Directed by
| John Harrison | ||
Writing Credits (WGA)
| John Harrison | ... | (screenplay) & |
| Darin Silverman | ... | (screenplay) |
| Clive Barker | ... | (short stories "The Book of Blood" and "On Jerusalem Street") |
Cast (in credits order) complete, awaiting verification
Produced by
| Lauri Apelian | ... | producer |
| Clive Barker | ... | producer |
| Peter Bevan | ... | executive producer |
| Jeremy Burdek | ... | executive producer |
| Joe Daley | ... | producer |
| Anthony DiBlasi | ... | executive producer |
| Tim Franklin | ... | line producer |
| Nadia Khamlichi | ... | executive producer |
| Micky McPherson | ... | producer |
| Adrian Politowski | ... | executive producer |
| Karl Richards | ... | executive producer |
| Jorge Saralegui | ... | producer |
| Carole Sheridan | ... | executive producer |
| Bastien Sirodot | ... | executive producer |
| Nigel Thomas | ... | producer |
| Charlotte Walls | ... | associate producer |
| Gilles Waterkeyn | ... | executive producer |
Music by
| Guy Farley | ||
Cinematography by
| Philip Robertson | ||
Editing by
| Harry B. Miller III | ||
Casting By
| Kate Plantin | ||
Production Design by
| Andy Harris | ||
Art Direction by
| Mags Horspool | ... | (as Margaret Horspool) |
Costume Design by
| Gill Horn | ||
Makeup Department
| Anita Anderson | ... | crowd hair and makeup artist |
| Barry Best | ... | prosthetic mould maker head |
| Maxine Dallas | ... | makeup artist |
| Chris Fitzgerald | ... | prosthetic design and application |
| Chris Fitzpatrick | ... | prosthetics effects technician |
| Wendy Kemp Forbes | ... | makeup artist |
| Dan Frye | ... | mold/lab technician: Art-Em Studio |
| Stuart Richards | ... | special makeup effects artist |
| Jesse Rose Rogers | ... | trainee makeup artist |
| Bernadette Schett | ... | special makeup effects artist |
| Tristan Versluis | ... | special makeup effects artist |
| Chloe Fletcher | ... | makeup trainee (uncredited) |
| Sophie Liddiard | ... | crowd makeup artist: dailies (uncredited) |
Production Management
| Steve Harrow | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Stephen Carney | ... | third assistant director |
| Jonathan Farmer | ... | first assistant director |
| Dawn Franklin | ... | additional second assistant director (as Dawn Harvey) |
| Mark Inglis | ... | first assistant director: second unit |
Art Department
| Paul Curren | ... | painter |
| Jim Elliott | ... | stand-by props |
| Lydia Farrell | ... | art department trainee |
| Claire Fleming | ... | art department assistant |
| Derek Gray | ... | storyboard artist |
| Paul Lambie | ... | props |
| Matt Mooney | ... | stand-by props |
| Carly Parris | ... | petty cash buyer |
Sound Department
| Paula Boram | ... | foley artist |
| Sandy Buchanan | ... | foley recordist |
| Ricky Butt | ... | foley artist |
| Tim Dyer | ... | boom operator |
| Steve Felton | ... | associate sound editor |
| Simon Goldfinch | ... | adr recordist / assistant re-recording mixer |
| Nicolas Le Messurier | ... | re-recording mixer |
| Jacques Leroide | ... | foley editor |
| Steve Little | ... | sound effects editor / supervising adr editor |
| Gerard Loret | ... | supervising dialogue & adr editor |
| Colin Miller | ... | supervising sound editor |
| Richard Paterson | ... | sound mixer |
| Richard Stockdale | ... | dolby sound consultant |
| Andrew Walsh | ... | trainee sound |
| Paul Weir | ... | sound designer |
| Garry Fiferman | ... | sound (uncredited) |
Special Effects by
| Dave Evans | ... | special effects technician |
| Rick Jotle | ... | special effects: equipment |
| Mike Kelt | ... | special effects supervisor |
| Nick Martin | ... | Camera rig Designer |
| Richard North | ... | special effects assistant |
| Ken Petrie | ... | pyrotechnician / special effects technician |
| Stuart Richards | ... | prosthetic technician |
Visual Effects by
