Producers announced today that Ryan Silverman Passion, The Phantom of the Opera and Hannah Elless Godspell, Mamma Mia will star as Richard Collier and Elise McKenna in Portland Center Stage's Pcs upcoming world-premiere production of the new musical Somewhere in Time, based on the novel by renowned author Richard Matheson I Am Legend, What Dreams May Come and the subsequent hit film starring Christopher Reeve, Jane Seymour and Christopher Plummer.
- 2/21/2013
- by BWW News Desk
- BroadwayWorld.com
Producers announced today that Ryan Silverman Passion, The Phantom of the Opera and Hannah Elless Godspell, Mamma Mia will star as Richard Collier and Elise McKenna in Portland Center Stage's Pcs upcoming world-premiere production of the new musical Somewhere in Time, based on the novel by renowned author Richard Matheson I Am Legend, What Dreams May Come and the subsequent hit film starring Christopher Reeve, Jane Seymour and Christopher Plummer.
- 2/21/2013
- by BWW News Desk
- BroadwayWorld.com
Little wonder our great creative talents despair as dark falls on regional theatres, libraries and the humanities
Given their lifetime's experience in generating applause, it is mystifying how brilliant directors can often struggle, when it comes to defending their own cause, to elicit the desired response. In theory, no one is better qualified to win the argument for the arts. In practice, the words evidently glance off or, to judge by online comments, even alienate, the very people they want to engage.
As a champion of regional theatres, the great director Danny Boyle recently stressed their importance as an alternative from "Wetherspoon and Walkabout pubs and Mario Balotelli and John Terry". Maybe it was modesty that stopped him dwelling, or dwelling for long enough, on his own Olympic opening ceremony, which touched and spectacularly united the nation. Instead, Boyle identified the privately funded cultural practices – sport, going to pubs – that...
Given their lifetime's experience in generating applause, it is mystifying how brilliant directors can often struggle, when it comes to defending their own cause, to elicit the desired response. In theory, no one is better qualified to win the argument for the arts. In practice, the words evidently glance off or, to judge by online comments, even alienate, the very people they want to engage.
As a champion of regional theatres, the great director Danny Boyle recently stressed their importance as an alternative from "Wetherspoon and Walkabout pubs and Mario Balotelli and John Terry". Maybe it was modesty that stopped him dwelling, or dwelling for long enough, on his own Olympic opening ceremony, which touched and spectacularly united the nation. Instead, Boyle identified the privately funded cultural practices – sport, going to pubs – that...
- 12/2/2012
- by Catherine Bennett
- The Guardian - Film News
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