Gabriel Guevara, the breakout star of the huge hit film saga “My Fault” (“Culpa Mía”) on Amazon Prime Video, is now set to lead Atresplayer’s new series, “Mar afuera.” This project marks a significant collaboration between Atresmedia TV and Beta Fiction Spain, taking on the adaptation of the smash Italian series “Mare Fuori,” (“The Sea Beyond”) which added 300,000 new subscribers to Rai Play when Season 3 launched, and sold to over 20 territories.
The eight-episode series follows the life of Álvaro, played by Guevara, a young seventeen year old from an affluent background whose life spirals after an accident finds himself in a juvenile detention center.
Amidst the loss of his privilege and outside passions – such as his beloved piano – he is thrust into a new reality with the diverse clientele of the detention center. A reality hostile to him. Set against the backdrop of a juvenile correctional facility by the sea,...
The eight-episode series follows the life of Álvaro, played by Guevara, a young seventeen year old from an affluent background whose life spirals after an accident finds himself in a juvenile detention center.
Amidst the loss of his privilege and outside passions – such as his beloved piano – he is thrust into a new reality with the diverse clientele of the detention center. A reality hostile to him. Set against the backdrop of a juvenile correctional facility by the sea,...
- 4/19/2024
- by Callum McLennan
- Variety Film + TV
Updated Lille, France — One of Spain’s most awaited drama series of the year, Rodrigo Sorogyen’s ‘The New Years’ will be co-produced by Spain’s Movistar Plus+, its original backer, and new partner Arte France, the upscale French public broadcaster.
Going into production last year on Oct. 2, and shooting in Madrid, Lyon (France) and Berlin (Germany), the series is produced in collaboration with Madrid-based independent production house Caballo Films, co-founded by Sorogoyen.
Movistar Plus+ International will handle distribution outside Spain and France. Arte France’s involvement guarantees the 10-part series’ distribution in all the territories where it operates.
Set on the same day every year for a decade, New Year’s Eve, “The New Years” stars Iria del Río and Francesco Carril. Ana and Óscar, meet at 30 and start a relationship which lasts 10 years.
The period from 30 to 40 is “a crucial decade for all of us,” Sorogoyen commented when the new series was announced.
Going into production last year on Oct. 2, and shooting in Madrid, Lyon (France) and Berlin (Germany), the series is produced in collaboration with Madrid-based independent production house Caballo Films, co-founded by Sorogoyen.
Movistar Plus+ International will handle distribution outside Spain and France. Arte France’s involvement guarantees the 10-part series’ distribution in all the territories where it operates.
Set on the same day every year for a decade, New Year’s Eve, “The New Years” stars Iria del Río and Francesco Carril. Ana and Óscar, meet at 30 and start a relationship which lasts 10 years.
The period from 30 to 40 is “a crucial decade for all of us,” Sorogoyen commented when the new series was announced.
- 3/20/2024
- by John Hopewell and Marta Balaga
- Variety Film + TV
Ester Expósito was born on January 26, 2000, in Madrid, Spain. From a young age, she displayed a keen interest in the artistic world and knew that acting was her true calling. At the age of 16, after completing her studies, Expósito decided to pursue her dream and enrolled in acting courses.
Expósito’s talent and dedication quickly caught the attention of industry insiders. In 2013 and 2015, she received recognition for her acting skills, winning the Best Actress award at the Madrid Theater Awards. These early accolades set the stage for what was to come in her career.
One of Expósito’s most significant breakthroughs came with her role in the Netflix teen drama series, Élite. She portrayed the character of Carla Rosón Caleruega, a complex and intriguing character that captured the attention of audiences worldwide. Expósito’s portrayal of Carla showcased her ability to bring depth and authenticity to her performances, solidifying her...
Expósito’s talent and dedication quickly caught the attention of industry insiders. In 2013 and 2015, she received recognition for her acting skills, winning the Best Actress award at the Madrid Theater Awards. These early accolades set the stage for what was to come in her career.
One of Expósito’s most significant breakthroughs came with her role in the Netflix teen drama series, Élite. She portrayed the character of Carla Rosón Caleruega, a complex and intriguing character that captured the attention of audiences worldwide. Expósito’s portrayal of Carla showcased her ability to bring depth and authenticity to her performances, solidifying her...
- 3/12/2024
- by Penelope H. Fritz
- Martin Cid Magazine - Movies
Two Spanish female stars who have broken out to huge global audiences in Netflix hits – “Nowhere” and “A Perfect Story” lead Anna Castillo and Ester Expósito, highly prominent in “Elite” in early seasons – are set to star in dramedic vampire thriller “Death to Love,” (“Que muera el amor”), the first series created by “Piggy” director Carlota Pereda, who will also serve as its showrunner.
“If there are two actresses you can believe are immortals, with their out-of-this-world allure and talent, it’s Anna and Ester. I can’t wait to explore this world of darkness, joy and Eternal Love with them,” Pereda told Variety.
With that talent package, and the backing of two Spanish powerhouse producers, Morena Films and Buendía Estudios, “Death to Love” is shaping up as one of the hottest packages to come to market from Spain after it emerged from February’s Berlinale Series Market as one...
“If there are two actresses you can believe are immortals, with their out-of-this-world allure and talent, it’s Anna and Ester. I can’t wait to explore this world of darkness, joy and Eternal Love with them,” Pereda told Variety.
With that talent package, and the backing of two Spanish powerhouse producers, Morena Films and Buendía Estudios, “Death to Love” is shaping up as one of the hottest packages to come to market from Spain after it emerged from February’s Berlinale Series Market as one...
- 3/4/2024
- by John Hopewell
- Variety Film + TV
From Namibian western to animated revenge thriller, from Bosnian family saga to a lesbian vampire breakup story, 10 upscale scripted TV projects were spotlighted at the Berlinale Series Market’s Co-Pro Series on Tuesday morning, representing “unique and bold choices with regard to genre and perspective, on top of great storytelling,” Martina Bleis, Head of the Berlinale Co-Production Market, observed before the presentation..
“This should attract buyers and co-producers now, and will surely convince discerning audiences once they have been made,”
With Oscar winner Simon Beaufoy joining climate change satire “S.O.L.,” created by late Ruth McCance, or Cannes-awarded director Aida Begić now focusing on “Mirrors,” it was a high-profile affair.
“This female family chronicle serves as a bridge between two centuries, two eras and two societies, shedding light on the hidden lives of Balkan women. Female secrets touch on taboos such as sexuality, violence and mental health. What would...
“This should attract buyers and co-producers now, and will surely convince discerning audiences once they have been made,”
With Oscar winner Simon Beaufoy joining climate change satire “S.O.L.,” created by late Ruth McCance, or Cannes-awarded director Aida Begić now focusing on “Mirrors,” it was a high-profile affair.
