We Need to Talk About Kevin (2011)

Kevin's mother struggles to love her strange child, despite the increasingly vicious things he says and does as he grows up. But Kevin is just getting started, and his final act will be beyond anything anyone imagined.

Director:

Lynne Ramsay

Writers:

Lynne Ramsay (screenplay), Rory Kinnear (screenplay),

Stars:

Tilda Swinton, John C. Reilly, Ezra Miller

Nominated for 1 Golden Globe. Another 17 wins & 30 nominations.

Cast

Cast overview, first billed only:
Tilda Swinton	...	Eva Khatchadourian
John C. Reilly	...	Franklin
Ezra Miller	...	Kevin, Teenager
Jasper Newell	...	Kevin, 6-8 Years
Rock Duer	...	Kevin, Toddler (as Rocky Duer)
Ashley Gerasimovich	...	Celia
Siobhan Fallon	...	Wanda (as Siobhan Fallon Hogan)
Alex Manette	...	Colin
Kenneth Franklin	...	Soweto
Leslie Lyles	...	Smash Lady
Paul Diomede	...	Corrections Officer Al
Michael Campbell	...	Corrections Officer
J. Mallory McCree	...	Prison Boy (as J. Mal McCree)
Mark Elliot Wilson	...	Eva's Lawyer
James Chen	...	Dr. Foulkes

Storyline

Eva Khatchadourian is trying to piece together her life following the "incident". Once a successful travel writer, she is forced to take whatever job comes her way, which of late is as a clerk in a travel agency. She lives a solitary life as people who know about her situation openly shun her, even to the point of violent actions toward her. She, in turn, fosters that solitary life because of the incident, the aftermath of which has turned her into a meek and scared woman. That incident involved her son Kevin Khatchadourian, who is now approaching his eighteenth birthday. Eva and Kevin have always had a troubled relationship, even when he was an infant. Whatever troubles he saw, Franklin, Eva's complacent husband, just attributed it to Kevin being a typical boy. The incident may be seen by both Kevin and Eva as his ultimate act in defiance against his mother.

---

Plot Keywords:

Defiance | Boy | Travel Agency | Travel Writer | Video Game | 

---

Genres:

Drama | Thriller

---

Motion Picture Rating (MPAA)

Rated R for disturbing violence and behavior, some sexuality and language

Details

Official Sites:

Official site [jp] Official site [uk]

Country:

UK USA

Language:

English

Release Date:

21 October 2011 (UK)

Also Known As:

Tenemos que hablar de Kevin

Filming Locations:

Buñol, Valencia, Comunidad Valenciana, Spain

Box Office

Budget:

$7,000,000 (estimated)

Opening Weekend:

$24,587 (USA) (9 December 2011)

Gross:

$1,738,692 (USA) (18 May 2012)

Company Credits

Production Co:

BBC Films, UK Film Council, Footprint Investment Fund

Technical Specs

Runtime:

112 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

The initial scenes from La Tomatina, the tomato festival in Buñol near Valencia in Spain, is referenced later by a poster advertising for Buñol in the travel agency on the wall behind Eva.

---

Goofs

Twice in flashbacks to Kevin's parents in their dating days, a UPS terminal with trucks can be seen in the near background. Those trucks have the new UPS logo, where if the time-frame is correct, the trucks would have had the old logo of a stringed parcel above the UPS Shield.

---

Quotes

Franklin: Hey, Kev. Listen buddy, it's easy to misunderstand something when you hear it out of context.
Kevin: Why would I not understand the context? I am the context.

---

Crazy Credits

There are no opening credits.

---

Connections

Featured in Ebert Presents: At the Movies: Episode #1.18 (2011)
a clip is shown during Chaz Ebert's segment

---

Soundtracks

"Everyday"
Written by Buddy Holly & Norman Petty
Performed by Buddy Holly
(c) 1957 Peermusic International Corp. (USA)
Courtesy of MCA Records Inc
Under license from Universal Music Operations LTD

User Reviews

Cupid's Arrow

Greetings again from the darkness. The Brady Bunch, this isn't. It's also not the place to look for helpful parenting tips. In fact, the story revolves around Eva, a woman (Tilda Swinton) who apparently didn't want to have a child ... at least not at this time, and certainly not THIS child. If you have seen The Omen, you probably gave thanks that you didn't have a child like Damien. At least we knew Damien was the spawn of Satan. Eva's son Kevin, is instead a good old fashioned psychopath. One who has an inherent need to cause pain and misery for his mother.

What a pair Eva and Kevin make. From day one, Kevin seems to sense his mother's lack of joy in parenthood. And he seems to have a genetic disposition of making her pay. As with many psychopaths, his above average intelligence makes him even more dangerous. He is tricky enough to keep his dad (John C Riley) clueless as to his nature, while causing much doubt in the dad's mind as to the stability of his wife.

My favorite part is actually how director Lynne Ramsay structured the storytelling. It goes beyond non-linear and actually bounces throughout three key periods: Kevin as a baby/toddler, Kevin as a 6-8 year old (Jason Newell), and Kevin as a teenager (Ezra Miller). Each age is progressively more frightening and disenchanting, and the film begins with what is an undetermined catastrophe. This event is slowly revealed over the course of the movie, though we witness events leading up to it, as well as the resulting fallout.

There are a few scenes where Eva is scrubbing the exterior of her house in an attempt to remove the red paint that was purposefully splattered. As a viewer, we understand that she has blood on her hands and she seems resigned to the fact that she is now a social outcast, even a pariah. We spend much of the movie in Eva's jumbled thoughts as she tries to piece together what has happened and why. Of course, there is no answer. The title explains what was missing all along. There was no communication and no willingness to confront the problem ... a psychopathic son. To say they all paid the price is an understatement.

This film has a very limited audience, though my claim is that Ms. Swinton was quite deserving of an Oscar nomination. She wears defeat like a mask and lives in isolation better than most could. Even the music is offbeat and unusual in its use ... thanks to Radiohead's Jonny Greenwood. As filmmaking, this is high art. As storytelling, it's a bit muddled and quite a downer.