The Numbers Station (2013)
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- R
- 1h 29min
- Action, Thriller
- 26 Apr 2013 (USA)
- Movie
- 1 nomination.
- See more »
Photos and Videos
Cast
John Cusack | ... |
Emerson Kent
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Malin Akerman | ... |
Katherine
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Liam Cunningham | ... |
Grey
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Richard Brake | ... |
Max
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Bryan Dick | ... |
David
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Finbar Lynch | ... |
Michaels
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Lucy Griffiths | ... |
Meredith
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Joey Ansah | ... |
Derne
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Victor Gardener | ... |
Fischer
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Joe Montana | ... |
Jeremy Fletcher
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Brian Nickels | ... |
Bouncer
(as Brian Sonny Nickels)
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Randy Merchant | ... |
Bouncer
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Hannah Murray | ... |
Rachel Davis
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Gary Lawrence | ... |
Hospital Orderly
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Max Bennett | ... |
Intern at Hospital
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Jonathan Jaynes | ... |
Nathaniel Davis
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Gabrielle Reidy | ... |
Monroe
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Rest of cast listed alphabetically: | |||
David Wenden | ... |
Porter
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Directed by
Kasper Barfoed |
Written by
F. Scott Frazier | ... | (screenplay by) |
Produced by
Peter Bevan | ... | executive producer |
Jeremy Burdek | ... | executive producer: uFilm |
Jamie Carmichael | ... | executive producer |
Chris Cowles | ... | executive producer |
Chris Fenton | ... | executive producer |
Christopher Figg | ... | executive producer |
Bryan Furst | ... | producer |
Sean Furst | ... | producer |
James Gibb | ... | executive producer (uncredited) |
Robert How | ... | line producer (as Rob How) |
Nadia Khamlichi | ... | executive producer: uFilm |
Erick Kwak | ... | executive producer |
Stéphane Lhoest | ... | line producer: Belgium, uFilm |
Doug Mankoff | ... | executive producer |
Adrian Politowski | ... | executive producer: uFilm |
Karl Richards | ... | executive producer |
Steven Silver | ... | executive producer |
Andrew Spaulding | ... | executive producer |
Neil Tabatznik | ... | executive producer |
Nigel Thomas | ... | producer |
Charlotte Walls | ... | executive producer |
Gilles Waterkeyn | ... | executive producer: uFilm |
Robert Whitehouse | ... | executive producer |
Music by
Paul Leonard-Morgan |
Cinematography by
Óttar Guðnason | ... | director of photography (as Ottar Gudnason) |
Editing by
Chris Gill | ||
Per Sandholt |
Editorial Department
Gilles Bissot | ... | digital intermediate film technician |
Giles Burgess | ... | first assistant editor |
Catherine Donner | ... | film lab technician (as Cahterine Donner) |
Yves Dujardin | ... | digital intermediate coordinator / film lab coordinator |
Christian Dutillieu | ... | film lab technician |
Paul Francois Fontigny | ... | digital intermediate film technician |
Maurice Henrion | ... | film lab technician |
Adam Inglis | ... | digital colorist |
Joanna Jimenez | ... | second assistant editor (as a different name) |
Dominique Marcel | ... | digital cinema mastering |
Romain Matuszak | ... | digital cinema mastering |
Aldo Mulone | ... | assistant digital grader |
Omar Sakkou | ... | film lab technician |
Laurent Verscheure | ... | film lab technician |
Mat Brooks | ... | digital lab technician (uncredited) |
Charlotte Collings | ... | digital intermediate producer (uncredited) |
Steve Harrow | ... | post-production consultant (uncredited) |
Casting By
Daniel Hubbard | ... | (as Dan Hubbard) |
John Papsidera | ... | casting director: US |
Production Design by
Ged Clarke |
Art Direction by
Danny Rogers | ... | supervising art director |
Set Decoration by
Liz Griffiths |
Costume Design by
Sian Jenkins |
Makeup Department
Kate Benton | ... | makeup artist |
Graham Johnston | ... | makeup designer |
