Three aspiring filmmakers document inexplicable events in a "haunted" abandoned mental institution.
Director:
Writers:
Stars:
Photos and Videos
Complete, Cast awaiting verification
| Sean Stone | ... |
Sean
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| Alexander Wraith | ... |
Alex
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| Ella Lentini | ... |
Antonella
(as a different name)
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John Schramm | ... |
John
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Monique Zordan | ... |
Monique
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| Oliver Stone | ... |
Oliver
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| Monique van Vooren | ... |
Monique
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Jessica Lentini | ... |
Crazy Kate / Medusa
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Michael Stone | ... |
Billy Lasher
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| Bruce Payne | ... |
Demonic Voice (voice)
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| Pete Antico | ... |
Dinner Table Guest
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Coralie Charriol Paul | ... |
Dinner Table Guest
(as Coralie Charriol)
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Lauren Berlingeri | ... |
Dinner Table Guest
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| Zana Markelson | ... |
Dinner Table Guest
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Nicole Seidel | ... |
Dinner Table Guest
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Directed by
| Sean Stone | ||
Written by
| Sean Stone | ... | (written by) & |
| Alexander Wraith | ... | (written by) |
Produced by
| David P. Beitchman | ... | co-executive producer |
| Csaba Bereczky | ... | co-producer |
| Dean Blechman | ... | executive producer |
| Antoni Gimel-Lécosse | ... | executive producer (as Antoni Gimel-Lecosse) |
| Amaury Markey | ... | executive producer |
| Giulia Prenna | ... | producer |
| Puja Rok | ... | unit producer |
| Michelle Seañez | ... | co-executive producer |
| Kaila York | ... | producer |
Cinematography by
| Eduardo Enrique Mayén | ||
Editing by
| Christopher Donlon | ||
Editorial Department
| Steven Cuellar | ... | assistant editor |
| Eric M. Klein | ... | digital intermediate producer |
| Toby Martisius | ... | colorist |
| Josh Rifkin | ... | supervising editor |
Production Design by
| Philip Salick | ||
Art Direction by
| David Dean Ebert | ... | (as Dave Dean Ebert) |
Costume Design by
| Arlene Castillo | ||
| Melanie Randolph | ||
Makeup Department
| Beatrice Alcorta | ... | hair stylist (as Beatrice Najera) / makeup artist (as Beatrice Najera) |
| Margaret Brent | ... | key makeup artist |
| David Presto | ... | special makeup effects artist |
Production Management
| Collin Warhaftig | ... | production supervisor |
Second Unit Director or Assistant Director
| Joseph Ciccarella | ... | first assistant director |
| Kelsea Davis | ... | second assistant director |
| Brian Kluska | ... | second second assistant director |
Art Department
| Rachel Blackwell | ... | property master |
| Xin Lin | ... | set dresser (as Hsin-Yu Lin) |
| Allison R. Marx | ... | set dresser |
| David McDaniel | ... | set dresser |
| David Morgan | ... | leadman |
Sound Department
| Brendan Berry | ... | boom operator |
| Michael Chobot | ... | boom operator |
| Graham Hick | ... | assistant sound editor |
| Erick Jolley | ... | dialogue editor / foley artist / re-recording mixer / sound designer / sound editor / supervising sound editor |
| Eric M. Klein | ... | post sound supervisor |
| Shiho Miyazawa | ... | sound mixer |
| Martin Quiñones | ... | adr recordist / adr supervisor / sound effects editor / sound recordist |
| Brett Van Deusen | ... | sound mixer |
| Steve Walter | ... | foley artist |
Visual Effects by
| Aaron Kupferman | ... | visual effects supervisor |
| Igor Lipski | ... | digital compositor |
| Eric M. Klein | ... | visual effects producer (uncredited) |
Stunts
| Wade Allen | ... | stunt coordinator |
| Pete Antico | ... | stunt coordinator |
Camera and Electrical Department
| Matthew Boda | ... | electrician |
| Alexa Harris | ... | key grip |
| Roberto Hernandez | ... | gaffer |
| Rick Morrison | ... | grip |
| Raina Oberlin | ... | additional grip |
| Darcy Schlitt | ... | grip |
| Brian Taylor | ... | daily best boy grip |
| Matthew Van Doren | ... | additional key grip |
| Fletcher Wolfe | ... | additional grip |
Costume and Wardrobe Department
| Jennifer Goldberg | ... | set costumer |
| Danielle Johnson | ... | wardrobe supervisor |
Script and Continuity Department
| Sherie Giehtbrock | ... | script supervisor |
| Andrea Ulrich | ... | script supervisor |
Additional Crew
| Jill Barnes | ... | script supervisor: New York Unit |