| Clare Cheetham | ... | visual effects supervisor (as Clare Heneghan) |
| Jonathan Cheetham | ... | visual effects supervisor |
| Mike Diltz | ... | digital compositor |
| Alec Feegrade | ... | film recording |
| Joaquim Montserrat | ... | visual effects artist |
| Enrico Perei | ... | lead compositing artist / visual effects |
| James Rose | ... | compositor |
| Anusara Suwannasri | ... | rotoscoping artist |
| Theajodharan | ... | compositor |
| Julien Vanhoenacker | ... | visual effects artist |
| Michael Wolf | ... | compositor |
| Anthony Wonsoff | ... | matte artist |
Stunts
| Paul Heasman | ... | stunt coordinator |
Camera and Electrical Department
| Stuart Anderson | ... | clapper loader: second unit |
| Paul Bates | ... | electrician / gaffer: second unit |
| Julie Bills | ... | camera operator |
| Trevor Brooker | ... | director of photography: second unit |
| David Byrne | ... | focus puller: second unit |
| Donny Campbell | ... | gaffer |
| Eve Carreño | ... | camera trainee |
| Marc Dando | ... | digital lab supervisor |
| Ewan Epton | ... | best boy |
| Robert Etherson | ... | grip |
| Ross Fall | ... | digital lab technician |
| Alick Fraser | ... | focus puller: second unit |
| Graeme Hunter | ... | still photographer |
| Peter Keith | ... | clapper loader |
| Andrew Mits M'Itwamwari | ... | focus puller (as Andy Mitwamwari) |
| Susan MacDonald | ... | assistant camera |
| Grant McPhee | ... | clapper loader: second unit |
| Derrick Peters | ... | focus puller: second unit |
| Chris Shaw | ... | clapper loader: second unit |
| Mark Sneddon | ... | first assistant camera: London Unit / focus puller: London unit |
Casting Department
| Kay Gannon | ... | extras casting |
| Sorcha McIlvride | ... | extras casting assistant |
Editorial Department
| Carmelo Casalenuovo | ... | assistant editor |
| Rachelle Dang | ... | assistant editor |
| Alec Gibson | ... | grader |
| Kieran Nicholas | ... | conforming editor |
| Geraint Huw Reynolds | ... | assistant editor |
| Thomas Urbye | ... | colourist |
Music Department
| Joshua Blair | ... | music scoring mixer (as Josh Blair) |
| John Boughtwood | ... | music supervisor |
| Andy Parker | ... | musician |
| Andrew Pearce | ... | orchestrator |
| Adrian Thomas | ... | musical associate |
| Susan Tilly | ... | source music clearances |
Script and Continuity Department
| Karen Wood | ... | script supervisor |
Transportation Department
| Martin Auld | ... | unit driver |
| Russell Dunsmore | ... | unit driver |
| Russell D. Equi | ... | driver: cast |
| Andy Finnie | ... | unit driver |
Additional Crew
| Brashna Agha | ... | floor runner |
| Monika Agorelius | ... | additional epk |
| Robert Beaumont | ... | sales and distribution |
| Mary Brehony | ... | legal affairs: Scottish Screen |
| Glen Carroll | ... | dailies runner |
| Matt Curtis | ... | title designer |
| Victoria Dabbs | ... | accounts assistant |
| Steven Diamond | ... | trainee digital film recorder operator |
| Paul Dray | ... | laboratory contact |
| Rachel Fiddes | ... | production coordinator - vfx unit |
| Nell Green | ... | production assistant |
| Glynn Henderson | ... | safety consultant |
| Pierre Philippe Hendrickx | ... | legal advisor: Belgium |
| David Johnstone | ... | insurance services: Media Insurance Brokers |
| Julia Jones | ... | unit publicist |
| Kathleen Lambie | ... | production coordinator |
| Lucia Lopez | ... | assistant to producers |
| Catrina Luna | ... | production accountant |
| Kate Maginnis | ... | production runner |
| Martin Metz | ... | production executive |
| Mark Padilla | ... | world sales executive |
| Luke Randolph | ... | completion guarantor: for International Film Guarantors |
| Iwona Sellers | ... | production executive |
| Reinhard Spiolek | ... | production accountant |
Thanks
| Danny Mandel | ... | special production thanks |
