| Sallie Harmsen | ... | Simone | |
| Ramsey Nasr | ... | Milan / Martin | |
| Loek Peters | ... | Dirk | |
| Oren Schrijver | ... | Fjodor | |
| Mike Libanon | ... | Luc | |
| Loes Haverkort | ... | Loes | |
| Ergun Simsek | ... | Arif | |
| Zoe Stork | ... | Tjaltje | |
| Anne-Marie Jung | ... | Angelique | |
| Poal Cairo | ... | Jules | |
| Marcel De Hoogd | ... | Buurman |
Directed by | |||
| Robert Jan Westdijk | |||
Writing credits(in alphabetical order) | ||
| Robert Jan Westdijk | writer | |
Produced by | |||
| Jeroen Beker | .... | producer | |
| San Fu Maltha | .... | producer | |
| Niko Post | .... | line producer | |
| Frans van Gestel | .... | producer | |
| Maars van Haaften | .... | assistant line producer | |
Cinematography by | |||
| Menno Westendorp | |||
Casting by | |||
| Saida van der Reijd | |||
Production Design by | |||
| Floris Vos | |||
Costume Design by | |||
| Martina Fehmer | |||
Makeup Department | |||
| Monique Mierop | .... | makeup artist | |
| Renee Wijnhoven | .... | assistant makeup artist | |
Production Management | |||
| Laurette Schillings | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Irene van Vliet | .... | assistant director: continuity | |
Sound Department | |||
| Normann Büttner | .... | foley mixer | |
| Miguel de Faria | .... | sound assistant | |
| Marcel De Hoogd | .... | sound | |
| Jaap Jellema | .... | adr mixer | |
| Peter Warnier | .... | sound re-recording mixer | |
| Peter Warnier | .... | supervising sound editor | |
Camera and Electrical Department | |||
| Dick Bloemraad | .... | gaffer | |
| Mark de Blok | .... | Steadicam operator | |
| Luc Hoeymakers | .... | grip | |
| Antoine Petiet | .... | key grip | |
| Melanie Tenhagen | .... | additional electrician | |
| Chiel van Dongen | .... | focus puller | |
Costume and Wardrobe Department | |||
| Saar van Gerwen | .... | set costumer | |
Editorial Department | |||
| Herman P. Koerts | .... | editorial advisor | |
| Niels Koopman | .... | first assistant editor | |
| John Thorborg | .... | colorist | |
| Irene van Vliet | .... | assistant editor | |
Other crew | |||
| Frank Klein | .... | budget controller | |
| Erik Rensink | .... | location manager | |
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| Le fils de Gascogne | Sunset Blvd. | La hija del caníbal | I Love Your Work | Valentino |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Netherlands section | Add this title to MyMovies |
Director Westdijk is probably the most talented filmmaker in the Netherlands. However, since his very good debut 'zusje'(over ten years ago) he hasn't really delivered anything worthwhile. 'Siberia' was an OK follow-up, visually, but the story was somewhat disappointing. The same goes for 'Phileine zegt sorry'.
Now with his latest picture, Westdijk is supposed to deliver some kind of magnum opus. He has worked on the film for over 11 years, mainly perfecting the script.
'Het echte leven' is a film in a film. Character developments of crew-members slowly start to merge with those of the characters in the film they are making. This type of storytelling is like tight-rope walking, but Westdijk pulls it off.
The leading lady, Sallie Harmsen is incredible. As with 'zusje'(which featured the debut of Kim van Kooten) Westdijk proves he has a talent for scouting talent. And, of course, a talent for directing actors. Ramsey Nasr is also very good in his role as the director/leading actor.
It is he who stimulates the merging of real-life and fictitious character-development, but it affects himself as well.
The story develops smoothly and the movie is overall very enjoyable, visually near perfect. But I have to say that it doesn't leave a very big impression. We're supposed to be affected (I guess) by the emotional distress the leading actors end up in. But that just doesn't happen. Pity.
Still, it's a pretty good movie, the kind you will want to watch more than once. I will kindly leave the option open that it may grow on you when you will.