Lorna McGowan | ... | makeup artist |
Kristyan Mallett | ... | prosthetics designer (uncredited) |
Simon Taylor | ... | prosthetic technician (uncredited) |
Production Management
Steve Harrow | ... | post-production supervisor |
Second Unit Director or Assistant Director
Scott Bunce | ... | second assistant director |
Joe Geary | ... | first assistant director |
Ian Hughes | ... | third assistant director |
Art Department
Justin Ackroyd | ... | set dresser |
Callum Andrew | ... | construction manager (as Callum Andrews) |
Emma Denby | ... | art department assistant |
Mark Fruin | ... | stand-by props |
Antonia Gibbs | ... | production buyer |
Tone Gibbs | ... | prop storeman (as Tony Gibbs) |
Neil Griffiths | ... | dressing props |
Paul Mitchell | ... | dressing props |
Nigel Pollock | ... | stand-by art director |
Craig Price | ... | property master |
Emma Rogers | ... | graphic designer |
Corrine Silver | ... | art department assistant |
Mark Sindall | ... | stand-by propman |
Marcus Spivey | ... | stand-by painter |
James Waddingham | ... | h.o.d. carpenter / stand-by carpenter |
Sound Department
Hugo Adams | ... | foley editor |
Niv Adiri | ... | sound re-recording mixer: effects premix, Sound 24 |
Chris Ashworth | ... | production sound mixer |
Ben Barker | ... | sound designer |
Luke Brown | ... | assistant foley mixer |
Peter Burgis | ... | foley artist (as Pete Burgis) |
Etienne Carton | ... | technical sound supervisor |
Tony Dawe | ... | sound recordist |
Sebastien Demeyere | ... | sound coordinator (as Sébastien Demeyere) |
Mike Dowson | ... | senior sound re-recording mixer |
Catherine Duffy | ... | sound assistant |
Danny Freemantle | ... | sound effects editor |
Glenn Freemantle | ... | sound designer |
Nick Freemantle | ... | assistant sound editor (as Nicholas Freemantle) |
Jean-Stephane Garbe | ... | re-recording mixer (as Jean Stéphane Garbe) |
Glen Gathard | ... | foley mixer |
Emilie O'Connor | ... | adr editor / dialogue editor |
Francis Perreard | ... | sound consultant: Dolby |
Paul Schwartz | ... | boom operator |
Denise Yarde | ... | boom operator |
Tony Dawe | ... | additional sound mixer (uncredited) |
Gillian Dodders | ... | dialogue editor (uncredited) |
Special Effects by
Victoria Bravery | ... | special effects (as Tori Bravery) |
Graham Cough | ... | special effects |
Nick P. Phillips | ... | special effects (as Nick Phillips) |
Graham Povey | ... | special effects supervisor |
Matthew Roberts | ... | special effects (as Matt Roberts) |
Dan Doddington | ... | special effects technician (uncredited) |
Visual Effects by
Joan Azpeitia | ... | VIEW D Compositor |
Travis Berry | ... | visual effects artist: North by Northwest Productions |
Amelia Braekke-Carroll | ... | stereo conversion compositor (as Amelia Braekke-Dyer) |
Giles Burgess | ... | visual effects editor |
Vikki Chapman | ... | stereo production coordinator: prime focus film |
Clare Cheetham | ... | visual effects producer: uFX |
Jonathan Cheetham | ... | visual effects supervisor: uFX |
Marc Henry de Frahan | ... | facilities manager: uFX |
Bert Deruyck | ... | visual effects artist: uFX |
Suzanne Forward | ... | visual effects coordinator: uFX |
Dave Goodbourn | ... | technical manager: uFX (as Dave Goodbourne) |
Miriam Jane | ... | visual effects artist |
Brooke McGowan | ... | stereo compositor: stereoscopic conversion |
J.D. McKee | ... | visual effects artist: North by Northwest Productions (MODEfx) (as Jason McKee) / visual effects supervisor: North by Northwest Productions (MODEfx) (as Jason McKee) |
Ricardo Musch | ... | stereo compositor (view-d): Prime Focus Film |
Jason A. Payne | ... | visual effects producer: North by Northwest Productions |
James Rose | ... | visual effects artist: uFX |
Francesco Rossi | ... | visual effects artist: uFX |
Bruno Sommier | ... | visual effects supervisor: uFX, Belgium team |
Daniele Starnoni | ... | stereoscopic conversion artist |
Rafael Zierhofer | ... | stereo conversion artist |
Nora Berecoechea | ... | project assistant: uFX (uncredited) |
Alexis Haggar | ... | titles: graphics and effects (uncredited) |
Stunts
Zarene Dallas | ... | stunt performer |
Sarah Franzl | ... | assistant stunt coordinator |
Andy Godbold | ... | stunt double: Finbar Lynch |
James Grogan | ... | fight choreographer / stunt double: John Cussack |
Greg Powell | ... | stunt coordinator |
Roy Taylor | ... | stunt performer |