“This female family chronicle serves as a bridge between two centuries, two eras and two societies, shedding light on the hidden lives of Balkan women. Female secrets touch on taboos such as sexuality, violence and mental health. What would...
- 2/21/2024
- by Marta Balaga
- Variety Film + TV
Series from Atresmedia TV, Rtve, Movistar Plus+, Javier Calvo and Javier Ambrossi (“La Mesías”), Zeta Studios (“Elite”) and director Carlota Pereda and Morena Films (behind Sundance hit “Piggy”) will unspool or be unveiled at the Berlinale. They underscore the breadth and depth of Spanish TV output:
“Death to Love,”
Carlota Pereda dazzled at Sundance with first feature, “Piggy.” Now, Pereda’s at the Berlinale Co-Pro Series on Feb. 20 with her debut series, “Death to Love,” in which afemale vampire struggles over centuries to end a toxic relationship with her vampire female lover and culminates in a modern-day climax. “A visceral and romantic proposition,” Pereda says.
“Dressed in Blue: Veneno Season 2,”
The Sundance world premiere “La Mesías” sealed the standing of Javier Calvo and Javier Ambrossi as most probably the coolest creative duo in Spain. This time around, they produce, with Mikel Rueda, a director on “Veneno,” and Claudia Costafreda and Ian de la Rosa,...
“Death to Love,”
Carlota Pereda dazzled at Sundance with first feature, “Piggy.” Now, Pereda’s at the Berlinale Co-Pro Series on Feb. 20 with her debut series, “Death to Love,” in which afemale vampire struggles over centuries to end a toxic relationship with her vampire female lover and culminates in a modern-day climax. “A visceral and romantic proposition,” Pereda says.
“Dressed in Blue: Veneno Season 2,”
The Sundance world premiere “La Mesías” sealed the standing of Javier Calvo and Javier Ambrossi as most probably the coolest creative duo in Spain. This time around, they produce, with Mikel Rueda, a director on “Veneno,” and Claudia Costafreda and Ian de la Rosa,...
- 2/19/2024
- by John Hopewell
- Variety Film + TV
Netflix Original “The Society of the Snow” won best picture and director for J.A. Bayona at Saturday night’s 38th Spanish Academy Goya Awards.
Those plaudits were two of a total 12 prizes, the third-highest kudos count for any title in the Goyas’ near 40-year history.
The lineup of best picture nominees was, however, a reminder in itself of the high quality and diversity of Spain’s current film production output. These took in Estibaliz’s Urresola Berlin triple winner “20,000 Species of Bees,” David Trueba’s real-life tender love story “Jokes & Cigarettes,” Isabel Coixet’s probing “Un Amor” and Victor Erice’s “Close Your Eyes,” an “aching ode to film, time and memory,” Variety wrote in its review.
Even after Bayona took best director there was still genuine suspense whether he would also win best picture, after best adapted screenplay went to “Robot Dreams” and “Jokes & Cigarettes” took best actor for David Verdaguer.
Those plaudits were two of a total 12 prizes, the third-highest kudos count for any title in the Goyas’ near 40-year history.
The lineup of best picture nominees was, however, a reminder in itself of the high quality and diversity of Spain’s current film production output. These took in Estibaliz’s Urresola Berlin triple winner “20,000 Species of Bees,” David Trueba’s real-life tender love story “Jokes & Cigarettes,” Isabel Coixet’s probing “Un Amor” and Victor Erice’s “Close Your Eyes,” an “aching ode to film, time and memory,” Variety wrote in its review.
Even after Bayona took best director there was still genuine suspense whether he would also win best picture, after best adapted screenplay went to “Robot Dreams” and “Jokes & Cigarettes” took best actor for David Verdaguer.
- 2/11/2024
- by John Hopewell
- Variety Film + TV
Yaya (played by Camryn Jones) just wants to walk to school with her boyfriend. Living on the South Side of Chicago in a house overflowing with family members, the only thing that gets the exhausted teen out of bed every morning is knowing Dre (Travis Wolfe Jr.) will be waiting on her stoop. The only issue: her protective brother, Mouse (Victor Musoni), doesn’t approve. He thinks her friends aren’t a good influence — they show up late to school too often, eat too much junk food, and don’t pay enough attention to their surroundings. Mouse, clearly, just wants his little sister to be safe, get good grades, and live a better life, but by intimidating Dre, he’s unwittingly snuffing out her one spark of joy — joy that manifests itself via her favorite hobby: dance.
Yaya loves to dance, and “Me/We” — one of three entries in Sundance’s 2024 Pilot Showcase,...
Yaya loves to dance, and “Me/We” — one of three entries in Sundance’s 2024 Pilot Showcase,...
- 1/23/2024
- by Ben Travers
- Indiewire
Fresh off the selection of “La Mesías” as the only European series at this year’s Sundance Festival, “Veneno” creators Javier Ambrossi and Javier Calvo – Los Javis – are set to produce Netflix original series “Superestar,” created by Spain’s Nacho Vigalondo, writer-director of 2016’s Anna Hathaway headed “Colossal,” Neon’s first pick-up for the U.S.
The six-episode series is directed by Vigalondo and Claudia Costafreda, co-creator of “Cardo,” an uninhibited portrait of Spain’s young generation eager for a quick fix of sex or drugs for want of a larger sense of direction in life, which was chosen by Variety, as “Veneno,” as one of the best international TV shows of the year.
Set up at Los Javis’ Suma Content, their indie Madrid-based label, “Superestar” is written by Vigalondo, María Bastarós, Paco Bezerra and Costafreda.
Oscar-nominated for his short, “7:35 in the Morning,” Vigalondo is best known for sci-fi comedies and thrillers such as,...
The six-episode series is directed by Vigalondo and Claudia Costafreda, co-creator of “Cardo,” an uninhibited portrait of Spain’s young generation eager for a quick fix of sex or drugs for want of a larger sense of direction in life, which was chosen by Variety, as “Veneno,” as one of the best international TV shows of the year.
Set up at Los Javis’ Suma Content, their indie Madrid-based label, “Superestar” is written by Vigalondo, María Bastarós, Paco Bezerra and Costafreda.
Oscar-nominated for his short, “7:35 in the Morning,” Vigalondo is best known for sci-fi comedies and thrillers such as,...
- 1/11/2024
- by John Hopewell
- Variety Film + TV
It’s safe to say a lot of people had a lot of problems with the switch from HBO Max to Max, but there was at least one upside to the streaming shakeup. Now, it’s easier than ever to find the excellent queer stories floating around Warner Bros. Discovery’s platform.
