A soldier returning from the war in Afghanistan uncovers a conspiracy involving the intelligence services and a gang of drug dealers.
Director:
Writers:
Stars:
Photos and Videos
Cast
| Toby Kebbell | ... |
Robert Miller
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| Adi Bielski | ... |
Alayna Wallace
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| Tony Curran | ... |
Chris Turner
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| Ashley Thomas | ... |
Tyrone Jones
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| Tom Brooke | ... |
Danny Turner
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| Ivanno Jeremiah | ... |
Fahad Sahal
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| Brian Cox | ... |
Gerry Langdon
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| Mem Ferda | ... |
Hakeem
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Eboseta Ayemere | ... |
Ryan Sahal
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Brendon Read | ... |
Big Benny
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| Selva Rasalingam | ... |
Fawwaz Abdullah
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Christopher Peter Smith | ... |
Omar
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| Conrad Peters | ... |
Khaled
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Steve Weston | ... |
Ramush Jashari
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| Adrian Bouchet | ... |
Chechen 1
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| Josh Myers | ... |
Chechen 2
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| Warren Rusher | ... |
Napoleon
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Bob Mercer | ... |
Ski-Mask Man 1
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James Alexander | ... |
Ski-Mask Man 2
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| Serhat Metin | ... |
Gang Member
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Max Callum | ... |
Shooter
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Gary Barnshaw | ... |
Iconiq Cafe Owner
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Miles Harrington | ... |
Assassin in Van
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Shiden Mezghebe | ... |
Gang Member
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| Rest of cast listed alphabetically: | |||
| Bern Collaço | ... |
Stripclub Punter (uncredited)
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| Rebecca Hyland | ... |
Crew Member (uncredited)
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| Samantha Kelly | ... |
Stripclub Dancer (uncredited)
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David Lyddon | ... |
The Passer by (uncredited)
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Directed by
| Matthew Hope | ||
Written by
| Matthew Hope | ... | (written by) & |
| Robert Henry Craft | ... | (written by) |
Produced by
| Gary Barnshaw | ... | executive producer |
| Jason Garrett | ... | executive producer |
| John Hope | ... | associate producer |
| Johann Insanally | ... | line producer |
| Bruce Kenyon | ... | associate producer |
| Kim Leggatt | ... | producer |
| Dawn Pritchard | ... | executive producer |
| Sheila Pritchard | ... | executive producer |
| David Rogers | ... | executive producer |
| Debbie Shuter | ... | producer |
Music by
| Mark Delany | ||
Cinematography by
| Philipp Blaubach | ||
Editing by
| Emma Gaffney | ||
Editorial Department
| Patrick Malone | ... | digital intermediate head of department |
| Mike Saxton | ... | post production supervisor |
| Lisa Thompson | ... | first assistant editor |
Casting By
| Amelia Hashemi | ||
| Rose Wicksteed | ||
Production Design by
| Chris Richmond | ||
Costume Design by
| Emma Fryer | ||
Makeup Department
| Claire Carter | ... | daily makeup artist |
| Jane Oginsky | ... | hair and make up artist |
| Lynn Taylor-Wood | ... | chief hair and make-up artist |
Production Management
| Beth Timbrell | ... | production manager |
Second Unit Director or Assistant Director
| Jude Campbell | ... | first assistant director |
| Glen Carroll | ... | third assistant director: second unit |
| Emily Perowne | ... | second assistant director: crowd |
| Tom Fenwick Smith | ... | third assistant director |
| Tom White | ... | first assistant director: second unit / second assistant director |
Art Department
| Dion Banner | ... | charge painter |
| Charles Bodycomb | ... | supervising armourer |
| Tony Brady | ... | chargehand construction carpenter |
| Alfie Burgess | ... | stand-by prop |
| Steve Clark | ... | assistant art director |
| Mervin Cooper | ... | stagehand |
| Ian Curtis | ... | carpenter |
| Roddy Dolan | ... | dressing props |
| Billy Edwards | ... | chargehand stand-by prop |
| Adrian Greenwood | ... | prop buyer |
| Peter Holden | ... | carpenter |
| Douglas Ingram | ... | storyboard artist |
| Peter Johnson | ... | construction manager |
| Peter Jones | ... | carpenter |
| Dean Kelly | ... | painter |
| Terry Machin | ... | painter |
| Dominic Madden | ... | graffiti artist |