Zarene Dallas | ... | stunt double: Malin Akerman (uncredited) |
George Morris | ... | precision driver (uncredited) |
Roy Taylor | ... | fight assistant (uncredited) |
Camera and Electrical Department
David Ashby | ... | key grip |
Barry Bellotti | ... | electrician |
Jeremy Braben | ... | aerial photographer: Helicopter Film Services Ltd |
Mat Brooks | ... | data wrangler |
Paul Brown | ... | electrician |
Peter Byrne | ... | first assistant camera |
Abigail Catto | ... | clapper loader |
Laurence Cendrowicz | ... | additional still photographer: additional on-set stills |
Dominique Cheung | ... | camera trainee |
David Churchyard | ... | clapper loader (as a different name) |
Liam Daniel | ... | still photographer |
Bernard Esterhuysen | ... | high speed camera operator / high speed technician |
Lee Godfrey | ... | best boy grip |
Tristan Hey | ... | digital imaging technician |
Lee Knight | ... | best boy |
Vince Madden | ... | electrician (as Vinny Madden) |
Marc-Jason Maier | ... | digital imaging technician |
Michael McDermott | ... | gaffer |
Vince McGahon | ... | camera operator |
Spencer Murray | ... | first assistant camera |
Emily Payne | ... | camera trainee |
John Pitt | ... | rigger |
Oliver Ward | ... | aerial camera technician: Helicopter Film Services Ltd |
Abigail Catto | ... | second assistant camera (uncredited) |
Vince McGahon | ... | steadicam operator (uncredited) |
Casting Department
Jay Benedict | ... | crowd adr: Sync or Swim |
Claire Robinson | ... | casting assistant |
Phoebe Scholfield | ... | crowd adr: Sync or Swim |
Gemma Sykes | ... | casting associate: UK |
Louis Elman | ... | adr voice casting (uncredited) |
Costume and Wardrobe Department
Corinna Everett-Lyons | ... | costume supervisor |
Maja Meschede | ... | key costumer |
Emma Rees | ... | assistant costume designer (as Emma Rose Rees) |
Location Management
Andrew Ryland | ... | assistant location manager |
Charlie Thompson | ... | location manager |
Music Department
Matt Biffa | ... | music supervisor |
Rupert Coulson | ... | score mixer |
Gareth Griffiths | ... | music contractor |
Ross Hamilton | ... | musician: guitars and bass |
Paul Leonard-Morgan | ... | conductor / music arranger / orchestrator |
Caroline McGonigle | ... | assistant to composer (as Caroline Gorman) |
Jeremy Murphy | ... | pro tools assistant: Angel Studios |
Sam Petts-Davies | ... | score pro tools assistant |
Steve Price | ... | music recordist: Angel Studios |
Dianne Stevenson | ... | second assistant to composer |
Warren Zielinski | ... | musician: violin |
Script and Continuity Department
Laura Miles | ... | script supervisor |
Transportation Department
James Adkin | ... | assistant action vehicle coordinator |
Rob Hempenstall | ... | unit driver |
Graeme Main | ... | camera car driver |
Danny Mitchell | ... | swing co-ordinator |
George Morris | ... | action vehicle coordinator |
Mark Morris | ... | action vehicles |
Tony Wadsworth | ... | driver: Mr. Cusack |
Piotr Walczak | ... | transport facilities manager |
Martin Walsh | ... | driver |
Additional Crew
Bianca Arvin | ... | assistant: Mr. Cusack |
Alison Balch | ... | head of international operations: Content Media Corporation |
Judith Baugin | ... | head of international marketing: Content Media Corporation |
Hannah Boschi | ... | assistant production coordinator |
Kyle Brosius | ... | trailer titles |
Lara Brown | ... | assistant: Steven Silver and Neil Tabatznik, Blue Lake Media Fund |
Maéva Buisse | ... | production coordinator: uFilm (as Maeva Buisse) |
Evan Cohen | ... | assistant: Doug Mankoff and Andrew Spaulding, Echo Lake Entertainment |
Christine Corner | ... | auditor: Grant Thornton UK LLP |
Alana Crow | ... | business and legal affairs |
Melloney Cunnell | ... | production assistant: Matador Pictures |
Libby D'Arcy | ... | vp business affairs: Content Media Corporation |
Andy Darbon | ... | caterer: Set Breaks |
Chet Devaskar | ... | legal services |
Ilda Diffley | ... | director of development: Echo Lake Entertainment |
Meredith L. Ditlow | ... | assistant to producers (as Meredith Ditlow) / production executive: Furst Films (as Meredith Ditlow) |
Rebecca Dix | ... | unit publicist: Public Eye |
Brian Gibbs | ... | production accountant |
Donna Graham | ... | Nurse (creditOnly) |
Louise Green | ... | assistant post-production accountant |
Nell Green | ... | production assistant: Matador Pictures |
Paul Hay | ... | bowser operator: Helicopter Film Services Ltd |
