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A black comedy drama centered on Larry Gopnik, a Midwestern professor who watches his life unravel through multiple sudden incidents. Though seeking for meaning and answers he seems to stay stalled.
Directors:
Ethan Coen,
Joel Coen
Stars:
Michael Stuhlbarg,
Richard Kind,
Sari Lennick
In New York City's Harlem circa 1987, an overweight, abused, illiterate teen who is pregnant with her second child is invited to enroll in an alternative school in hopes that her life can head in a new direction.
A widower who realized his only connection to his family was through his wife sets off on an impromptu road trip to reunite with each of his grown children.
Director:
Kirk Jones
Stars:
Robert De Niro,
Kate Beckinsale,
Sam Rockwell
A drama centered around three women: A 50-year-old woman, the daughter she gave up for adoption 35 years ago, and an African American woman looking to adopt a child of her own.
Director:
Rodrigo García
Stars:
Naomi Watts,
Annette Bening,
Kerry Washington
In New York City, Brandon's carefully cultivated private life -- which allows him to indulge his sexual addiction -- is disrupted when his sister arrives unannounced for an indefinite stay.
Director:
Steve McQueen
Stars:
Michael Fassbender,
Carey Mulligan,
James Badge Dale
Crossing Over is a multi-character canvas about immigrants of different nationalities struggling to achieve legal status in Los Angeles. The film deals with the border, document fraud, the ... See full summary »
Having joined a recently created video club, a lowly prep-school sophomore - desensitized from reality by frequently viewed Internet imagery - accidentally captures on video the final moments of admired twin senior classmates dying from poisoned drugs. Rather than galvanize the school or this lad's life in any profound or meaningful way, the tragedy causes barely a ripple in the already emotionally diminished and out-of-touch lives of everyone around. Written by
statmanjeff
In one of the early scenes in Rob's dorm room, a poster on the wall near the door says "DO YOU FEEL - new album." This poster is for an album by the popular alternative one-man music project headed by pop-rocker Bryce Avary known as The Rocket Summer. "Do You Feel" was The Rocket Summer's third full-length album and was released in 2007. See more »
Quotes
Trevor:
Isn't your sister Maria, the senior?
Peter:
I don't know.
Trevor:
You know I fucked your sister.
Peter:
Does she know that?
Trevor:
Her pussy's so wet. You know your sister's pussy gets so wet? All you gotta do is brush up against it. You know, your sister gives mad good head, right? Gets the whole thing down her throat. Last time, when she was suckin' on my dick, it only took me a minute before I came all over her face. I bet you jerked off to pictures of your sister, huh? Next time we do it, I'll find you; I'll let you ...
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Connections
References Hatchet (2006)
poster hangs on dormroom wall.
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Though it undoubtedly bears promise, this is a film which will test your patience like few others. The film is slow-paced, which one could argue is a way for Campos to build further isolation from the main character, yet fails to depict anything interesting in its entire running time.
The characters are all cardboard-thin, save for the protagonist whose loneliness and eccentricity is apparent yet inaccessible. Believe me, I tried to feel some sort of emotional connection with him, but never achieved much except a strong yearning to fast forward the film through conversations that initially felt pointless and ultimately proved to be so. If Campos can take his skills of plot-structuring and possibly add more dialog to further reveal other aspects of his characters, then I strongly believe he has the potential to make an excellent film, but I just found this one to be an inaccessible drag.
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Though it undoubtedly bears promise, this is a film which will test your patience like few others. The film is slow-paced, which one could argue is a way for Campos to build further isolation from the main character, yet fails to depict anything interesting in its entire running time.
The characters are all cardboard-thin, save for the protagonist whose loneliness and eccentricity is apparent yet inaccessible. Believe me, I tried to feel some sort of emotional connection with him, but never achieved much except a strong yearning to fast forward the film through conversations that initially felt pointless and ultimately proved to be so. If Campos can take his skills of plot-structuring and possibly add more dialog to further reveal other aspects of his characters, then I strongly believe he has the potential to make an excellent film, but I just found this one to be an inaccessible drag.