During its lifespan, HBO Max never had an LGBTQ tag to filter its offerings and help subscribers find stories about the queer community more easily: a surprising move for a streamer named after the channel that brought us boundary-breaking works like “Six Feet Under” and the miniseries adaptation of “Angels in America.” That’s been remedied on Max, which features an “LGBTQ+ Voices” collection. You do have to scroll quite far down the homepage to find it in the collections carousel, but when you do, it makes searching for the queer films and shows on the streamer considerably easier.
During its lifespan, HBO Max never had an LGBTQ tag to filter its offerings and help subscribers find stories about the queer community more easily: a surprising move for a streamer named after the channel that brought us boundary-breaking works like “Six Feet Under” and the miniseries adaptation of “Angels in America.” That’s been remedied on Max, which features an “LGBTQ+ Voices” collection. You do have to scroll quite far down the homepage to find it in the collections carousel, but when you do, it makes searching for the queer films and shows on the streamer considerably easier.
- 12/5/2023
- by Wilson Chapman
- Indiewire
In a deal unveiled at Mipcom, Movistar Plus+ International, the prominent Spanish pay TV/SVOD platform’s sales division, announced a key sale to HBO Latin America of series “La Mesías,” hailed as the buzziest title at the San Sebastian Film Festival in September.
The series is written, directed and produced by Javier Ambrossi and Javier Calvo of Suma Content, best known for their series “Veneno,” an HBO Max U.S. pickup, as well as “Paquita Salas,” sold to Netflix.
“La Mesías” marks the return of this creative duo, three years after their last release as directors and screenwriters, according to Movistar Plus+ Int’l.
Described as the most ambitious and complex project from the creative duo, widely known as Los Javis, “La Mesías” follows a family torn apart by the matriarch’s religious fanaticism.
Across seven gripping episodes, each with a runtime of just over an hour, the story spans various time periods,...
The series is written, directed and produced by Javier Ambrossi and Javier Calvo of Suma Content, best known for their series “Veneno,” an HBO Max U.S. pickup, as well as “Paquita Salas,” sold to Netflix.
“La Mesías” marks the return of this creative duo, three years after their last release as directors and screenwriters, according to Movistar Plus+ Int’l.
Described as the most ambitious and complex project from the creative duo, widely known as Los Javis, “La Mesías” follows a family torn apart by the matriarch’s religious fanaticism.
Across seven gripping episodes, each with a runtime of just over an hour, the story spans various time periods,...
- 10/17/2023
- by Anna Marie de la Fuente
- Variety Film + TV
Spain’s TV fiction industry is exercising some caution after high-end Spanish-language series lifted off in 2018.
“We all wanted to launch so many projects, so many new platforms arrived that there was no time for analysis,” says Bambú co-founder Ramón Campos.
As streamers scale back on originals and sales cycles slow, the industry has time for larger re-calculation.
“We come from a spectacular moment, in terms of both quality and volume,” says Sonia Martínez, series editorial director at Buendía Estudios.
That groundbreaking moment, championed by series like “Money Heist” and “Elite,” propelled Spanish fiction production to historic heights of global popularity.
“There is a virtuous circle that began in 2018 and has been continuously regenerating. Spain’s talent base already interests international audiences,” says María Valenzuela, Movistar Plus Intl.’s general manager.
But the country’s TV production scene is still cycling through the fruits of the boom: the number of...
“We all wanted to launch so many projects, so many new platforms arrived that there was no time for analysis,” says Bambú co-founder Ramón Campos.
As streamers scale back on originals and sales cycles slow, the industry has time for larger re-calculation.
“We come from a spectacular moment, in terms of both quality and volume,” says Sonia Martínez, series editorial director at Buendía Estudios.
That groundbreaking moment, championed by series like “Money Heist” and “Elite,” propelled Spanish fiction production to historic heights of global popularity.
“There is a virtuous circle that began in 2018 and has been continuously regenerating. Spain’s talent base already interests international audiences,” says María Valenzuela, Movistar Plus Intl.’s general manager.
But the country’s TV production scene is still cycling through the fruits of the boom: the number of...
- 10/16/2023
- by Emiliano De Pablos
- Variety Film + TV
The Spanish world premiere that made the most waves at this year’s San Sebastian Festival was not a film but a series, “La Mesías,” written, directed and produced by Javier Ambrossi and Javier Calvo.
“A masterpiece,” proclaimed Spanish website Cineconñ; national newspaper El Mundo greeted it as the first work of maturity from hugely unconventional auteurs.
Now bound for Mipcom, where the series receives a market screening, “La Mesías” says much about the ambitions of its creators and its backer, Movistar Plus.
In 2017, Telefónica-owned Movistar Plus, Spain’s biggest SVOD-pay TV player, rocked the San Sebastian Festival with “The Plague,” then the biggest series ever made in Spain.
“La Mesías” follows Ambrossi and Calvo’s overseas breakout “Veneno,” which was picked up by HBO Max for the U.S. market, and made Ambrossi and Calvo among the most-courted young showrunners in Europe.
“We’ve had to say ‘no’ to a lot of things,...
“A masterpiece,” proclaimed Spanish website Cineconñ; national newspaper El Mundo greeted it as the first work of maturity from hugely unconventional auteurs.
Now bound for Mipcom, where the series receives a market screening, “La Mesías” says much about the ambitions of its creators and its backer, Movistar Plus.
In 2017, Telefónica-owned Movistar Plus, Spain’s biggest SVOD-pay TV player, rocked the San Sebastian Festival with “The Plague,” then the biggest series ever made in Spain.
“La Mesías” follows Ambrossi and Calvo’s overseas breakout “Veneno,” which was picked up by HBO Max for the U.S. market, and made Ambrossi and Calvo among the most-courted young showrunners in Europe.
“We’ve had to say ‘no’ to a lot of things,...
- 10/15/2023
- by John Hopewell
- Variety Film + TV
In 2017, Movistar Plus, Spain’s biggest SVOD-pay TV player, rocked the San Sebastian Festival, the highest-profile movie event in Spain and Latin America region, with “The Plague,” the biggest series ever made in Spain.
Movistar Plus, owned by Telefónica, looks set to make waves again at this week’s San Sebastian by world premiering another big, bold series: “La Mesías.”
It’s written, directed and produced by Javier Ambrossi and Javier Calvo – known in Spain as Los Javis – marking their follow-up to overseas breakout “Veneno,” a raunchy but highly grounded bio of Spanish trans icon Cristina Ortiz. “Veneno” was picked up by HBO Max for the U.S. market and made Ambrossi and Calvo among the most courted young showrunners in Europe.
“We’ve had to say ‘no’ to a lot of things, to big offers, a lot of money from and outside Spain, to keep faithful to ourselves, and...
Movistar Plus, owned by Telefónica, looks set to make waves again at this week’s San Sebastian by world premiering another big, bold series: “La Mesías.”
