| Videos (see all 6) |
| Ray Liotta | ... | Dr. Brintall | |
| Mario Van Peebles | ... | Eric | |
| 50 Cent | ... | Deon | |
| Lynn Whitfield | ... | Bee | |
| Ambyr Childers | ... | Sherry | |
| Tracey Heggins | ... | Sharon | |
| Elizabeth Rodriguez | ... | Mrs. Lopez | |
| Steve Eastin | |||
| Brian A Miller | ... | Steven | |
| Corey Large | ... | Paramedic Adam | |
| Cedric Sanders | ... | Sean | |
| Jana Veldheer | ... | Bar Patron | |
| Alara Ceri | ... | Denise (as Alara Cerikci) | |
| Mckeel Robins | ... | Soccer Referee | |
| Hamzah Saman | ... | Nurse | |
| Diane Witter | ... | Woman buying car | |
| Rocky Rector | ... | Man on Bus (as Richard 'Rocky' Rector) | |
| Mike P. | ... | June | |
| J. Burton Reynolds | ... | Jerry | |
| Armon York Williams | ... | Bar Patron | |
| Josh Carrizales | ... | Carlos | |
| David Paulus | ... | Assistant Head Coach | |
| Chris Kotcher | ... | Frat Boy | |
| Mike Puwal | (as Mike P.) | ||
| Keith Seccombe | ... | Doctor | |
| Kimberly Harsch | ... | Soccer Mom (uncredited) | |
| Rolin Stone | ... | Assistant Coach #1 (uncredited) |
Directed by | |||
| Mario Van Peebles | |||
Writing credits(in alphabetical order) | ||
| 50 Cent | screenplay | |
| Brian A Miller | screenplay | |
Original Music by | |||
| Tree Adams | |||
Cinematography by | |||
| Matthew Irving | |||
Film Editing by | |||
| Bob Mori | |||
| Kirk M. Morri | |||
Casting by | |||
| Nancy Nayor | |||
Production Design by | |||
| Joshua Stricklin | |||
Art Direction by | |||
| Morgan Gillio | |||
Set Decoration by | |||
| Bill Taylor | |||
Costume Design by | |||
| Sabra Temple | (part one) | ||
Makeup Department | |||
| Harvey Riley | .... | additional hair stylist | |
Production Management | |||
| Beau J. Genot | .... | post-production supervisor | |
| Jon Recher | .... | production supervisor | |
| Michael J. Urann | .... | post-production supervisor | |
Art Department | |||
| Kyle Scott Copeland | .... | art department intern | |
| Mikki Lee Cronkhite | .... | props assistant | |
| Trevor Post | .... | prop maker | |
| Jesse Tofferi | .... | prop maker | |
| Leah Vukovich | .... | set dresser | |
| Ed Wager | .... | carpenter | |
Sound Department | |||
| David Barber | .... | sound re-recording mixer | |
| David Barber | .... | supervising sound editor | |
| Sean Gray | .... | sound designer | |
| Sean Gray | .... | sound effects editor | |
| Matt Mulder | .... | boom operator | |
| Angie Pollema | .... | intern | |
| Sean Quashnie | .... | sound mixer | |
| Brett Sorensen | .... | sound utility | |
Visual Effects by | |||
| Wesley Cronk | .... | visual effects | |
| Max Lazzarin | .... | visual effects | |
Stunts | |||
| Todd Rogers Terry | .... | stunt performer | |
Casting Department | |||
| Brittany Burke | .... | casting associate | |
| Maureen Dreher | .... | casting: Midwest | |
Costume and Wardrobe Department | |||
| Kate Bennett | .... | assistant costume designer: part one | |
| Colleen Gura | .... | set costumer | |
| Daniel Overton | .... | wardrobe production assistant | |
| Anthony Rivera Jr. | .... | costume supervisor | |
| Mackenzie Storhaug | .... | wardrobe intern | |
Editorial Department | |||
| Damian Drago | .... | title design | |
| Eddie Mikasa | .... | assistant editor | |
| Thom Obarski | .... | trailer editor | |
| Alan Pao | .... | digital intermediate producer | |
Music Department | |||
| Jake Staley | .... | orchestrator | |
Transportation Department | |||
| Mark A. James | .... | L.A. transportation captain | |
| Raymond Landino Jr. | .... | driver | |
| Reno S. Mifsud | .... | transportation captain | |
| Billy Neckrock | .... | driver | |
| Jack Jay Reece | .... | transportation coordinator | |
| John 'Detroit' White | .... | transportation captain | |
Thanks | |||
| Bryan Bossard | .... | special thanks | |
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| Lost and Delirious | 1969 | Harmon of Michigan | Everybody's All-American | The Express |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
Mario Van Peebles came back to the director's chair recently, and he's been churning out films faster than ever before, with "Things Fall Apart", "Redemption Road" and "We the Party", but does he still have what it takes to make a film on par with "Baadasssss!"? Unfortunately no, "Baadasssss!" was a very tough act to follow and he will obviously never top it, but it's nice to see him directing full length films again. "Things Fall Apart" is 50 Cent's big attempt at gaining recognition as an actor, and at this time, he's producing other films with his production company, and this is the only one I've seen so far.
