5lbs of Pressure (2024) User Reviews

5lbs of Pressure

[Prismark10 · 4/10 · 9 March 2024]

Based on director Phil Allocco's own short movie from 2005, The Mirror.

5lbs of Pressure sinks under its own weight of unoriginality and a banal script.

Adam (Luke Evans) is out on parole after serving time for killing a youth. He has returned to his own neighbourhood to connect with his estranged wife and teenage son.

His parole officer is not happy about this especially as Adam has also got a job as a bartender at the Mirror Bar. It's a recipe for disaster and Adam will violate his parole conditions.

Eli is the brother of the youth that Adam killed 16 years earlier. When he learns that Adam is back, hr wrestles with his conscience as to whether to seek revenge.

Mike (Rory Culkin) is a dim young man living under the shadow of his drug dealing uncle Leff (Alex Pettyfer.) He has looked out for Mike since his mum died.

Now Mike wants to break out on his own and score a solo drug deal. Not realising that he is too naive and idiotic.

Mike also recognised Adam as a killer. He also has an idea to rob the Mirror Bar and pin the blame on Adam.

You just know these characters will collide one night. Cheaply made with the city of Manchester standing in for New York. It's not gritty or even that interesting.

This kind of film has been done scores of time before and mostly better.

Wannabe crime movie without any real thrill or true drama.

[imseeg · 5/10 · 8 March 2024]

I dont mind watching B-movies, I watch them a lot actually, but this is a B-movie which pretends to be a serious crime drama and that didnt sit well with me.

The bad: average actors, lacking in charisma and talent, try to act seriously, while their performances constantly made me cringe by their lack of quality. You know that kind of feeling when the acting just doesnt look true to life and kinda fake? Well that's the feeling I got when watching these actors who all failed to impress me.

Labeled as a romance as well? Are they kiddin'? And it for sure as heck aint thrilling for a second. It is a crime story all right, but much more geared towards a personal portrait of criminals than towards a riveting thriller though. So beware all you fans of crime thrillers, this is probably not the movie you expect it to be.

Not any good then? Well, the "best" actor we get to see is Rory Culkin, but he never was a great actor to begin with and that qualification sums up this entire movie, which is not terrible, but quite average and lacking in everything you would wish for in a crime thriller.

Don't Bother Watching

[DilioD · 5/10 · 13 March 2024]

Poor acting. I would say everyone in this film does some pretty bad acting except Luke Evans, but even his character had the stereotypical Brooklyn accent and solemn tone. Some cliché scenes like the AA meeting where someone speaks to the group, then guess who speaks next - Luke Evans. The son looks like he's 30 but plays a character that I think is supposed to be around 17. (His mom says he's "impressionable", so that makes me think teens.) In one scene Adam (Luke Evans) says to his son that he was his age when he committed a murder. We know he was in jail for 16 years, so that would put Adam at around 33 years old, however Luke Adams is 44, and to me he looks like he's in his 50s in this film.

The drug dealer uncle, sitting at his desk in an auto repair shop with a safe on the desk is pretty lame. All the dim lighting is cliché of the seedy drug underworld. The Jamaican accent of the female drug dealer isn't very good, not a genuine accent. I can never understand why casting can't cast actors with genuine accents, especially for accents that so many of us are familiar with.

The film takes a long time to get to the real story, it was probably in the last quarter of the film that I realized where it was going. I prefer to know in the first quarter what the film is about and let it unfold from there. I wanted to stop watching it many times but was too invested to stop so I let it play, probably skipped ahead a couple times.

The Mirror bar

[ferguson-6 · 5/10 · 8 March 2024]

Greetings again from the darkness. With a setting in the Red Hook neighborhood of Brooklyn (though filmed in Manchester, UK), writer-director Phil Allocco has adapted his own 2005 short film THE MIRROR into a gritty and violent feature length crime thriller. For fans of the genre, there is enough here to make it worth watching.

Luke Evans stars as Adam, recently paroled after committing murder 16 years prior. He is 5 years clean, and against all better judgment, he returns to his old neighborhood. Why would he make this choice? Well, he hopes to reconcile with his ex, Donna (Stephanie Leonidas, "American Gothic") and get to know his grown son, Jimmy (Rudy Pankow, who I also watched this week in ACCIDENTAL TEXAN). Donna not only rebuffs Adam's attempts to re-connect, but she begs him to stay away from Jimmy, who she desperately wants to prevent from falling into Adam's old ways. No one seems to believe Adam has turned over a new leaf, and the only job he can secure is as bartender at a dumpy pub called The Mirror.

