"Dollhouse" Ghost (2009)

User Rating:

(awaiting 5 votes)

Director:

Joss Whedon

Writers:

Joss Whedon (creator)
Joss Whedon (written by)

TV Series:

"Dollhouse" (2009)

Original Air Date:

13 February 2009 (Season 1, Episode 1)

Genre:

Drama | Sci-Fi | Thriller

Plot:

A wealthy backer asks the Dollhouse for help when his daughter is kidnapped. They send Echo to negotiate the release. One of the memory imprints used to prepare Echo for the mission causes some complications.

Plot Keywords:

Memory | Identity | FBI | Moral Ambiguity | True Love

Cast

Eliza Dushku	...	Echo / Caroline
Harry Lennix	...	Boyd Langton
Fran Kranz	...	Topher Brink
Tahmoh Penikett	...	Paul Ballard
Enver Gjokaj	...	Anton Lubov
Dichen Lachman	...	Sierra
Olivia Williams	...	Adelle DeWitt
Amy Acker	...	Dr. Claire Saunders
Reed Diamond	...	Laurence Dominic
Kurt Caceres	...	Gabriel Crestejo
Brett Claywell	...	Matt
David Doty	...	Sam Zimmerman
Tim Kelleher	...	Detmer
Vincent Laresca	...	Mr. Sunshine
Haley Pullos	...	Davina Crestejo (as Haley Alexis Pullos)

Runtime:

50 min

Country:

USA

Language:

English

Colour:

Colour

Aspect Ratio:

1.78 : 1

Sound Mix:

Dolby Digital

Certification:

USA:TV-14

Filming Locations:

West Hollywood, California, USA

Company:

Mutant Enemy

Trivia:

When Gabriel first meets Echo, he reveals that he had expected a fatherly character as the hostage negotiator, someone like Edward James Olmos. Olmos plays Commander Adama in "Battlestar Galactica" (2004) which Tahmoh Penikett (Paul Ballard) also stars in.

Quotes:

[first lines]
Adelle DeWitt: Nothing is what it appears to be.
Caroline: It seems pretty clear to me.
Adelle DeWitt: Because you're only seeing part of it. I'm talking about a clean slate.
Caroline: You ever try and clean an actual slate? You always see what was on it before.
Adelle DeWitt: Are you volunteering?
Caroline: I don't have a choice, do I? How did it get this far?
Adelle DeWitt: Caroline, actions have consequences.

Movie Connections:

References First Blood (1982)

Soundtrack:

Just Dance

starting off promising... not sure where it will go, and that's not entirely a compliment

Joss Whedon is a very smart writer, so smart that he may have blown past some audiences with the pilot of his latest show Dollhouse. The premise is interesting and attention-grabbing, and the way the plot unfolds isn't the problem at all... I shouldn't even sound like I'm being on the defensive here, or offensive for that matter. No pilot episode really hits it out of the park and gives a clear indication of how great (or bad) the show will turn out (just look at The Seinfeld Chronicles for proof of that). But in the case of Dollhouse, it's hard to tell exactly where the chips will fall. It's exciting and strange, and also hard to tap into. It's like The Matrix with an extra touch of genre-itis and then Eliza Dushku thrown in for good measure.

Actually, Dushku gets probably one of her best parts, if not something that appears substantial, since her run on Whedon's Buffy as Faith. Here she plays Echo, a being who gets memory chips implanted- and then wiped clean- in order to go as one of the "Dolls" as part of the Dollhouse, a covert operation designed to infiltrate "clientele" or other and have the doll go into a situation (or rather a "client" as they are usually escorts) and extract some kind of information or something in the act - they have surveillance all the time, of course, and the memory chips go a ways to making things preprogrammed as far as a 'character' and its memory or health ailments; why not give one near-sightedness and asthma?

In the pilot episode we see Echo on a mission, as a little girl has been kidnapped and she's given the memory and persona of a negotiator "Ms. Penn" to get the girl back - but then, of course, not all will go to plan, especially as another agent is on her trail. All of this is shown with a good amount of technical skill, and with one or two exceptions (i.e. the actor playing the Mexican father of the girl is pretty bad) the acting is pretty solid. But in dealing with this material I'm still not sure where Whedon is going with getting us to connect with these characters, especially Echo. The potential is there for some great kick-ass plots, perhaps with both the self-contained and plot-continuous variety of Buffy or Firefly.

With Echo though her whole shtick is that she doesn't really have much of an actual identity, so any real attachment or growth will be temporary based on the episode. Dushku does her best, but it's also hard to tell from just one episode where the character will be taken. I'll stayed tuned in, and maybe it will deepen and become an intelligent twist on genre conventions and things inspired by, say, the Matrix. While it's not a hit-out-of-the-park like the pilot of Firefly, it's definitely no disaster either. It's slick Friday night escapism.