One Hundred Mornings (2009) Poster

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7/10
Post apocalyptic Ireland
poc-122 May 2012
Given the parlous state of the Irish economy, this movie at least seems to have got it's timing right. If there is to be an Irish apocalypse, then this feels very much what it might look like.

I am a fan of post-apocalyptic movies, and as far as I know this is the only one set in Ireland. This is a pity because the Irish landscape is a testament to boom and bust, feast and famine. Apart from the newly-built, never-lived-in ghost estates, the country is dotted with abandoned farmhouses, huge mansions, and ruins of all ages going back thousands of years. Most movies of the type involve some kind of journey, where a plucky band of survivors have to reach some destiny to perhaps build the world anew. Skillfully the director has avoided such clichés and perhaps taking a leaf out of Cormac McCarthys "The Road", the actual cause of the apocalypse is not described. Two couples have decided to hole up in a lakeside holiday home having stocked up on necessities in the hope that electrical power and civil society will return.

Unlike "The Road", hope is not entirely extinguished for the survivors. There are hints that order and civilisation might return, if they can hold out in their lakeside retreat. There is game in the fields and a self-sufficient hippie neighbour, so survival seems possible, if they can get their act together. Naturally it is not so simple and things go downhill quickly.

Cinematography is beautiful and the characters are well drawn. You get a real gut feeling how desperate their situation is as they try to deal with hunger, depression, looters, infighting and betrayal. But the problem with this movie is that it is nearly all mood, and very slow plot and character progression. It's true, they have to make choices to survive and they are changed, but progression is quite slow the ending is quite muted. I was not looking for a happy ending or dramatic catharsis, but something a little less ambiguous. It did not seem worth all the scenes of gnawing hunger, looting, boredom and bickering in the claustrophobic cottage that the viewer is sat through for 83 minutes.

Of course the options for the director were severely limited by the tiny budget. At around €275k (around $350k dollars), it is amazing to see what was achieved with such meager resources. I imagines that off screen life on the set might have been close to that depicted on screen, with actors and crew huddling around campfires drinking bovril and scavenged canned food.

It is a mystery why it has not as yet been released on DVD, because it is definitely worth catching for fans of the genre. I look forward to what Conor Horgan does next.
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6/10
Slow Drama
billcr1228 July 2012
Warning: Spoilers
Two couples live together in a cabin in rural Ireland at a lakeside. For some unexplained reasons, they are living off of stored goods, with no electricity and no guns to defend themselves. Their neighbor, however, does own a shotgun to protect his provisions, and also to hunt with.

I'll start with what I liked. The two actors and two actresses are very good. The scenery of County Wickford is beautiful. The script is adult and intelligent. The problem is the slow pace and the fact that they live close to a lake which could theoretically solve their food supply forever. At one point, one of the men is there with a fishing pole. A fine source of protein awaits in the water; duh!

The four people play poker, drink vodka, have sex, read books, and argue, due to being stuck together with none of the usual modern day distractions, such as TV, phones, or computers. The local police show up and steal most of their food, and their neighbor refuses to help them. They steal from him in the middle of the night, but are shot at the next time, and one of them is badly wounded. The remaining three must find a way to survive, amongst the petty bickering. One Hundred Days is a dark and depressing drama, depicting human nature as fairly selfish and primitive. It feels mostly like a four character stage play, than a feature length movie. A thumbs up for the fine cast, but a disappointing story, with no place to go in the end.
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1/10
What?
nickgash-671-77591314 July 2019
Warning: Spoilers
Great acting. Jesus h c, poor script, no plot, ending...well just stopped.

I hang on given the positive reviews believing the ending must be like '6 sense' or something that made this movie worthy of the score.

Nope.

Spoilers

4 people, in a hut, it ends.

Avoid
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5/10
Reasonable acting in an okay apocalypse.
stevelomas-6940123 July 2019
A very familiar premise done very cheaply. I can't decide if the film was gutted in post production or the script left huge gaps on purpose in some kind of an attempt to indicate the passage of time. Whilst the acting is okay the plot is nonsensical and the sound design is beyond annoying.
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8/10
A couple come to terms
begob2 September 2017
Two couples struggle to survive through rural savagery, but who means it more?

The best Irish film I've seen since From The Dark. Perfect balance in the pace and mood and characterisation, and excellent restraint in the story telling. Had no idea about this production when I pressed play, so at first I thought it was set in the north-west of the USA, then maybe Canada, before I twigged the accents (one English).

It's not ambitious, but perfect for what it is. And the most perfect moment is when the the two couples form a symmetry of double dealing on the porch.

Performances are good, use of music and sounds just right, and the editing keeps it clipping along. Cinematography is limited, but so wha'?

Overall: Refreshing survival.
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