Allocco begins the movie with an exterior shot of The Mirror Bar where we see and hear gunshots. We then flash back to four days earlier with Adam's parole. The question the opening scene leaves us with is - who is on the wrong end of those gunshots? Slowly (sometimes too slowly) the players in the hood come into focus. Mike (Rory Culkin, the underrated COLUMBUS, 2017) is a rocker wannabe spending his time running risky errands for his Uncle Leff (Alex Pettyfer, MAGIC MIKE, 2012), a drugs and gun dealer who, after his sister's OD, promised to look after her son despite having little faith in him. Mike's friend Eli (Zac Adams) was a witness to his older brother getting shot by Adam all those years ago ... and he remains filled with anger and bitterness. That bitterness shows in how he treats his girlfriend Lori (Savannah Steyn), who mostly just wants a change of locale. Other players here include bad guy ER (Gary McDonald) and Adam's PO played by Julee Cerda.

If you are thinking that's a lot of players in a story about an ex-con, you'd be right. Adam's story is at the center, but there are so many other things being affected by both his presence and the violent nature of street crime, that we feel like we are being introduced to loser after loser. The weight of the past is always hovering, and the themes of crime, revenge, forgiveness, and a desire for a fresh start, all lead to the vicious and endless cycle we've come to expect from these movies. We learn what the title refers to, and how art can act as a bonding agent if given a chance. Adam and Mike are the film's most interesting characters, yet most of the others get a bit shortchanged.

Opening in theaters, on digital and OnDemand beginning March 8, 2024.

[6.4] A small world that kills big

[cjonesas · 6/10 · 21 March 2024]

A sad tale of small-world crime, drug, revenge, drama and father's love and redemption. From beginning to end, there's brutality, sadness, throat-clamping situations and some very intense moments whether emotional or heart-breaking in a brutal way.

The character of Luke Evans deserved better, and the way the movie finished just doubled the sadness that's scattered throughout like deadly white powders.

• Screenplay/storyline/plots: 5.5
• Development: 7
• Realism: 7
• Entertainment: 6
• Acting: 7.5
• Filming/photography/cinematography: 7
• VFX/CGI: 7.5
• Music/score/sound: 7
• Depth: 6
• Logic: 5
• Flow: 6
• Crime/romance/thriller/drama: 6
• Ending: 6.

Slow mess getting nowhere

[xermanu · 5/10 · 16 March 2024]

Initially looking like another redemption story, and other secondary characters crossing paths. Possibly even hinting some upcoming action scene Unfortunately nothing happened. Almost 2 hours of characters struggling to tell their stories and how they want to get far from their demons, but as time passes by you start feeling it's goin to be a fraud. And it's exactly that. Could have skipped majority of the 2nd hour and just leave the last 5 minutes and would have been the same. Or even better as you would get one hour back. Acting is sort of ok but it's a shame they could not be used in a better way.

I was in prison

[nogodnomasters · 2/10 · 17 March 2024]

After 13 years in prison and three years at a halfway house Adam DeSalvo (Luke Evans) returns to his old neighborhood where no one wants him. He gets a job bartending at the Mirror Bar. His wife (Stephanie Leonidas) doesn't want him around and his son Jimmy (Rudy Pankow) doesn't know he exists. A subplot involves Mike (Rory Culkin) who works for his drug-dealing uncle. Mike wants to leave the business and play music in Austin or Nashville but needs money to leave town. He plays with the brother of the guy that Adam murdered and he wants revenge.

It was odd that Jimmy never knew his father was in prison. You would think the parents of the other kids in school would know, and tell their kids, who would tell Jimmy. That never happened. Going back to the old neighborhood where you killed a man is also stupid, especially when he has family. Several plot points didn't pass the smell test. This was a drama and not much of a crime-thriller. The soundtrack could have been better and the ending sucked as the film dragged on too long. The title comes from the amount of pressure it takes to pull a trigger.

Guide: No sex or nudity.

5lbs of Pressure

[punch21 · 9/10 · 12 March 2024]

5lb of Pressure is captivating and draws you in slowly and brings it all together with deep character driven performances. You easily find yourself rooting for everyone to find their place.

Shot beautifully in tones that remind you of a past time of black & white or sepia, but the true colors of the grit of the 'any neighborhood' we all can remember shines through. It's so nostalgic of a Brooklyn I remember well, yet the neighborhood was not so recognizable. It kept me entranced and looking for a familiar place because the story was so real. Thank you Phil Allocco and your crew for your wonderful story and film.