It’s written, directed and produced by Javier Ambrossi and Javier Calvo – known in Spain as Los Javis – marking their follow-up to overseas breakout “Veneno,” a raunchy but highly grounded bio of Spanish trans icon Cristina Ortiz. “Veneno” was picked up by HBO Max for the U.S. market and made Ambrossi and Calvo among the most courted young showrunners in Europe.
“We’ve had to say ‘no’ to a lot of things, to big offers, a lot of money from and outside Spain, to keep faithful to ourselves, and...
- 9/28/2023
- by John Hopewell
- Variety Film + TV
14 Spanish productions selected for this year’s festival, which runs September 22-30.
Isabel Coixet’s romantic drama Un amor, Isabel Herguera’s animation Sultana’s Dream and JaioneCamborda’s drama The Rye Horn are among the 14 Spanish productions selected for the 2023 San Sebastian International Film Festival (Ssiff), running from September 22-30.
Scroll down for full line-up
Coixet will compete for the first time in San Sebastian’s official section with Un Amor, starring Laia Costa and Hovik Keuchkerian. Sold by Film Constellation, Un Amor is based on Sara Mesa’s novel that follows a woman struggling to start afresh in a countryside hamlet.
Isabel Coixet’s romantic drama Un amor, Isabel Herguera’s animation Sultana’s Dream and JaioneCamborda’s drama The Rye Horn are among the 14 Spanish productions selected for the 2023 San Sebastian International Film Festival (Ssiff), running from September 22-30.
Scroll down for full line-up
Coixet will compete for the first time in San Sebastian’s official section with Un Amor, starring Laia Costa and Hovik Keuchkerian. Sold by Film Constellation, Un Amor is based on Sara Mesa’s novel that follows a woman struggling to start afresh in a countryside hamlet.
- 7/14/2023
- by Emilio Mayorga
- ScreenDaily
Oscar winner Fernando Trueba (“Belle Epoque”), “The Secret Life of Words” director Isabel Coixet and “Veneno” writer-director-producers Javier Ambrossi and Javier Calvo feature among talent behind Spanish titles at September’s San Sebastian Film Festival, the highest profile film event in the Spanish-speaking world.
Coixet will compete for the first time in San Sebastian’s main competition with “Un Amor,” a probing village-set tale of emotional dependence starring Laia Costa (“Lullaby”) and “Money Heist’s” Hovik Keuchkerian.
Fernando Trueba and Javier Mariscal will present as a special screening animated feature “They Shot the Piano Player,” a joyful and finally devastating portrait of the life and fate of pianist Francisco Tenorio Jr. narrated by Jeff Goldblum.
Ambrossi and Calvo – popularly known as Los Javis – will world premiere “La Mesías,” the most awaited Spanish series of the year, a big-scale, period-hopping Movistar Plus+ original, chronicling the devastating effect of a childhood education,...
Coixet will compete for the first time in San Sebastian’s main competition with “Un Amor,” a probing village-set tale of emotional dependence starring Laia Costa (“Lullaby”) and “Money Heist’s” Hovik Keuchkerian.
Fernando Trueba and Javier Mariscal will present as a special screening animated feature “They Shot the Piano Player,” a joyful and finally devastating portrait of the life and fate of pianist Francisco Tenorio Jr. narrated by Jeff Goldblum.
Ambrossi and Calvo – popularly known as Los Javis – will world premiere “La Mesías,” the most awaited Spanish series of the year, a big-scale, period-hopping Movistar Plus+ original, chronicling the devastating effect of a childhood education,...
- 7/14/2023
- by John Hopewell
- Variety Film + TV
As other major European broadcasters, Spain’s Atresmedia is making a large bet on its VOD content offer, focused around the high-profile streaming service Atresplayer, which ambitiously re-launches July 5.
Just until a few years ago, European TV giants treated their streaming operations to bedrock linear lineups. Those days have gone. At Annecy, BBC and France Télévisions were talking up their streaming services as their future. ITV and Germany’s Rtl are bowing their biggest plays on Ott operations, Itvx and Rtl+, respectively, powering up strong subscriptions’ hikes.
Belgium’s Vrt currently estimates “almost a 50/50 split” in its acquisitions budget as it focusing on “finding unique series that viewers wouldn’t expect from a public broadcaster for its streaming service,” Sven Van Lokeren, head of international fiction series acquisition at Belgium’s Vrt told Variety at February’s London TV Screenings.
In Spain, leading broadcaster Atresmedia is no exception. Atresplayer represents...
Just until a few years ago, European TV giants treated their streaming operations to bedrock linear lineups. Those days have gone. At Annecy, BBC and France Télévisions were talking up their streaming services as their future. ITV and Germany’s Rtl are bowing their biggest plays on Ott operations, Itvx and Rtl+, respectively, powering up strong subscriptions’ hikes.
Belgium’s Vrt currently estimates “almost a 50/50 split” in its acquisitions budget as it focusing on “finding unique series that viewers wouldn’t expect from a public broadcaster for its streaming service,” Sven Van Lokeren, head of international fiction series acquisition at Belgium’s Vrt told Variety at February’s London TV Screenings.
In Spain, leading broadcaster Atresmedia is no exception. Atresplayer represents...
- 7/3/2023
- by Emiliano De Pablos and John Hopewell
- Variety Film + TV
Toledo, Spain — Adding to its bullish line-up of primetime dramas, Spain’s Atresmedia TV is set to adapt “Angela Black,” its second ITV drama makeover from “The Missing” creators, Harry and Jack Williams, after the Spanish commercial broadcaster’s reversion of “Liar.”
Currently casting and set to go into production this fall in Bizkaia’s Bilbao, “Angela,” as the Spanish redo is known, is produced by Buendía Estudios Vizcaya with the participation of Atresmedia TV.
An original idea of the Williams’ Two Brothers Pictures, “Angela Black’s” international distribution is handled by All3Media International.
Buendía Estudios is behind “Veneno,” “Cardo” and “The Cook of Castamar.” “Angela” is directed by Norberto López Amado, who has helmed episodes on some of the biggest hits on Spanish TV in the last 10 years, such as “The Time in Between” and “El Príncipe” as well as two episodes of “Liar.”
In now well-established windowing, “Angela...
Currently casting and set to go into production this fall in Bizkaia’s Bilbao, “Angela,” as the Spanish redo is known, is produced by Buendía Estudios Vizcaya with the participation of Atresmedia TV.
An original idea of the Williams’ Two Brothers Pictures, “Angela Black’s” international distribution is handled by All3Media International.
Buendía Estudios is behind “Veneno,” “Cardo” and “The Cook of Castamar.” “Angela” is directed by Norberto López Amado, who has helmed episodes on some of the biggest hits on Spanish TV in the last 10 years, such as “The Time in Between” and “El Príncipe” as well as two episodes of “Liar.”
