Script and direction by Érica Sarmet, with the participation of singer Zélia Duncan (Vange) and Bruna Linsmeyer (Rô), among other actresses.
It is a simple story, but full of meanings and affirmative positions of lesbian female empowerment. Vange lives alone in a small apartment with a cat in Niterói. She decides to go out one night, sits alone at a bar table in the city of Rio de Janeiro to watch the world go by. Afterwards she goes to a club, where she meets Rô and her friends. There is an atmosphere between Vange and Rô. Rô is direct, asks for a ride back to Niterói, getting on Vange's motorcycle. While the camera is filming this return, the song Noite Preta, a hit by Vange Leonel, re-recorded by Zélia Duncan, plays. In Niterói, the friends join Rô for a nightcap at their house, inviting Vange.
Between one scene and another, testimonies from all the actresses who act in the short film about their experiences and memories as lesbians.
The most intimate scenes are of a beautiful lightness and plasticity.
It is a simple story, but full of meanings and affirmative positions of lesbian female empowerment. Vange lives alone in a small apartment with a cat in Niterói. She decides to go out one night, sits alone at a bar table in the city of Rio de Janeiro to watch the world go by. Afterwards she goes to a club, where she meets Rô and her friends. There is an atmosphere between Vange and Rô. Rô is direct, asks for a ride back to Niterói, getting on Vange's motorcycle. While the camera is filming this return, the song Noite Preta, a hit by Vange Leonel, re-recorded by Zélia Duncan, plays. In Niterói, the friends join Rô for a nightcap at their house, inviting Vange.
Between one scene and another, testimonies from all the actresses who act in the short film about their experiences and memories as lesbians.
The most intimate scenes are of a beautiful lightness and plasticity.