| Sarah Melissa Scott | ... | production accountant (as Sarah Scott) |
| Michelle Seañez | ... | production counsel |
| Andrew Stoller | ... | production assistant |
| Jack Waite | ... | production assistant |
| Maron Warhaftig | ... | production assistant |
| Stephanie Waters | ... | producers asssistant |
Thanks
| Michael Agnello | ... | special thanks |
| Julia Osen Averill | ... | special thanks |
| Mark Baker | ... | special thanks |
| Ralph Biscotti | ... | special thanks |
| Marianna Bogucki | ... | special thanks: Princeton University |
| Ting Bok | ... | special thanks |
| Jean Pierre Borg | ... | special thanks (as Jean-Pierre Borg) |
| Moritz Borman | ... | special thanks |
| Kimberly Cancelosi | ... | special thanks |
| Zach Cherry | ... | special thanks |
| Artie Colgan | ... | special thanks |
| Celia Costas | ... | special thanks |
| Cole Crosby | ... | special thanks |
| Arty Dozortsev | ... | special thanks |
| Julien Dubuis | ... | special thanks |
| Deb Dyer | ... | special thanks |
| Ron Ferri | ... | special thanks |
| Gregory S. Franz | ... | special thanks |
| Lindsay Gorman | ... | special thanks |
| Aric Gorton | ... | special thanks |
| Alex Guarino Jr. | ... | special thanks |
| Eric M. Hamblin | ... | special thanks |
| Kevin Harrington | ... | special thanks |
| Issa Ibrahim | ... | special thanks (as Issa Ibrhim) |
| Vangelis Kalafitis | ... | special thanks |
| Henri Kessler | ... | special thanks |
| Nancy Key | ... | special thanks: Creedmoor Psychiatric Center |
| Eric Kopeloff | ... | special thanks |
| Francis Kortekaas | ... | special thanks |
| James Kusel | ... | special thanks |
| Susan Lewis | ... | special thanks |
| Darnetha Lincoln M'Baye | ... | special thanks |
| Charlotte Madigan | ... | special thanks |
| Janos Marton | ... | special thanks (as Dr. Janos Marton) |
| Azim Mayadas | ... | special thanks: St Paul Episcopal Church |
| Yvonne McClellan | ... | special thanks |
| Janice Melnyk | ... | special thanks (as Janice Melnick) |
| Benji Nelson | ... | special thanks |
| Anne Nevin | ... | special thanks |
| Sean Nyquist | ... | special thanks |
| Robert Orr | ... | special thanks |
| Deborah A. Ortega | ... | special thanks |
| David Pinero | ... | special thanks: The NYU Elmer Holmes Bobst Library |
| Elizabeth Piper S. | ... | special thanks |
| Sandra Prenna | ... | special thanks |
| Tim Quinton | ... | special thanks |
| Harvey Rochman | ... | special thanks |
| Richard She | ... | special thanks |
| Robert L. Shearer | ... | special thanks (as Rev. Robert L. Shearer) |
| Molly K. Shipp | ... | special thanks (as Molly K. Shipp Esq.) |
| Marrsha Sill | ... | special thanks |
| Igor Swann | ... | special thanks (as Igor 'Iggy' Swann) |
| Marcus Theus | ... | special thanks |
| Steaphan Weir | ... | special thanks |
| Lonnie Wolff | ... | special thanks |
| Israel Wolfson | ... | special thanks |
| Ron Yuan | ... | special thanks: Linda Vista Hospital |
Production Companies
Distributors
- Alameda Entertainment (2012) (United States) (theatrical)
- 375 Media (2020) (Germany) (DVD)
- Alameda Entertainment (2012) (United States)
- Alive Vertrieb und Marketing (2013) (Germany) (DVD)
- Fine Films (2012) (Japan) (DVD)
- Front Row Filmed Entertainment (2012) (United Arab Emirates) (Middle East)
- Koch Media (2013) (Netherlands) (DVD) (through)
- One2See Movies (2013) (Netherlands) (DVD) (through Koch Media)
- Revolver Entertainment (2013) (Canada)
Special Effects
- Visual Data Media Services (visual effects)
Other Companies
- Beitchman and Zekian (legal counsel)
- Beitchman and Zekian (production legal)
- Dolby Laboratories (sound mix)
- Visual Data Media Services (complete theatrical post sound services: conforms, ADR, loop group, foley, FX, pre-dubbing, mixing, M&E, D/M/E)
- Visual Data Media Services (digital intermediate and mastering)
- Visual Data Media Services (quality control and deliverables)
- Visual Data Media Services (title design)
Storyline
| Plot Summary |
In October 2009, the filmmakers went into an abandoned psychiatric hospital to explore the 'haunted' institution, famous for its radical treatment of patients with mental illness. Electroshock, insulin therapy, and lobotomies were commonplace. Once inside, the filmmakers quickly discovered that they were not alone; this story is based on their experiences... Written by Anonymous |
| Plot Keywords | |
| Taglines | Do you believe in ghosts? See more » |
| Genres | |
| Parents Guide | Add content advisory for parents » |
| Certification |
Additional Details
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Box Office
| Budget | $550,000 (estimated) |
Did You Know?
| Trivia | Theatrical prints carry a 2010 copyright date. The on-screen title is Graystone. See more » |
| Quotes |
Alex:
Do you want to go? Oliver: Well, I've seen my share of ghosts... See more » |