna Merlin | ... | Mme Rainsferd | |
| George Birt | ... | Richard Rainsferd | |
| Vinciane Millereau | ... | Nathalie Dufaure | |
| Sylviane Fraval | ... | Bertrands Mother | |
| Dan Herzberg | ... | Le gendarme rouquin | |
| Nancy Tate | ... | Alice | |
| Frederick Guillaud | ... | Richard Rainsferd jeune (as Frédérick Guillaud) | |
| Maurice Lustyk | ... | Homme au violon | |
| Charlotte Poutrel | ... | Sarah adulte | |
| Maxim Driesen | ... | Edouard Tezac enfant | |
| Xavier Beja | ... | André Tezac | |
| Jacqueline Noëlle | ... | Vieille femme | |
| Jean-Pierre Hutinet | ... | Le médecin ferme | |
| Jonathan Kerr | ... | Officier de police camp | |
| Matthias Kreß | ... | Officier allemand ferme (as Matthias Kress) | |
| Franck Beckmann | ... | Officier allemand train | |
| Nicolas Seconda | ... | Gendarme 1 Vel d'Hiv | |
| François D'Aubigny | ... | Gendarme 2 Vel d'Hiv | |
| Stéphane Charond | ... | Gendarme 1 camp | |
| José Fumanal | ... | Gendarme 2 camp | |
| Gilles Louzon | ... | Gendarme 3 camp | |
| Pierre Nahori | ... | Policier train | |
| Sophie Piccioto | ... | Voix 1 (as Sophie Bacry Picciotto) | |
| Christian Vurpillot | ... | Voix 2 (as Christian Vurpillat) | |
| Rosa Herzberg | ... | Voix 3 femme | |
| Robert Potsztein | ... | Voix 4 homme (as Robert Rotsztein) | |
| Yasmine Ghazarian | ... | Une femme camp | |
| Naëva Lissonnet | ... | Fillette camp | |
| Céline Caussimon | ... | Infirmière vel d'hiv | |
| Claudine Acs | ... | Femme hystérique Vel d'Hiv | |
| Viktoria Li | ... | Infirmière clinique | |
| Loïc Risser | ... | Infirmier | |
| Franck Chilly | ... | Brancardier (as Franck Chailly) | |
| Marco Florio | ... | Serveur italien | |
| Alice St. Clair | ... | Serveuse café Mozart (as Alice Erskine) | |
| Stéphanie Gesnel | ... | Jeune femme á la fenétre | |
| Gérard Couchet | ... | Vioil homme á la fenétre | |
| Mark Fairchild | ... | Bob Rainsferd | |
| Melinda Wade | ... | Jeune femme blonde américaine | |
| Kiley Liddell | ... | Sarah bébé | |
| Brooke Liddell | ... | Sarah Bébé | |
| rest of cast listed alphabetically: | |||
| Jacques Chirac | ... | Himself (archive footage) (uncredited) | |
| Tatiana De Rosnay | ... | Client in restaurant (uncredited) | |
Directed by | |||
| Gilles Paquet-Brenner | |||
Writing credits(in alphabetical order) | ||
| Tatiana De Rosnay | novel | |
| Serge Joncour | screenplay | |
| Gilles Paquet-Brenner | screenplay | |
Produced by | |||
| Stéphane Marsil | .... | producer | |
| Gaetan Rousseau | .... | executive producer | |
| Clément Sentilhes | .... | line producer | |
Original Music by | |||
| Max Richter | |||
Cinematography by | |||
| Pascal Ridao | (director of photography) | ||
Film Editing by | |||
| Hervé Schneid | |||
Casting by | |||
| Gwendale Schmitz | |||
| Lina Todd | |||
Production Design by | |||
| Françoise Dupertuis | |||
Costume Design by | |||
| Eric Perron | |||
Makeup Department | |||
| Veronique Bosle | .... | key hair stylist | |
| Stéphane Desmarez | .... | key hair stylist | |
| Alexandra Hannoun | .... | additional makeup artist | |
| Valérie Mendiondo | .... | coiffeur | |
| Gill Robillard | .... | key makeup artist | |
| Nelly Robin | .... | makeup artist | |
| Linda Schwach | .... | makeup artist | |
Production Management | |||
| Jacquot Clotilde | .... | assistant unit manager | |
| Noemie Commissaire | .... | assistant unit manager | |
| Matthieu Constans | .... | assistant unit manager | |
| Benjamin Dewaele | .... | unit manager | |
| Gary Giudice | .... | unit production manager: New York | |
| Marie-Line Lafont | .... | post-production supervisor | |
| Marta Garcia Larriu | .... | additional assistant unit manager | |
| David Paté | .... | additional assistant unit manager | |
| Arthur Tabuteau | .... | assistant production manager | |
| Antoine Théron | .... | production manager | |
| Charles Zemer | .... | assistant unit manager | |
