| Photos (See all 95 | slideshow) | Videos (see all 17) |
| Gina Carano | ... | Mallory Kane | |
| Michael Angarano | ... | Scott | |
| Channing Tatum | ... | Aaron | |
| Debby Lynn Ross | ... | Diner Waitress | |
| Michael Douglas | ... | Coblenz | |
| Antonio Banderas | ... | Rodrigo | |
| Ewan McGregor | ... | Kenneth | |
| Julian Alcaraz | ... | Victor | |
| Eddie J. Fernandez | ... | Barroso | |
| Lluís Botella Pont | ... | Helpful Guy (as Lluís Botella) | |
| Aaron Cohen | ... | Jamie | |
| Maximino Arciniega | ... | Gomez (as Max Arciniega) | |
| Anthony Brandon Wong | ... | Jiang | |
| Michael Fassbender | ... | Paul | |
| James Flynn | ... | Hotel Clerk | |
| Karl Shiels | ... | Goatee | |
| Mathieu Kassovitz | ... | Studer | |
| Bill Paxton | ... | John Kane | |
| Bobby Burns | ... | Sheriff #1 (as Bobby Andrew Burns) | |
| Al Goto | ... | Sheriff #2 | |
| R.A. Rondell | ... | State Trooper #1 | |
| John Wylie | ... | State Trooper #2 | |
| Todd Thatcher Cash | ... | State Trooper #3 (as Todd Thacher Cash) | |
| Edward A. Duran | ... | Armed Man #1 | |
| Derick Pritchard | ... | Armed Man #2 (as Derik Pritchard) | |
| J.J. Perry | ... | Kenneth's Henchman #1 | |
| Tim Connolly | ... | Kenneth's Henchman #2 | |
| Natascha Berg | ... | Dianna |
Directed by | |||
| Steven Soderbergh | |||
Writing credits(WGA) | ||
| Lem Dobbs | (written by) | |
Produced by | |||
| Ken Halsband | .... | co-producer (as Kenneth Halsband) | |
| Gregory Jacobs | .... | producer | |
| Alan Moloney | .... | co-executive producer | |
| Michael Polaire | .... | executive producer | |
| Tucker Tooley | .... | executive producer | |
Original Music by | |||
| David Holmes | |||
Cinematography by | |||
| Steven Soderbergh | (director of photography) (as Peter Andrews) | ||
Film Editing by | |||
| Steven Soderbergh | (as Mary Ann Bernard) | ||
Casting by | |||
| Carmen Cuba | |||
Production Design by | |||
| Howard Cummings | |||
Art Direction by | |||
| Iñigo Navarro | |||
| James F. Oberlander | |||
| Anna Rackard | |||
Set Decoration by | |||
| Barbara Munch | |||
Costume Design by | |||
| Shoshana Rubin | |||
Makeup Department | |||
| Georgia Allen | .... | assistant makeup artist | |
| Olga Cruz | .... | second assistant hair stylist: Barcelona | |
| Ainhoa Eskisabel | .... | assistant hair stylist: Barcelona | |
| Dana Kalder | .... | assistant hair stylist: Dublin | |
| Marie Larkin | .... | hair department head | |
| Niamh O'Loan | .... | assistant makeup artist: Dublin | |
| Marta Oliveras | .... | second assistant makeup artist: Barcelona | |
| Eva Quilez | .... | assistant makeup artist: Barcelona | |
| Gunnar Swanson | .... | assistant hair stylist | |
| Michelle Vittone | .... | makeup department head (as Michelle Vittone-McNeil) | |
Second Unit Director or Assistant Director | |||
| Kevin Condon | .... | trainee assistant director: day player | |
| Jim Corr | .... | third assistant director | |
| Christine Danahy | .... | dga trainee | |
| Catherine Dunne | .... | second assistant director | |
| Conor Flannery | .... | trainee assistant director | |
| Eric Glasser | .... | second second assistant director | |
| Daire Glynn | .... | trainee assistant director | |
| Anna Harrison | .... | additional third assistant director | |
| Gregory Jacobs | .... | first assistant director | |
| Eimear Kelly | .... | trainee assistant director | |
| Marie-Celine O'Reilly | .... | trainee assistant director: day player | |
| Johnathon Quinlan | .... | trainee assistant director | |
| Jody Spilkoman | .... | second assistant director | |
Art Department | |||
| Graeme Bird | .... | propmaker | |
| Nahod Bjelic | .... | greens | |
| Jonathan Carlos | .... | art department coordinator: additional photography | |
| Robert J. Carlyle | .... | construction coordinator | |
| Trinity Tad Davis | .... | scenic artist | |
| Ralph Diaz | .... | utility tech | |
| Brad Einhorn | .... | property master | |
| Marisa Frantz | .... | assistant art director | |
| John Gibson | .... | first greens | |
| Jonathan Heckler | .... | set dress intern | |
| Amahl Lovato | .... | set designer | |
| Thomas Machan | .... | art department production assistant: additional photography | |
| Nicky MacManus | .... | construction manager | |
| JoAnna Maes-Corlew | .... | graphic designer: New Mexico | |
| Roberta Marquez Seret | .... | art department coordinator | |
| Christopher Martin | .... | key greens | |
| Melina Matthews | .... | assistant property master | |
| Eleonora McNamara | .... | propmaker | |
| Elizabeth Morris | .... | set dec buyer: Los Angeles | |
| Roderick Nunnally | .... | painter | |
| Chad Owens | .... | set designer | |
| Michael Panevics | .... | armourer | |
| Evan Regester | .... | graphic designer: additional photography | |
| Mark Sakamoto | .... | leadman: additional photography | |
| Schuyler Telleen | .... | art department coordinator | |
| Schuyler Telleen | .... | graphic designer | |
| Pilar Valencia | .... | graphic designer: Ireland | |
| Jeremy E. Wilcox | .... | construction auditor | |
| Paul Boulton | .... | dressing props trainee (uncredited) | |
Sound Department | |||
| Joshua Anderson | .... | additional sound utility: New York | |
