Directed by
Thomas Heinemann |
Writing Credits (in alphabetical order)
Frank-Markus Barwasser | ||
Thomas Heinemann |
Cast (in credits order)
Produced by
Frank-Markus Barwasser | ... | producer |
Sabine Boueke-Loosen | ... | producer: BR |
Thomas Heinemann | ... | producer |
Elmar Jaeger | ... | producer: BR |
Thomas Jansing | ... | producer: BR |
Ursula Vollmond | ... | producer |
Music by
George Garcia | ||
Oliver Hahn |
Cinematography by
Klaus Eichhammer |
Editing by
Tobias Haas |
Production Design by
Ernestine Hipper |
Production Management
Anissa Mehnert | ... | unit manager |
Second Unit Director or Assistant Director
Thomas Brück | ... | first assistant director |
Max Conradt | ... | second assistant director |
Sound Department
Manfred Schmid | ... | sound designer |
Andreas Schneider | ... | foley artist |
Special Effects by
Max Michael Engel | ... | special effects technician |
Visual Effects by
Thomas Menz | ... | title designer: CinePostproduction GmbH |
Stunts
Martin Cronebach | ... | stunts: Steinmeier & Mohr |
Torsten Jerabek | ... | stunts: Steinmeier & Mohr |
Bastian Volkmer | ... | stunts: Steinmeier & Mohr |
Camera and Electrical Department
Markus Eckert | ... | Steadicam operator |
Tobias Kownatzki | ... | first assistant camera: "b" camera / second assistant camera |
Casting Department
Daniela Tolkien | ... | casting |
Editorial Department
Andschana Eschenbach | ... | assistant editor |
Tina Falke | ... | colorist |
Meike Weimann | ... | colorist: dailies (uncredited) |
Music Department
Peter Licht | ... | songs |
Sven Meyer | ... | executive music producer |
Wolfgang Salomon | ... | music consultant |
Additional Crew
Jan Fröhlich | ... | digital laboratory supervisor |
Martin Knoll | ... | digital laboratory supervisor |
Christoph Kukula | ... | production coordinator |
Berit Norrenberg | ... | legal advisor (as Berit Wetzel) |
Catarina Raacke | ... | consultant |