I consider the film to be a noble failure. 50 Cent is obviously no actor, and although he worked hard in the physical department of the film by losing weight, training, etc, his diction is really bad and it can be very hard to understand what he's saying most of the time. Also, he can't do emotion well, a lot of his line deliveries during key moments are anti-climatic and cheesy, and he looked very awkward in the romantic scenes. The story is based on one of 50 Cent's actual friends' life, and it deals with the harsh reality of cancer, being unemployed as a black man and having a hard time finding work and coping with a struggling family that rarely gets along.
The football scenes are directed very cinematically, with a lot of slow-mo used, which I didn't care for. I would have liked if they were directed normally and more clearly, they were too showy for their own good. The cinematography is nothing to write home about, but there are a few nice shots, including a montage where Deon (50 Cent's character) is walking through the city and reflecting on his life; the use of color in the montage is eye catching, and there are some visually appealing shots of the sky in various moments of the film, but for the most part, the film is directed pretty straightforwardly.
The actors besides 50 Cent pretty much deliver like they're supposed to, with Mario Van Peebles himself, Lynn Whitfield, Ray Liotta, Tracey Heggins and Cedric Sanders rounding out a fairly decent cast, but don't expect to be blown away by any of them. The biggest problem besides 50 Cent's mediocre performance lies in the screenplay, which was written by 50 Cent and Brian A Miller, a relatively new director/writer who directed 50 Cent in "Caught in the Crossfire" and directed Dave Batista in "House of the Rising Sun", and since neither have had much writing experience or written anything significant, the film suffers for it.
The film is way too melodramatic and the amateur screenplay doesn't offer any meaningful or three-dimensional characters. Instead, we're given bad caricatures with poorly written lines and monologues, including an embarrassing speech Mario Van Peebles has to give at the end of the film about the qualities of every race and how they can blend together to form a great person. It's just badly written and angered me more than uplifted me, which I know wasn't intentional. 50 Cent's bland acting didn't help. Like I said, I appreciate the effort at making a film about his friend's life, and injecting some social commentary into the film, but it's all so forced and badly done. The film could've used a few re-writes, as well as a new screenwriter.
The film also lacks subtlety, and the ending is so abrupt that it might make you laugh more than cheer. I did like what the film had to say about making the most out of your life even with a disease that could kill you at any moment, and I liked that the film made an attempt to explore the complex issues of cancer and tumors, and how there isn't simply one answer or source as to how they surface inside the human body, so the film wins some points for that, but I could've done without the references to Obama, which will severely date the film, and the film could've made a better effort to show why the unemployment rates are sky high.
Overall, it's not a terrible film, but it's far from good. I didn't feel good watching it and I didn't feel uplifted in the end, I felt like something was missing and the film was attempting to cover up its mistakes with blatant melodrama and cliché twists in the story. The messages are good and the story is a worthwhile one despite the hackneyed execution, but this is a far cry from the best dramas about cancer out there, and to repeat myself, 50 Cent can't act.