Le silence de Lorna (2008)

Directors:

Jean-Pierre Dardenne
Luc Dardenne

Writers:

Jean-Pierre Dardenne (screenplay)
Luc Dardenne (screenplay)

Release Date:

27 August 2008 (Belgium)

Genre:

Drama

Plot:

Sokol and Lorna, two Albanian emigrants in Belgium, dream of leaving their dreary jobs to set up a snack bar...

Plot Keywords:

Money | Belgium | Albanian | Drug Addiction | Drug Withdrawal

Awards:

2 wins & 3 nominations

Cast

Arta Dobroshi	...	Lorna
Jérémie Renier	...	Claudy Moreau
Fabrizio Rongione	...	Fabio
Alban Ukaj	...	Sokol
Morgan Marinne	...	Spirou
Olivier Gourmet	...	L'inspecteur
Anton Yakovlev	...	Andrei
Grigori Manukov	...	Kostia
Mireille Bailly	...	Monique Sobel
Stéphanie Gob	...	Nurse
Laurent Caron	...	Commissaire
Baptiste Somin	...	Morgue Attendant
Alexandre Trocky	...	Doctor
Cédric Lenoir	...	Bank Attendant
Cécile Boland	...	Female Doctor

Also Known As:

Il matrimonio di Lorna (Italy)
Lorna's Silence (International: English title)
Lornas Schweigen (Germany) (dubbed version)
The Silence of Lorna (UK)

MPAA:

Rated R for brief sexuality/nudity, and language.

Runtime:

USA:105 min | France:105 min

Country:

Belgium | France | Italy | Germany

Language:

French | Albanian

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital

Certification:

Switzerland:14 (canton of Geneva) | Switzerland:14 (canton of Vaud) | Ireland:16 | Netherlands:16 | Sweden:11 | USA:R | Australia:MA | Portugal:M/12 | Argentina:16 | UK:15 | South Korea:15

Filming Locations:

Liège, Wallonia, Belgium

Company:

Les Films du Fleuve

Trivia:

Before being cast as Lorna, the only words Arta Dobroshi knew in French were the days of the week.

Movie Connections:

Referenced in Silence, ça tue! (2008)

Lorna's secret

Another powerful Dardenne brothers "social cinema".

The view is relentlessly depressing, coherently so. Everything is "grey". Perhaps a ray of light shines when Lorna helps Claudy out of his habit and they ...; the next day she seems spontaneously happy, even her clothing seems to have colour (red). Fabio, as a perfect small time mobster, brings us back to reality. That (Lorna's) mental health is finally a casualty in this world without empathy should come as no surprise to us, wealthy bourgeoisie viewers: we don't face their problems and life without attributes, just "survival" in an urban setting. Notice the poverty of "symbols" at their house. Claudy only has his CDs (which only make him look even more childish) but Lorna's got... nothing. Few sparse clothing and a toothbrush. The ending is soaring indeed.

I can add little but to say that there are some loose threads, in my opinion a bit too loose but, as a friend said: "It's French cinema, what do you expect :)?" (The Russian plot being brought to a halt for ... reason, the split in the couple, the sudden idealization of Claudy, to the point of giving his "son" everything. It's obvious she won't get far having done what she did, but I guess we're into her head, which became rather cloudy near the end (so she being left "free" is just that, an illusion).

I'd have liked Sokol's character a bit more of screen time. He seems in love, then hurried back to work, then grouchy near the end, without any explanation of his jerky moods. Jérémie is a hell of a good actor. I didn't have much faith in him, but it's not his thinness, his tight jaw or stare into emptiness. He IS despair. Lorna...Arta Dobroshi had a "make or break" role here, and she delivered a thrilling performance. Nuanced, of a person probably without much "mystery" for our standards. But very real, as any low class suburbs in an industrialized country. She seems perfectly cast for the role. Yes, she's very beautiful, but her face not being perfect, her thinness being natural, not fit like Hollywood actresses (and without any aesthetic surgeries) all make for her a probably too nice "dry cleaner's", but nevertheless, believable in her constant strive for money (where to hide it, what to do with it, etc). The way the Moreau family treats her, even regarding $, is perfect. If only they knew... I like that Lorna is far from perfect. She was fed up of Claudy, even considering murder as "just another option". Yes, her sudden outburst of emotion gives some very timely "drama" to the plot :), but I feel it was worth it.

The naturalist script is what makes this film flow.

Music is great. Beethoven's Sonata 34 op. 111 by Alfred Brendel sounded outlandish, like it were part of another, more abstract world. It is a shocking contrast to the world down below, empty of any feelings. As such, I think it's a brilliant emotional resource.