2038: El futuro de ellas (2008)

In a future where men no longer exist, two young policewomen must stop Michaela Tomasi, the most dangerous criminal who ever existed.

Director:

Rubén Arnaiz

Writers:

Rubén Arnaiz (story), Óscar Cavaller,

Stars:

Aranzazu Diez, Blanca Berdejo, Cristina Rojas

Cast

Credited cast:
Aranzazu Diez	...	Lara Cambel
Blanca Berdejo	...	Mila Brieros
Cristina Rojas	...	Michaela Tomasi
Maribel Paradela	...	Captain Elena
Sandra Amade	...	Gloria
Ayala Etxebarri	...	Gina
Stefany Balaguer	...	Xena
Airun Ereik	...	Karla
Rest of cast listed alphabetically:
Candelaria Antelo	...	Cadet
Teresa Benítez	...	Recepcionist
Nuria Bueno	...	Cadet
Andrew Dasz	...	Man
Berta De Tena	...	Cadet
Luz Jiménez Rodriguez	...	Asylum police woman
Rocío Jiménez Rodriguez	...	Cadet

Storyline

Is the year 2038. The young Lara Cambel coming to the Woman Police Academy. Before a hard trainer, meets Mila, and together, are selection to a special carefully mission: catch to Michaela Tomasi, the most dangerous woman killer in the city.

---

Plot Keywords:

Future | Heroine | Roundhouse Kick | Mixed Martial Arts | Action Hero | 

---

Taglines:

Future's Women

---

Genres:

Short | Action | Sci-Fi | Thriller

---

Details

Country:

Spain

Language:

Spanish

Release Date:

25 October 2008 (Spain)

Also Known As:

2038: The Future of Them

Filming Locations:

Centro Kultural La Casika, Móstoles, Madrid, Spain

Box Office

Budget:

€1,500 (estimated)

Company Credits

Production Co:

Pop Arn Producciones

Technical Specs

Runtime:

24 min 20 min (director's cut)

Sound Mix:

Stereo

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

All the names are honoring to action heroines or action women characters, like Lara (for "Lara Croft"), Mila (for "Milla Jovovich"), Gina (for "Geena Davis"), Xena (for "Xena" from the TV Shows), except the villain Michaela Tomasi.

User Reviews

Correct action/thriller short

The short is not bad. Despite having some confusing scenes (how escapes one of the stars?) And some dialogue somewhat pedantic, it is certain that the staging is good (for classical, something that gives almost a tone of "black film"). The grading of image and photography is extreme (in a good way) and the soundtrack is spectacular (Juan Fourcade). Too bad the cast is not as good as we would like (although they do not say bad, I guess it just could have gotten more of them), because the story suffers from an excess of "cold in the set, and the sound not too good, but eventually a correct letter of the director, which we hope (with curiosity, at least) new jobs.