In now well-established windowing, “Angela...
- 6/28/2023
- by John Hopewell
- Variety Film + TV
“Veneno” writer-director-creators Javier Ambrossi and Javier Calvo – popularly known as Los Javis – have dropped an international trailer for its sequel, “Vestida de Azul” (“Veneno 2: Dressed in Blue”) sharing it in exclusivity with Variety.
Sold to HBO Max for the U.S., where it aired to acclaim, “Veneno” was picked as one of Variety’s best international series in 2020.
This time round, Los Javis produce through Suma Content, the Madrid-based label they launched in 2021, where they also serve as its creative directors. The series is its fourth production after “Una navidad con Samantha Hudson,” a Christmas special, “Cardo,” and “Cardo 2.” An Atresplayer original series, “Vestidas de Azul” is produced for Atresmedia Television in collaboration with Suma Content. Atresmedia TV International Sales handles international distribution.
The trailer begins two years after “Veneno” with Valeria, her figure inspired by the real-life Spanish journalist Valeria Vegas who penned La Veneno’s memoirs, returning...
Sold to HBO Max for the U.S., where it aired to acclaim, “Veneno” was picked as one of Variety’s best international series in 2020.
This time round, Los Javis produce through Suma Content, the Madrid-based label they launched in 2021, where they also serve as its creative directors. The series is its fourth production after “Una navidad con Samantha Hudson,” a Christmas special, “Cardo,” and “Cardo 2.” An Atresplayer original series, “Vestidas de Azul” is produced for Atresmedia Television in collaboration with Suma Content. Atresmedia TV International Sales handles international distribution.
The trailer begins two years after “Veneno” with Valeria, her figure inspired by the real-life Spanish journalist Valeria Vegas who penned La Veneno’s memoirs, returning...
- 6/21/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Updated with Sacd prize details: Spanish director Elena Martín Gimeno’s Creatura won the Europa Cinemas prize as Best European Film, while Pierre Caton’s Le Prince scooped the Sacd for best French film at Directors’ Fortnight on Thursday.
The prizes were announced ahead of the evening closing ceremony for the non-competitive parallel Directors Fortnight section.
The Europa Cinema label and Sacd prizes are the key collateral prizes awarded to films world premiering in the section.
Under the Europa Cinema prize, the release of Creatura will receive the support of cinemas belonging to the independent exhibitor network representing 3,060 screens in 38 countries. The jury consists of four exhibitor members of the network.
Creatura revolves around a seemingly perfect couple who no longer manage to have sex, prompting one partner to probe her past and her sexual sexual awakening, from adolescence back to early childhood.
French writers guild Sacd’s prize is...
The prizes were announced ahead of the evening closing ceremony for the non-competitive parallel Directors Fortnight section.
The Europa Cinema label and Sacd prizes are the key collateral prizes awarded to films world premiering in the section.
Under the Europa Cinema prize, the release of Creatura will receive the support of cinemas belonging to the independent exhibitor network representing 3,060 screens in 38 countries. The jury consists of four exhibitor members of the network.
Creatura revolves around a seemingly perfect couple who no longer manage to have sex, prompting one partner to probe her past and her sexual sexual awakening, from adolescence back to early childhood.
French writers guild Sacd’s prize is...
- 5/25/2023
- by Melanie Goodfellow
- Deadline Film + TV
The Latin pop charts have always given us a somewhat skewed portrait of Juanes. Hits like the compulsively hummable 2004 song “La Camisa Negra” established the Colombian singer/songwriter as a multi-platinum-selling global icon. In doing so, many listeners and radio programmers focused on the bubbly, slick, frivolous aspect of his craft. But there’s another, more interesting side to Juanes. There’s darkness and depth – the layered musical language of a studious guitar player who may surprise you in concert with a legit reggae riff, or channel the visceral grooves...
- 5/18/2023
- by Ernesto Lechner
- Rollingstone.com
The best received of Spanish series at last month’s Málaga Festival, “Nights in Tefía” (“Las Noches de Tefía”) hit the festival with already strong buzz. The latest from Spain’s Buendía Estudios and SVOD service Atresplayer Premium whose titles also include “Veneno” and “Cardo,” “Nights in Tefía” proved a critics’ favourite. Written and directed by Miguel del Arco, a distinguished Spanish playwright and theater director, it turns on Airam Betancor who, living in Tenerife in 2004, recognises an old man shuffling down the street: Robles.
He’s the same man who, 42 years before, as a prison guard at the euphemistically named Tefía Penitentiary Agricultural Colony on Fuerteventura, another Canary Island, had beaten and tortured Airam as a teen inmate of the Francoist labor camp designed as a dumping ground for undesirables, from political dissidents to the socially unruly and homosexuals.
The sight of Robles, who has moved into Airam’s...
He’s the same man who, 42 years before, as a prison guard at the euphemistically named Tefía Penitentiary Agricultural Colony on Fuerteventura, another Canary Island, had beaten and tortured Airam as a teen inmate of the Francoist labor camp designed as a dumping ground for undesirables, from political dissidents to the socially unruly and homosexuals.
The sight of Robles, who has moved into Airam’s...
- 4/17/2023
- by John Hopewell
- Variety Film + TV
Spanish super-indie production-sales companies are stepping back in time with vigor, building on opportunities opened up by streamers’ growing market flexibility to retain IP and sell territory-by-territory.
Prioritizing bottom lines over market share, global platforms are ever more splitting rights and investing less in single titles. As budgets reduce, projects’ producers are forced to court ever more partners.
That often means partnering on productions. “We accustomed customers to enjoying high-quality series with large budgets. In the new context, it is increasingly difficult to continue in this vein if you don’t partner,” says Onza’s Carlos Garde.
Aiding this, Spain’s TV drama sector is still living a Golden Age. “Spanish TV fiction presence is on the rise, both on platforms and on international pay TV and free-to-air channels,” argues Atresmedia’s José Antonio Salso, who is moving buzz title “Nights in Tefía” at MipTV.
“There’s a large demand for Spanish-language content,...
Prioritizing bottom lines over market share, global platforms are ever more splitting rights and investing less in single titles. As budgets reduce, projects’ producers are forced to court ever more partners.
That often means partnering on productions. “We accustomed customers to enjoying high-quality series with large budgets. In the new context, it is increasingly difficult to continue in this vein if you don’t partner,” says Onza’s Carlos Garde.
Aiding this, Spain’s TV drama sector is still living a Golden Age. “Spanish TV fiction presence is on the rise, both on platforms and on international pay TV and free-to-air channels,” argues Atresmedia’s José Antonio Salso, who is moving buzz title “Nights in Tefía” at MipTV.
“There’s a large demand for Spanish-language content,...