Art Department | |||
| Emmanuelle Hoessly | .... | assistant property master | |
| Pauline Lefevere | .... | assistant art director | |
| Emmanuel Maintigneux | .... | set designer | |
| Kris Major | .... | property master | |
Sound Department | |||
| Lucas Albert | .... | boom operator | |
| Didier Codoul | .... | sound operator | |
| Fabien Devillers | .... | adr recordist | |
| Fabien Devillers | .... | dialogue editor | |
| Fabien Devillers | .... | sound re-recording mixer | |
| Bill Donnelly | .... | sound mixer (new york) | |
| Florian Fabre | .... | foley artist | |
| Alexandre Fleurant | .... | supervising sound editor | |
| Sebastien Marquilly | .... | foley recordist | |
| Sebastien Marquilly | .... | sound designer | |
| Sebastien Marquilly | .... | sound editor | |
| Rafael Ridao | .... | boom operator | |
| Piste Rouge | .... | sound: studio | |
| Bruno Seznec | .... | sound studio manager | |
| Bruno Seznec | .... | sound supervisor | |
Special Effects by | |||
| Rodolphe Chabrier | .... | special effects supervisor | |
Visual Effects by | |||
| Rodolphe Chabrier | .... | visual effects | |
| Gaston Marcotti | .... | digital compositor | |
| Antonin Seydoux | .... | visual effects supervisor | |
Stunts | |||
| Sybille Blouin | .... | stunts | |
| Rémi Canaple | .... | stunt coordinator | |
| David Grolleau | .... | stunts | |
| Cyrille Hertel | .... | stunts | |
| Manny Siverio | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Matthieu Agius | .... | second assistant camera | |
| Christophe Bassoulet | .... | electrician | |
| Simon Blanchard | .... | additional first assistant camera | |
| Julien Bonet | .... | still photographer | |
| Julien Bureau | .... | first assistant camera | |
| David Chambille | .... | second assistant camera | |
| Christian Flores | .... | second assistant camera: New York | |
| Jean-Yves Freess | .... | key grip | |
| Remy Freess | .... | grip | |
| Yannick Freess | .... | grip | |
| Bruno Glasberg | .... | electrician | |
| Cédric Guerby | .... | electrician | |
| Adrien Guillaume | .... | assistant camera | |
| Ben Katz | .... | assistant camera | |
| Andy Kromphardt | .... | assistant camera: New York unit | |
| Vincent Plaidy | .... | camera operator | |
| Samuel Renollet | .... | first assistant camera | |
| George Tur | .... | first assistant camera: New York unit | |
| Charlotte Vitroly | .... | assistant camera | |
Casting Department | |||
| Byron Beane | .... | casting assistant | |
| Bastien Beltrami | .... | extras casting | |
| Aurore Lance | .... | casting assistant | |
| Camille Lecat | .... | extras casting | |
| Vanessa Moy | .... | casting assistant | |
| Rita Powers | .... | new york extras casting | |
| Céline Touraine | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Nathalie Chesnais | .... | costume supervisor | |
| Sarah Cuno | .... | assistant costume designer: New York | |
Editorial Department | |||
| Anne-Sophie Bion | .... | assistant editor | |
| Romaric Nereau | .... | second assistant editor | |
| Mark Reaser | .... | hd mastering | |
| Anita Roth | .... | assistant editor | |
Music Department | |||
| Falko Duczmal | .... | scoring protools engineer | |
| Richard Glasser | .... | soundtrack album producer | |
| Michael Schubert | .... | score recorded and mixed by | |
| Stefan Karrer | .... | soundtrack album producer (uncredited) | |
Other crew | |||
| Tanya Blumstein | .... | dialect coach: Kristen Scott Thomas | |
| Scott Bredengerd | .... | production assistant: New York | |
| Marion Cecinas | .... | production assistant | |
| Christophe Chauveau | .... | location scout | |
| Corinne Devaux | .... | choreographer | |
| Brian James Fitzpatrick | .... | production assistant: new york | |
| Scott Friedman | .... | production assistant: New York | |
| Conor Griff | .... | key production assistant: New York | |