| Adam A. Makin | ... | supervising art director |
| Amy Meakin | ... | art department assistant |
| James Ott | ... | standby props |
| Ewan Robertson | ... | prop master |
| Boadicea Shouls | ... | art department trainee |
| Andrew Tapper | ... | graphic designer |
| Oli van der Vijver | ... | stand-by art director |
| Kevin Waite | ... | carpenter |
| Margherita Zanobetti | ... | art and scenery |
Sound Department
| Kehinde Adeyemi | ... | Sound Assistant: Kindy Dejemi |
| Dafydd Archard | ... | sound mix technician |
| Steve Browell | ... | re-recording mixer / sound designer |
| Nick Del-Molino | ... | mix assistant |
| Ben Jeffes | ... | sound assistant |
| Philip Jenkins | ... | foley mixer |
| Nick Kray | ... | adr mixer |
| Jules MacDonald | ... | additional sound re-recording mixer |
| David Mackie | ... | foley editor |
| Gavin Marshall | ... | boom operator |
| Patrick Roche | ... | first assistant sound editor |
| Jack Stew | ... | foley artist |
| Sven Taits | ... | re-recording mixer / supervising sound editor |
| Tarn Willers | ... | additional sound mixer |
| Julian Willson | ... | sound mixer |
| Robert Karlsson | ... | dolby sound consultant (uncredited) |
Special Effects by
| Colin Gorry | ... | special effects |
| Dan Martin | ... | special effects makeup |
| Jody Taylor | ... | senior special effects technician |
| Alastair Vardy | ... | special effects technician |
| Jonathan Wilson | ... | special effects assistant |
Visual Effects by
| Fiorenza Bagnariol | ... | digital film bureau |
| Simone Coco | ... | digital compositor |
| Louise Hussey | ... | visual effects producer |
| Paul Jones | ... | visual effects coordinator |
| Timothy P. Jones | ... | digital film bureau |
| Gavin McKenzie | ... | digital compositor |
| Naveen Medaram | ... | digital compositor: rushes |
| Jonathan Privett | ... | visual effects supervisor: Rushes Postproduction |
| Aurora Shannon | ... | digital intermediate assistant |
Stunts
| Rob Cooper | ... | stunts |
| James Embree | ... | stunt performer |
| Julian Spencer | ... | stunt coordinator |
| Mens-Sana Tamakloe | ... | stunt performer |
| Arran Topham | ... | stunt performer |
| Andy Wareham | ... | stunt performer |
| Calvin Warrington-Heasman | ... | stunt performer |
| William Willoughby | ... | stunt performer |
Camera and Electrical Department
| Ben Brown | ... | camera assistant |
| Peter Byrne | ... | focus puller |
| Abigail Catto | ... | loader |
| Rachel Clark | ... | second assistant camera: dailies |
| Matt Fisher | ... | camera operator: "b" camera / steadicam operator |
| Steve Fitzpatrick | ... | rigger |
| Ben Fordesman | ... | daily electrician |
| Rob Gilmour | ... | second assistant camera: dailies |
| Christian Hayes | ... | electrician |
| Garry Hedges | ... | lighting technician (as Gary Hedges) |
| Tony Kay | ... | first assistant camera: "b" camera |
| Nick Kenealy | ... | video assist operator |
| Tracey Leggatt | ... | stills photographer |
| Andy McBrearty | ... | gaffer |
| James Ray | ... | grip assistant |
| Dean Rogers | ... | official stills photographer |
| Chris Rusby | ... | key grip |
| Joelle Smith | ... | camera trainee: dailies |
| Morgan Spencer | ... | camera trainee: dailies |
| Ricky Stelling | ... | rigger |
| Chris Stones | ... | electrician |
| David Tett | ... | stills photographer |
| Pete West | ... | electrician |
| Jonathan Yates | ... | best boy |
Casting Department
| Darren Baba | ... | extras casting assistant |
| Jamie Edgerton | ... | extras casting assistant |
| Johnny Lynch | ... | extras casting |
| Isabella Odoffin | ... | casting assistant |
| Andy Shepherd | ... | casting assistant |
Costume and Wardrobe Department
| Jane Leonard | ... | assistant costume designer |
| Shona McCallum | ... | costume assistant |
| Wyn Vaughan-Humphreys | ... | standby costume / wardrobe master |
Location Management
| Grant Cummings | ... | location manager |
| Peter-Frank Dewulf | ... | location unit manager |
| Rachel Hyde | ... | location assistant |
| Richard Knight | ... | location manager: additional photography |
| Rob Napoletani | ... | location scout |
Music Department
| Stephen McLaughlin | ... | music mixer |
| Ben Medcalf | ... | music producer |
| Paul Saunderson | ... | assistant music mixer |
Script and Continuity Department
| Kathy Hughes | ... | script supervisor |
| Natalie Sloan | ... | script supervisor: Second Unit |
Transportation Department
| Tony Killington | ... | unit driver |
| Andy Levett | ... | h.o.d facilities |
| Darren Litten | ... | action vehicle coordinator |
| Michael White | ... | unit driver |
Additional Crew
| Monika Agorelius | ... | electronic press kit |
| Shelly Bancroft | ... | acquisition consultant: Premiere Picture |
| Charles Bodycomb | ... | armorer |
| Bob Craft | ... | technical advisor |
| Robert Henry Craft | ... | technical advisor |
| Rachel Donkor | ... | production accountant |
| Ewan Dunbar | ... | assistant to director |
| Scott Eaton | ... | production coordinator |
| Daryl Francis | ... | medic |
| Alex Gardner | ... | medic |
