Exclusive: Indian animation studio 88 Pictures has hired veteran VFX Supervisor Yancy Lindquist.
Lindquist joins the company’s Toronto office, which opened last year. He will serve as VFX Supervisor at the company.
Lindquist was mostly recently VFX Supervisor on Netflix’s Nimona, which is nominated for an Academy Award for Best Animated Feature Film and Critics Choice Movie Award for Best Animated Feature. Before 88 Pictures, Lindquist spent 23 years at DreamWorks Animation. His credits at the company include serving as the Head of FX on projects like Flushed Away, Monsters vs. Aliens, Rise of the Guardians, Trolls, and Boss Baby.
“I’m thrilled to embark on a new chapter with 88 Pictures as the VFX Supervisor in Toronto. Working with DreamWorks for more than 20 years and my last endeavor on Nimona has been a remarkable journey,” Lindquist said, “Now joining 88 Pictures with such a rich legacy feels like an incredible honor.
Lindquist joins the company’s Toronto office, which opened last year. He will serve as VFX Supervisor at the company.
Lindquist was mostly recently VFX Supervisor on Netflix’s Nimona, which is nominated for an Academy Award for Best Animated Feature Film and Critics Choice Movie Award for Best Animated Feature. Before 88 Pictures, Lindquist spent 23 years at DreamWorks Animation. His credits at the company include serving as the Head of FX on projects like Flushed Away, Monsters vs. Aliens, Rise of the Guardians, Trolls, and Boss Baby.
“I’m thrilled to embark on a new chapter with 88 Pictures as the VFX Supervisor in Toronto. Working with DreamWorks for more than 20 years and my last endeavor on Nimona has been a remarkable journey,” Lindquist said, “Now joining 88 Pictures with such a rich legacy feels like an incredible honor.
- 2/9/2024
- by Zac Ntim
- Deadline Film + TV
Dean DeBlois wrote and directed all three of the animated How to Train Your Dragon movies, which were inspired by the series of books by written by Cressida Cowell. Now DeBlois is set to write, direct, and produce a live-action remake of How to Train Your Dragon – and he’s assembling a strong cast for it. Mason Thames (The Black Phone) is set to play Hiccup, with Nico Parker (The Last of Us) as Astrid and Gerard Butler, who voiced Stoick the Vast, the leader of the Viking clan and Hiccup’s father in the animated films, will be reprising the role in live-action. Now The Hollywood Reporter has broken the news that Nick Frost – whose credits include Shaun of the Dead, Hot Fuzz, The World’s End, Paul, and Fighting with My Family – has been cast as the Viking character Gobber the Belch, the trusted friend and advisor of Stoick.
- 1/11/2024
- by Cody Hamman
- JoBlo.com
Variety rounded up some of our favorite creators behind several films recently shortlisted by the Academy to discuss the work that goes into making these now iconic cinematic moments.
From “American Fiction’s” score to the heartrending tunes of “Flora and Son,” the artisans went deep on their process and revealed the layers of thought and intent inside their work. Check out each interview for those recognized including Documentary film, song, score, hair & makeup, sound and more categories.
Read recaps of their conversations below:
“Saltburn” Original Score Conversation with Composer Anthony Willis
When it came to scoring that haunting opening scene of Oliver Quick (Barry Keoghan) in Emerald Fennell’s “Saltburn,” composer Anthony Willis stresses that the use of the choir was a strategic decision. “So much of the film is the preoccupation of vanity and then feeling like you need to behave a particular way and then actually how...
From “American Fiction’s” score to the heartrending tunes of “Flora and Son,” the artisans went deep on their process and revealed the layers of thought and intent inside their work. Check out each interview for those recognized including Documentary film, song, score, hair & makeup, sound and more categories.
Read recaps of their conversations below:
“Saltburn” Original Score Conversation with Composer Anthony Willis
When it came to scoring that haunting opening scene of Oliver Quick (Barry Keoghan) in Emerald Fennell’s “Saltburn,” composer Anthony Willis stresses that the use of the choir was a strategic decision. “So much of the film is the preoccupation of vanity and then feeling like you need to behave a particular way and then actually how...
- 1/10/2024
- by Valerie Wu, Jaden Thompson, Caroline Brew and Diego Ramos Bechara
- Variety Film + TV
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