| Cathy Kerbrat | .... | production assistant | |
| Michèle Massé | .... | location scout | |
| Nathalie Nouaili | .... | location scout (2010) | |
| Manuel Pouet | .... | location scout | |
| Claire Skowronek | .... | production assistant: first team: new york | |
| Erin Sweeney | .... | production assistant: new york | |
| Louis Zuppardi | .... | location manager: New York (uncredited) | |
Thanks | |||
| Ernst Brenner | .... | in memory of | |
| Ludwig Brenner | .... | in memory of | |
| Moritz Brenner | .... | in memory of | |
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| The Round Up | 8½ | Amen. | Au Revoir Les Enfants | The Man Who Cried |
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IMDb User Rating: |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb France section |
When a Jewish family get arrested by Hitler siding French police, young Sarah not understanding the magnitude of what is occurring locks her younger brother in a closet, expecting to come back and recover him shortly. Realizing quickly that the situation she is in is far more terrible than expected she is desperate to escape and set him free. Sick, her and her family are taken to a camp where parents are separated from the children and are never seen again. Recovered Sarah and another young girl find an escape and run through the countryside to safety. The other girl becomes sick and they are both taken in by a older French couple but as the girl worsens there is a risk of exposing the girls as Jews. Although the young girl doesn't make it, Sarah is hidden away till the Nazi's leave and Sarah pleads with them to take her to Paris to find her brother. The journey is fraught with danger and the end obvious to us.
In modern day Paris, Julia and her family inspect an apartment of her in laws that her architect French husband will redo. Julia, am American, works as a journalist and wants to cover a story about the use of a velodrome where Parisian Jews where herded to and discovers the story of Sarah. An obsession grows as Julia is determined to find out what happened to the young girl and to find out how her husbands family came to own the flat.
This is a very fine film that is equally a historical story as well as a mystery as Julia seeks out the truth with a fine performance by Kristen Scott Thomas as Julia. The film flit's between the too separate yet connected story lines. Scenes of confusion within the velodrome are horrid too watch as are the scenes of separation of parents and children in the camp. We as the audience can almost guess the outcome of Sarah's young brother left locked in a closet whose key Sarah clings to, yet the outcome is still gut wrenching and Sarah's scream is enough for us to understand what she finds without us having to have it confirmed visually.
The obsession of Julia is a fascinating one; trying to work out first how the flat became someone elses, to searching for some sign of what became of the young girl takes her her far and wide and she encounters an array of people including Sarah's son, who is clueless to his Mother's past.
Scott Thomas gives quite a wonderful yet almost subdued performance as she struggles with the horrors of the past and her families connection to events as well as dealing with her own personal torment. The film is extraordinarily moving in it's telling of Sarah with her experience resonating and shaping those that come after her. Yet because the film chooses to focus on two timelines, we are never entirely dragged into the horrors of the Holocaust and whilst we are never far from them, it never overbalances itself. It is a fine film that depicted another story of the many thousands that WWII has given us, one that for France is of shame and one that, as with so many others continues to be relevant and effect those generations after.
More of my reviews at iheartfilms.weebly.com