- 4/14/2023
- by Emiliano De Pablos
- Variety Film + TV
Spanish titles at MipTV:
“The Argonauts and the Golden Coin,” (Rtve)
A live action kids adventure, targeting 8-12s, from national public broadcaster Rtve and Galician powerhouse Portocabo as Rtve drives into regional co-production. Set over a summer in Galicia and inspired by the spirit of “The Famous Five” and “The Goonies,” translated to the 21st century.
“The Caravan,” (Cabal Films)
Selected for the inaugural MipDoc International Buyer Screenings, a first-person account of an eight-month pregnant woman in a caravan of Central American immigrants heading to the U.S.
“Dating in Barcelona,” (Filmax)
The latest from Filmax, behind “The Red Band Society” and “They All Lie,” following different romantic encounters of people who have met online.
“Dover: Die for Rock & Roll,” (Begin Again Films)
Doc feature on the Seattle/Jean Jett-inspired Spanish band, behind “Devil Came to Me,” and icon of late ‘90s Spanish alternative pop rock.
“Greenpeace,” (Zona Mixta...
“The Argonauts and the Golden Coin,” (Rtve)
A live action kids adventure, targeting 8-12s, from national public broadcaster Rtve and Galician powerhouse Portocabo as Rtve drives into regional co-production. Set over a summer in Galicia and inspired by the spirit of “The Famous Five” and “The Goonies,” translated to the 21st century.
“The Caravan,” (Cabal Films)
Selected for the inaugural MipDoc International Buyer Screenings, a first-person account of an eight-month pregnant woman in a caravan of Central American immigrants heading to the U.S.
“Dating in Barcelona,” (Filmax)
The latest from Filmax, behind “The Red Band Society” and “They All Lie,” following different romantic encounters of people who have met online.
“Dover: Die for Rock & Roll,” (Begin Again Films)
Doc feature on the Seattle/Jean Jett-inspired Spanish band, behind “Devil Came to Me,” and icon of late ‘90s Spanish alternative pop rock.
“Greenpeace,” (Zona Mixta...
- 4/14/2023
- by John Hopewell
- Variety Film + TV
World premieres of Prime Video’s Rachel Weisz-starrer “Dead Ringers,” Paramount+’s “Fatal Attraction, with Lizzy Caplan, and Joshua Jackson, and Netflix’s awaited French bio “Tapie” pack out a 6th Canneseries which boasts its biggest U.S. presence yet, with titles from nearly all the major global streamers.
They join Apple TV+’s already-announced “Silo,” another world premiere. Paramount+ will also be represented by Korean smash hit “Bargain.”
In all, the main Competition features seven world premieres, Lewi said at a Paris lineup presentation on Tuesday.
Israel and Scandinavia have a prominent presence as ever at Canneseries. The selection also takes in, however, its first South African title in Competition, “Spinners,” admired at the London Screenings.
Adding star wattage, Sarah Michelle Gellar will pick up the Canal+ Icon Award, Joey Soloway, creator of Amazon Studios’ “Transparent” and producer of “Six Foot Under,” receives a Commitment Award. Canneseries’ Rising...
They join Apple TV+’s already-announced “Silo,” another world premiere. Paramount+ will also be represented by Korean smash hit “Bargain.”
In all, the main Competition features seven world premieres, Lewi said at a Paris lineup presentation on Tuesday.
Israel and Scandinavia have a prominent presence as ever at Canneseries. The selection also takes in, however, its first South African title in Competition, “Spinners,” admired at the London Screenings.
Adding star wattage, Sarah Michelle Gellar will pick up the Canal+ Icon Award, Joey Soloway, creator of Amazon Studios’ “Transparent” and producer of “Six Foot Under,” receives a Commitment Award. Canneseries’ Rising...
- 3/28/2023
- by John Hopewell and Leo Barraclough
- Variety Film + TV
Coming Next from Spain, a showcase of five series, unspooled at Series Mania on March 21 just after a Spanish series, “Wrong Side of the Tracks” from Mediaset España and Alea Media, had scored 149.6 million watching hours in three weeks on Netflix for Seasons 1 and 2.
That platform connection and power of Spanish series threaded most of the series and much of the commentary at Tuesday’s Next from Spain, supported by Audiiovisual from Spain.
At least in terms of titles now ready to hit the market, there’s little sign as yet of platform pullback in Spain. Rather, it remains a ground zero in the streamer wars.
2023 will see the release of 70 new Spanish scripted series and 27 returning seasons of titles such as “Elite” “Rapa” “30 Coins” and “Veneno,” presenter Irene Jiménez, at Audiovisual 451, told a Next From Spain audience.
Of these new titles, 36% will be produced by linear TV broadcasters,...
That platform connection and power of Spanish series threaded most of the series and much of the commentary at Tuesday’s Next from Spain, supported by Audiiovisual from Spain.
At least in terms of titles now ready to hit the market, there’s little sign as yet of platform pullback in Spain. Rather, it remains a ground zero in the streamer wars.
2023 will see the release of 70 new Spanish scripted series and 27 returning seasons of titles such as “Elite” “Rapa” “30 Coins” and “Veneno,” presenter Irene Jiménez, at Audiovisual 451, told a Next From Spain audience.
Of these new titles, 36% will be produced by linear TV broadcasters,...
- 3/24/2023
- by John Hopewell and Callum McLennan
- Variety Film + TV
In Álvaro Carmona’s award-winning short, “The Treatment,” Miguel, a middle-aged man unhappy with his baldness, visits a clinic that promises to reverse his hair loss with a new remedy, but with a potentially problematic side effect.
The black comedy is a satirical critique of the vanity that is so celebrated in today’s social media-drenched society and it has struck a chord with festival goers, so far picking up 67 domestic and international awards. It’s was also one of four Spanish works shortlisted for this year’s live-action short film Oscar.
“Everything arises from trying to play with the idea of this obsession with aesthetics that has become somewhat accentuated in recent years in the modern world,” Carmona tells Variety.
The filmmaker also examines the question of cost and the prices people are willing to pay for “perfect aesthetics.”
“I began to look at what dilemma you could have.
The black comedy is a satirical critique of the vanity that is so celebrated in today’s social media-drenched society and it has struck a chord with festival goers, so far picking up 67 domestic and international awards. It’s was also one of four Spanish works shortlisted for this year’s live-action short film Oscar.
“Everything arises from trying to play with the idea of this obsession with aesthetics that has become somewhat accentuated in recent years in the modern world,” Carmona tells Variety.
The filmmaker also examines the question of cost and the prices people are willing to pay for “perfect aesthetics.”
“I began to look at what dilemma you could have.
- 3/13/2023
- by Ed Meza
- Variety Film + TV
Former top Vis exec Laura Abril has been appointed EVP of scripted and global business development at Buendía Estudios, producer of “Veneno,” “Cardo” Season 1 and “Offworld,” in a move which signals the large international ambitions of one of Spain’s key production powerhouses.