Pierre Philippe Hendrickx | ... | lawyer: uFilm (as Pierre-Philippe Hendrickx) |
Sion Iorwerth | ... | senior administrator: Matador Pictures |
Polly Jefferies | ... | production coordinator |
Chesney Jefferson | ... | production runner: dailies |
Michael Jupp | ... | helicopter pilot: aerial photography, Helicopter Film Services Ltd |
Mark Kingston | ... | health and safety officer |
Erick Kwak | ... | executive vice president: worldwide business and legal affairs, Content Media Corporation |
John LaViolette | ... | counsel: Furst Films |
Lucia Lopez | ... | head of development: Matador Pictures |
Alex Matcham | ... | production controller |
Martin Metz | ... | production executive: uFilm |
Saira Mian | ... | head of legal and business affairs: Matador Pictures |
Christos Michaels | ... | legal services |
Sheila Fraser Milne | ... | production executive |
Alex Molden | ... | accommodation coordinator |
Melanie Mooney | ... | assistant: Steven Silver and Neil Tabatznik, Blue Lake Media Fund |
Richard Morrison | ... | title designer |
Richard Moxon | ... | production counsel: Davenport Lyons |
Maggie Newton | ... | assistant to executive producers: Piccadilly Pictures |
Kerry Porter | ... | unit publicist: Public Eye |
Ben Rothwell | ... | armourer |
David Ruddock | ... | assistant accountant |
Steve Sango | ... | security |
Lara Sargent | ... | post-production accountant |
John Schmidt | ... | chief executive officer: Content Media Corporation |
Kate Selby | ... | floor runner |
Iwona Sellers | ... | production executive: uFilm |
Bastien Sirodot | ... | production executive: uFilm |
Greg Slewett | ... | counsel: Furst Films |
James A. Smith | ... | assistant: Doug Mankoff and Andrew Spaulding, Echo Lake Entertainment (as James Smith) |
Jessica Stamen | ... | vice president of development: Echo Lake Entertainment |
Christina Steils | ... | operations manager: aerial photography, Helicopter Film Services Ltd |
Saskia Thomas | ... | production coordinator: Piccadilly Pictures |
Claire Walker | ... | production runner |
Dean Wares | ... | title designer |
Geoff Webb | ... | chief financial officer: Content Media Corporation |
Russell Webber | ... | production assistant: Matador Pictures |
Harry White | ... | head of international sales: Content Media Corporation |
Kristie White | ... | assistant post-production accountant |
Luke Windsor | ... | unit publicist: Public Eye |
Kriss TheDish Brown | ... | on-set internet engineer (uncredited) |
Bob Corff | ... | voice coach (uncredited) |
Donna Graham | ... | nurse (uncredited) |
David Sheldon-Hicks | ... | screen graphics (uncredited) |
Matt Spooner | ... | unit medic (uncredited) |
Thanks
Peter Bevan | ... | the producers would like to thank |
Sarah Brown | ... | the producers would like to thank |
Alastair Burlingham | ... | the producers would like to thank |
Ibon Cormenzana | ... | the producers would like to thank: Arcadia Capital |
Ignasi Estapé | ... | the producers would like to thank: Arcadia Capital (as Ignasi Estape) |
Sara Giles | ... | the producers would like to thank |
Karl Richards | ... | the producers would like to thank |
Mary Thomas | ... | the producers would like to thank |
Production Companies
- ContentFilm International (presents)
- Echo Lake Entertainment (presents)
- Piccadilly Pictures (in association with)
- Atlantic Swiss Productions (in association with)
- Blue Lake Media Fund (in association with)
- Furst Films
- Matador Pictures
- International Pictures One (in association with)
- Tax Shelter du Gouvernement Fédéral Belge (supported by)
- uFilm (with the support of)
- Umedia
Distributors
- Content Media (2013) (World-wide)
- Captive Cinema Distribution (2013) (Philippines) (theatrical)
- Image Entertainment (2013) (United States) (theatrical)
- Nikkatsu (2013) (Japan) (theatrical)
- Spentzos Films (2013) (Greece) (theatrical)
- Synergy (2013) (Japan) (theatrical) (in association with)
- 4Digital Media (2013) (United Kingdom)
- ADS Service (2013) (Hungary)
- Aventi (2013) (France) (video)
- Eagle Entertainment (2013) (Australia) (DVD)
- Entertainment One (2013) (Netherlands) (DVD)
- Entertainment One (2013) (Netherlands) (Blu-ray) (DVD)
- Film1 (2013) (Netherlands) (tv) (limited)
- IPA Asia Pacific (2013) (Thailand)
- IPA Asia Pacific (2013) (Vietnam)
- La Aventura (2013) (Spain)
- Marco Polo Production (2013) (France) (video)
- Netflix (Netherlands) (video) (VOD)