| Jason Garrett | ... | financier |
| Imogen Gay | ... | production assistant |
| Henry Jay Gordon | ... | floor runner (as Henry Gordon) |
| Julia Jones | ... | unit publicist |
| Fiona Kihlstrom | ... | financier |
| Keiran Mahon | ... | assistant director |
| Nadia Naguib | ... | financier |
| David Peck | ... | consultant |
| Steven Rogers | ... | consultant |
| Mark Rowan | ... | health & safety advisor recce |
| Angelika Schierz | ... | production coordinator |
| Marcus Searancke | ... | financier |
| Sanjay Sharma | ... | assistant production co-ordinator |
| Wilson Stevens | ... | company accountant |
| Sarah Teboul | ... | production accountant |
| John William Turner | ... | floor runner: dailies |
| Alena Walker | ... | financier (as Alena Trower) |
Thanks
| Darren Ashton | ... | thanks |
| Andrew Aston | ... | thanks |
| Emma Atherton | ... | thanks |
| Adam Betteridge | ... | special thanks |
| Mark Bond | ... | thanks |
| Peter Dally | ... | thanks |
| Karl Dye | ... | special thanks |
| Denise Edwards | ... | thanks |
| Jonathan Edwards | ... | thanks |
| Philip Goodall | ... | thanks |
| Antony Gostyn | ... | thanks |
| Chris Grasby | ... | thanks |
| Debbie Haze | ... | thanks |
| Billy Hurman | ... | thanks |
| Jordan James | ... | special thanks |
| Ann Jennings | ... | thanks |
| Mick Jennings | ... | thanks |
| Steve Joberns | ... | special thanks |
| Graham Jones | ... | thanks |
| James Jones | ... | thanks |
| Petra Kenyon | ... | thanks |
| Sade Kharbanda | ... | thanks |
| Fiona Kihlstrom | ... | special thanks |
| Martin Lea | ... | thanks |
| Barbara Morgan | ... | thanks |
| Martin Myers | ... | special thanks |
| Nadia Naguib | ... | special thanks |
| David Peck | ... | special thanks |
| Kari Hoseth Peters | ... | thanks |
| Mick Pilot | ... | thanks |
| Marcus Searancke | ... | special thanks |
| Alistair Sharpe | ... | thanks |
| Austin Shaw | ... | special thanks |
| David Stacey | ... | thanks |
| Adam Thompson | ... | special thanks |
| Alena Walker | ... | special thanks (as Alena Trower) |
| Kris White | ... | thanks |
| Max White | ... | thanks |
| Jessica Wilcock | ... | thanks |
| Kevin Williams | ... | special thanks |
Production Companies
Distributors
- Audio Visual Entertainment (2011) (Greece) (theatrical)
- Revolver Entertainment (2011) (United Kingdom) (theatrical)
- Falcon Films (2011) (Lebanon) (Middle East)
- Inception Media Group (2012) (United States) (DVD)
- Pandastorm Pictures (2011) (Germany) (DVD)
- Pinnacle Films (2011) (Australia) (DVD)
Special Effects
- Colin Gorry Effects
- Rushes Post Production (visual effects)
Other Companies
- ARRI Lighting Rental (lighting equipment)
- Audiolink Radio Communications (walkie talkies)
- Dolby Laboratories (sound mix)
- Elstree Film & Television Studios (movie studio)
- Film London (thanks)
- Foxtrot Productions (arms supplier)
- Kodak (motion picture film supplier)
- Lynch Mob (extras casting)
- Max Callum Agency (extras casting)
- Pivotal Post (editing equipment: Avid HD)
- Warner Bros. De Lane Lea (adr recording)
- Warner Bros. De Lane Lea (sound re-recording)
Storyline
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| Parents Guide | View content advisory » |
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Additional Details
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Box Office
| Budget | GBP2,100,000 (estimated) |
Did You Know?
| Trivia | The social housing complex that Miller is living in is the Heygate estate at Elephant and Castle. You can see the Strata in one of the scene where Miller broke through some barricade to have the night view. The Heygate has since been demolished to make way for Elephant Park by Lend Lease. See more » |
| Soundtracks | Patri See more » |
| Crazy Credits | This Film is dedicated in loving memory to Deverok Pritchard (1939-2008) See more » |
| Quotes |
[last lines]
Gerry Langdon: The organizing principle of any society is for war. The basic authority of the modern state over its people resides in its war powers. Today it's oil, tomorrow, water. It's what we like to call the GOD business: Guns, Oil, and Drugs. But there is a problem. Our way of life, its over. It's unsustainable and in rapid decline. That's why we implement demand destruction. We continue to make money as the world burns. But for this to work the people have to remain ignorant of the problem until it's too late. That's why we have triggers in place: 9/11, 7/7, WMDs. A population in a permanent state of fear does not ask questions. Our desire for war becomes *its* desire for war. A willing sacrifice. You see, fear is justification, fear is control, fear is money. You're a brilliant soldier and I could still use someone like you. Robert Miller: I'll ask you one more time. Where is she? Gerry Langdon: Do you know the term "train tracking?" And "batterying?" [They are slang for "gang rape"] Gerry Langdon: Perhaps you should look closer to home. The young men of your estate. So vicious. Poor Alayna wouldn't stand... [takes a bullet to the heart] See more » |