Abril will report to Ignacio Corrales, Buendía Estudios CEO.
Rising through the ranks at Viacom from 2009, Abril crowned her career at the studio as the highest-ranking international TV executive in Spain named in 2019 as head of ViacomCBS International Studios (Vis) for Europe, Middle East, Africa and Asia.
Launched in August 2020, Buendía Estudios has already scored heavily in creative terms, producing a Variety Best International TV Show in 2020 (“Veneno”), 2021 (“Cardo” Season 1) and 2022 (“Offworld”). In volume, in 2022, it produced seven series for streaming services, more than any other production house in Spain, according to a study by Madrid-based consultancy Geca.
Six of these were, however, for either Atresplayer Premium,...
Abril will report to Ignacio Corrales, Buendía Estudios CEO.
Rising through the ranks at Viacom from 2009, Abril crowned her career at the studio as the highest-ranking international TV executive in Spain named in 2019 as head of ViacomCBS International Studios (Vis) for Europe, Middle East, Africa and Asia.
Launched in August 2020, Buendía Estudios has already scored heavily in creative terms, producing a Variety Best International TV Show in 2020 (“Veneno”), 2021 (“Cardo” Season 1) and 2022 (“Offworld”). In volume, in 2022, it produced seven series for streaming services, more than any other production house in Spain, according to a study by Madrid-based consultancy Geca.
Six of these were, however, for either Atresplayer Premium,...
- 2/27/2023
- by John Hopewell
- Variety Film + TV
‘Vestidas De Azul,’ Continuing Los Javis’ ‘Veneno,’ Adds Susana Abaitua, Elena Irureta, Further Cast
Spanish SVOD service Atresplayer Premium has announced at the Berlinale Series Market a raft of new cast members joining the continuation of its award-winning trans series “Veneno,” which played on HBO Max in the U.S. to large acclaim.
Joining the cast of the seven-episode series “Vestidas De Azul” are supporting cast members Susana Abaitua (“Crazy about Her”), Elena Irureta (“Patria”), Luis Callejo (“Jefe”), drag artist Estrella Xtravaganza, Mercedes Sampietro and Anabel Alonso (“7 Vidas”), among others.
The announcement was made at a Q&a on Monday focused on the continuation of the series. It forms part of a Next from Spain event focusing on first looks at four new series.
Currently shooting, Atresmedia,Atresolayer Premium parent, says it plans to begin streaming the new series in the fourth quarter of the year.
The original series was based on the life of Cristina Ortiz Rodríguez (La Veneno), a famous trans personality and singer from Spain.
Joining the cast of the seven-episode series “Vestidas De Azul” are supporting cast members Susana Abaitua (“Crazy about Her”), Elena Irureta (“Patria”), Luis Callejo (“Jefe”), drag artist Estrella Xtravaganza, Mercedes Sampietro and Anabel Alonso (“7 Vidas”), among others.
The announcement was made at a Q&a on Monday focused on the continuation of the series. It forms part of a Next from Spain event focusing on first looks at four new series.
Currently shooting, Atresmedia,Atresolayer Premium parent, says it plans to begin streaming the new series in the fourth quarter of the year.
The original series was based on the life of Cristina Ortiz Rodríguez (La Veneno), a famous trans personality and singer from Spain.
- 2/22/2023
- by Liza Foreman
- Variety Film + TV
Each will receive a prize of €20,000 from Eurimages.
The Berlinale Co-Production Market has awarded its top prize to Spain project Iván & Hadoum.
The feature won the Eurimages Co-Production Development Award, worth €20,000. Director is Ian de la Rosa, a screenwriter on HBO Max series Veneno whose short film Farrucas, won a 2021 Gaudi Prize and Goya nomination. The producer is Avalon, co-producer and distributor of Carla Simón’s Berlinale Golden Bear winner Alcarràs.
This year, an additional €20,000 prize was donated by Eurimages to support Ukrainian project The Blindsight by Ruslan Batytskyi. It is produced by 2Brave Productions, led by producers Olha Beskhmelnytsina and Natalia Libet.
The Berlinale Co-Production Market has awarded its top prize to Spain project Iván & Hadoum.
The feature won the Eurimages Co-Production Development Award, worth €20,000. Director is Ian de la Rosa, a screenwriter on HBO Max series Veneno whose short film Farrucas, won a 2021 Gaudi Prize and Goya nomination. The producer is Avalon, co-producer and distributor of Carla Simón’s Berlinale Golden Bear winner Alcarràs.
This year, an additional €20,000 prize was donated by Eurimages to support Ukrainian project The Blindsight by Ruslan Batytskyi. It is produced by 2Brave Productions, led by producers Olha Beskhmelnytsina and Natalia Libet.
- 2/20/2023
- by Michael Rosser
- ScreenDaily
The latest series from Alex de la Iglesia and “Veneno” creators Javier Ambrossi and Javier Calvo feature at a first-look Next from Spain Showcase which marks a massive step-up in the country’s presence at the Berlinale Series Market.
Running Feb. 20-22, the showcase also unveils “Rapa” Season 2, with its first season proving Movistar+’s biggest 2022 bow, and “This Is Not Sweden,” a pioneering Spanish co-production with Scandinavia and Germany.
The Showcase titles are joined by Isaki Lacuesta’s “The Chauffeur’s Son,” a Co-Pro Series project from “Elite’s” Zeta Studios, and “Selftape,” a Filmin Original from Filmax and a Series Market Screening.
Prior to 2023, Spanish titles only screened very occasionally at the market. This year’s splash , however, is entirely logical.
Thanks in part to a captive audience of 580 million Spanish speakers who are largely avid for melodrama-thrillers with a modern edge – think “La Casa de Papel,” “Who Killed Sara?...
Running Feb. 20-22, the showcase also unveils “Rapa” Season 2, with its first season proving Movistar+’s biggest 2022 bow, and “This Is Not Sweden,” a pioneering Spanish co-production with Scandinavia and Germany.
The Showcase titles are joined by Isaki Lacuesta’s “The Chauffeur’s Son,” a Co-Pro Series project from “Elite’s” Zeta Studios, and “Selftape,” a Filmin Original from Filmax and a Series Market Screening.
Prior to 2023, Spanish titles only screened very occasionally at the market. This year’s splash , however, is entirely logical.
Thanks in part to a captive audience of 580 million Spanish speakers who are largely avid for melodrama-thrillers with a modern edge – think “La Casa de Papel,” “Who Killed Sara?...