| Brett Becker | .... | sound utility | |
| Enda Callan | .... | sound trainee | |
| Andrew Felton | .... | boom operator | |
| Dawn Fintor | .... | foley artist | |
| Thomas W. Jordan | .... | boom operator: NY unit | |
| Jason Oliver | .... | adr mixer | |
| Edwardo Santiago | .... | boom operator | |
| Billy Theriot | .... | assistant sound editor | |
| Dennis Towns | .... | production sound mixer | |
| Zach Wrobel | .... | additional sound | |
Special Effects by | |||
| Ron Bolanowski | .... | special effects coordinator | |
| Paul Byrne | .... | special effects technician | |
| Scott Garcia | .... | special effects foreman | |
| Kevin Hannigan | .... | special effects coordinator | |
| Juan Ramón Molina | .... | special effects | |
| Elia P. Popov | .... | special effects foreman | |
| Michael Roundy | .... | pyrotechnician | |
| Ryan Roundy | .... | special effects technician | |
| Chris L. Ward | .... | special effects technician | |
Visual Effects by | |||
| Holli Alvarado | .... | matte painter | |
| Peter Amante | .... | flame artist | |
| Mark Bailey | .... | digital compositor | |
| Richard Bain | .... | digital compositor | |
| Keith Fallon | .... | CG artist | |
| Nat Jencks | .... | additional visual effects | |
| John Kennedy | .... | visual effects supervisor | |
| Tim Morris | .... | visual effects producer | |
| Victor Perez | .... | digital compositor | |
| Vico Sharabani | .... | visual effects artist: Stella VFX | |
| Frantisek Valouch | .... | cg artist | |
Casting Department | |||
| Danielle Aufiero | .... | casting associate | |
| Elizabeth Gabel | .... | extras casting | |
| Rich King | .... | extras casting | |
| Frank Moiselle | .... | casting: Ireland | |
| Doug Ritzenthaler | .... | extras casting assistant | |
| Juan Irache | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Deborah Andrews | .... | additional costumer | |
| Elena Balshem | .... | costumer | |
| Candice Carella | .... | costumer | |
| Jerry Carnevale | .... | key costumer | |
| Natasha Gale | .... | costume production assistant | |
| Sandy Kenyon | .... | costume supervisor | |
| Elizabeth Lancaster | .... | set costumer | |
| Courtney LaRiviere | .... | costume assistant | |
| Coro Mateo | .... | set costumer | |
| Nuria Pascual-Andujar | .... | set costumer | |
Editorial Department | |||
| Corey Bayes | .... | first assistant editor | |
| Matthew Blackshear | .... | digital intermediate editor | |
| Corinne Bogdanowicz | .... | digital intermediate colorist | |
| Des Carey | .... | digital intermediate producer | |
| Michael Cioni | .... | digital intermediate supervisor | |
| John Daro | .... | digital film colorist | |
| Dustin DellaVecchia | .... | edit room assistant | |
| Danny Elhaj | .... | post-production assistant | |
| Justin Geoffroy | .... | assistant editor | |
| Nat Jencks | .... | digital intermediate editor | |
| Virginia Llera | .... | assistant editor | |
| Tim Stipan | .... | digital intermediate colorist | |
| Jamie Turpin | .... | assistant editor | |
| Michael P. Whipple | .... | digital intermediate engineer | |
Music Department | |||
| Stephen Hilton | .... | music arranger | |
| Woody Jackson | .... | engineer | |
| Woody Jackson | .... | musician | |
| Hugo Nicolson | .... | re-recording mixer | |
| Hugo Nicolson | .... | score recording engineer | |
Transportation Department | |||
| Catherine Adrian | .... | driver | |
| Paul Cullen | .... | transportation captain | |
| Filippo Del Bello | .... | driver: Spain | |
| Dorifay Estrada | .... | driver | |
| Shane Greedy | .... | transportation coordinator | |
| Steve Lewis | .... | driver | |
| Brian Lieberz | .... | transportation captain | |
| Tim May | .... | driver | |
| Mike McKenny | .... | driver: cast | |
| Walter J. Russell | .... | driver: cast | |
| George A. Sack | .... | transportation captain: reshoots | |
| Chase Spitzer | .... | dot coordinator | |
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| The Professional: Golgo 13 | The Losers | Knight and Day | Machete | G.I. Joe: The Rise of Cobra |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Action section | IMDb USA section |
This movie stands out from any movie I've ever seen for one reason: it is the only movie I've seen where I believed the people fighting were actually fighting. I can't remember ever seeing a film where I was actually wincing and tensing up from fear that somebody was going to get hurt.
This isn't a film that depends on CGI or fast cuts or clever angles or even stunt people for the most part. The star of the film is clearly a very physical and capable woman of action, and she made me believe she was actually hurting the people she was pretending to hurt.
For that reason alone, it will always stand out in my memory. Most action films these days are terribly boring because it's all so cartoonish and exaggerated and stylized, and therefore unbelievable and fake. But this film kept the action grounded in the physical capabilities of its very capable star, and that made it anything but boring. I guess it didn't do to well at the box office, which is too bad. If this had launched a franchise I'd have been a big fan.