- SC Movies (2021) (Australia) (video)
- Universum Film (UFA) (2014) (Germany) (DVD)
- Universum Film (UFA) (2014) (Germany) (Blu-ray) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (Blu-ray) (DVD)
- Zon Audiovisuais (2013) (Portugal)
Special Effects
- uFX (visual effects)
- North by Northwest Productions (additional visual effects)
- Lexhag VFX (main titles and graphics)
- Lexhag VFX (title graphics)
- MODEfx (visual effects)
- Prime Focus (3D Grade)
Other Companies
- Sargent-Disc (payroll services)
- Helicopter Film Services (aerial photography)
- Set Breaks Catering (catering)
- Beofilm Post Production (editing facilities)
- Warner Bros. De Lane Lea (editing facilities)
- Pivotal Post (editing facilities)
- Studio l'Équipe (picture and sound post-production services)
- Sound 24 (sound design and post-production)
- Shepperton Studios (foley recording)
- Studio l'Équipe (re-recording sound stages)
- Goldcrest Post Production London (adr recording)
- Halo Post Production (adr recording)
- Windmill Lane Recording Studios (adr recording)
- Wildfire Studios (adr recording)
- Chicago Recording Company (adr recording)
- Sync or Swim (crowd adr)
- Angel Studios (music recording)
- Chamber Orchestra Of London (music performers)
- Strongroom Recording Studios (score mixing)
- Cutting Edge Group (music services)
- Pivotal Post (editing equipment)
- Salon (editing equipment)
- Beofilm Post Production (editing equipment)
- Sapex Scripts (post-production script services)
- Public Eye Communications (unit publicity)
- Close-Up Productions (I) (electronic press kit)
- Grant Thornton (auditors)
- Davenport Lyons (production counsel)
- Media Insurance Brokers (MIB) (insurance)
- European Film Bonds (completion guarantee)
- Deutsche Filmversicherungsgemeinschaft (completion guarantee)
- Reed Smith (legal services)
- Freeway CAM B.V. (world revenues collection and distribution)
- Alexavision (cameras and lenses)
- Procam Take 2 (cameras and lenses)
- Procam Take 2 (lighting equipment)
- Translux International (facilities)
- Shutterstock (film footage courtesy of: credit sequence)
- Pond5 (stock footage)
- ContentFilm International (international sales)
- Arcadia Capital (the producers would like to thank: Ignasi Estape and Ibon Cormenzana)
- Bridgeworks Capital (the producers would like to thank)
- Aegis Film Fund (the producers would like to thank)
- Miso Film (the producers would like to thank)
- Bentwaters Airfield (the producers would like to thank)
- Dolby Laboratories (sound mix: Dolby Digital)
- Said and Done (author of this motion picture for the purposes of copyright and other laws)
- Boomtactix (author of this motion picture for the purposes of copyright and other laws)
- Belatro (author of this motion picture for the purposes of copyright and other laws)
- DJG (author of this motion picture for the purposes of copyright and other laws)
- 4K London (digital imaging services)
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- Compuhire (computer playback)
- Cutting Edge Group (music services)
- European Film Bonds (completion bond company)
- MovieScore Media (soundtrack)
- Piccadilly Pictures (funding)
- Prime Focus (camera equipment)
- Prime Focus (digital deliverables)
- Prodigy Public Relations (publicity)
- Production Copier Company (production equipment and services)
- Sky Media Travel (travel agent)
- Territory (graphic displays)
- Wildfire Studios (ADR Recording Facility)
- uFund (funding)
Storyline
Plot Summary |
When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival. Written by AZSigInt |
Plot Keywords | |
Taglines | The code has never been compromised. Until now. See more » |
Genres | |
Parents Guide | View content advisory » |
Certification |
Additional Details
Also Known As |
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Did You Know?
Trivia | When they are reviewing the profiles one that comes up is Sean Furst, who is one of the movie's producers. See more » |
Goofs | Katherine tells Emerson the code is 7463. The code that Emerson mouthed, over background music into the microphone, was 7543. See more » |
Movie Connections | Featured in The Making of the Numbers Station (2013). See more » |
Crazy Credits | Opening credits starts with some numbers spoken and reversed match with the names that are shown. See more » |
Quotes |
Grey:
I'll get you a prescription for Ativan, it'll stop your conscience bothering ya. See more » |