- 2/20/2023
- by John Hopewell
- Variety Film + TV
This year’s Berlinale Series Market kicks off Monday as Spanish series “The Snow Girl,” a missing girl suspense thriller produced by Spain’s Atípica Films, has attracted huge heat for Netflix, punching 101.7 million hours watched in its first three weeks. Doing so, it ranked as the streamer’s No. 1 non-English show in the world over Jan. 30 – Feb. 5.
In all, Spain has more shows and movies in Netflix’s all time non-English Top 10s than any other country in the world, seven to France’s two, for example.
Spain, it could be argued, has cracked online. But its drama series industry wants to ring more options.
As scripted commissions look to have dropped from second half 2022 in not only the U.S. but also Europe and Latin America, an energetic posse of Spanish producers and stars are rolling into Berlin to present new productions. These look set to explore an...
In all, Spain has more shows and movies in Netflix’s all time non-English Top 10s than any other country in the world, seven to France’s two, for example.
Spain, it could be argued, has cracked online. But its drama series industry wants to ring more options.
As scripted commissions look to have dropped from second half 2022 in not only the U.S. but also Europe and Latin America, an energetic posse of Spanish producers and stars are rolling into Berlin to present new productions. These look set to explore an...
- 2/19/2023
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Spain boasts a bullish presence at the Berlinale. Following, short profiles of its features that have made the festival cut and a selection of top titles being moved at the European Film Market:
20,000 Species Of Bees
Director: Estíbaliz Urresola
Spain’s Berlin competition player is from Urresola, director of Cannes Critics’ Week short “Chords.” Film takes place in a Basque Country village and is a celebration of female sexual diversity. Catalonia’s Inicia Films (“La Maternal”) produces with Gariza Films (“Nora”).
Sales: Luxbox
21 PARAÍSO
Director: Nestor Ruiz Medina
A couple in love grapples with the realities of making a living through OnlyFans. Set in an Andalusian idyll, a rich portrait of the challenges of love. Screened at Seville and Tallinn.
Sales: Begin Again Films.
Anqa
Director: Helin Celik
A Forum doc feature from Vienna-based Kurd Celik, the films tells the harrowing story of three Jordanian women, survivors of male near-fatal violence.
20,000 Species Of Bees
Director: Estíbaliz Urresola
Spain’s Berlin competition player is from Urresola, director of Cannes Critics’ Week short “Chords.” Film takes place in a Basque Country village and is a celebration of female sexual diversity. Catalonia’s Inicia Films (“La Maternal”) produces with Gariza Films (“Nora”).
Sales: Luxbox
21 PARAÍSO
Director: Nestor Ruiz Medina
A couple in love grapples with the realities of making a living through OnlyFans. Set in an Andalusian idyll, a rich portrait of the challenges of love. Screened at Seville and Tallinn.
Sales: Begin Again Films.
Anqa
Director: Helin Celik
A Forum doc feature from Vienna-based Kurd Celik, the films tells the harrowing story of three Jordanian women, survivors of male near-fatal violence.
- 2/17/2023
- by John Hopewell, Douglas Wilson and Pablo Sandoval
- Variety Film + TV
“20,000 Species Of Bees”
(Estíbaliz Urresola)
A Berlin competition contender and, like “Alcarràs,” redolently grounded – unspooling in a Basque Country village – and yet a big-issue drama. Catalonia’s Inicia Films (“La Maternal”) and Basque Country’s Gariza Films (“Nora) produce.
Sales: Luxbox
“Anqa”
(Helin Celik)
Selected for Forum, a doc feature produced by Barcelona’s Kepler Mission Film and Vienna-based Kurd Celik. The harrowing story of three Jordanian women survivors of male violence.
“The Beasts”
(Rodrigo Sorogoyen)
A stylish feminist Western, set in modern deep Galicia, which, breaking out in France and Spain, rates with “Alcarràs” as the standout Spanish film of 2022.
Sales: Latido Films
“The Chauffeur’S Son”
(Isaki Lacuesta)
From “Elite’s” Zeta Studios, chosen for Co-Pro Series and bidding to become the series debut as writer-director of Lacuesta (“Between Two Waters”), a searing portrait of the perverse collusion of politics and media, exemplified by the real life...
(Estíbaliz Urresola)
A Berlin competition contender and, like “Alcarràs,” redolently grounded – unspooling in a Basque Country village – and yet a big-issue drama. Catalonia’s Inicia Films (“La Maternal”) and Basque Country’s Gariza Films (“Nora) produce.
Sales: Luxbox
“Anqa”
(Helin Celik)
Selected for Forum, a doc feature produced by Barcelona’s Kepler Mission Film and Vienna-based Kurd Celik. The harrowing story of three Jordanian women survivors of male violence.
“The Beasts”
(Rodrigo Sorogoyen)
A stylish feminist Western, set in modern deep Galicia, which, breaking out in France and Spain, rates with “Alcarràs” as the standout Spanish film of 2022.
Sales: Latido Films
“The Chauffeur’S Son”
(Isaki Lacuesta)
From “Elite’s” Zeta Studios, chosen for Co-Pro Series and bidding to become the series debut as writer-director of Lacuesta (“Between Two Waters”), a searing portrait of the perverse collusion of politics and media, exemplified by the real life...
- 2/16/2023
- by John Hopewell and Douglas Wilson
- Variety Film + TV
In “La Mesías,” their follow-up as writers-directors to ‘Veneno,’ an HBO Max pickup for the U.S., Spanish showrunners Javier Calvo and Javier Ambrossi are promising their biggest series yet, a “near apocalyptic family drama,” as Ambrossi puts it, which chronicles the deep scars left for decades by childhood trauma.
In it, Enric, in the modern-day, is heavily impacted watching a viral video of a five-sister Christian pop band. Enric himself is still battling childhood memories marked by religious fanaticism and a mother with delirious messianic ambitions.
A Movistar+ Original, which is sold by Movistar+Internacional,“La Mesías” is produced by Ambrossi and Calvo at Suma Content, the robustly independent and internationally-minded production house launched last year by Los Javis, as they are popularly known in Spain,
Part of that brewing apocalypse was on show in late October in scenes shot at a masia, a traditionally farmsteads reconverted into a family home,...
In it, Enric, in the modern-day, is heavily impacted watching a viral video of a five-sister Christian pop band. Enric himself is still battling childhood memories marked by religious fanaticism and a mother with delirious messianic ambitions.
A Movistar+ Original, which is sold by Movistar+Internacional,“La Mesías” is produced by Ambrossi and Calvo at Suma Content, the robustly independent and internationally-minded production house launched last year by Los Javis, as they are popularly known in Spain,
Part of that brewing apocalypse was on show in late October in scenes shot at a masia, a traditionally farmsteads reconverted into a family home,...
- 11/11/2022
- by John Hopewell and Pablo Sandoval
- Variety Film + TV
Boosting its profile as a Spanish reference point, not only for TV drama but also for documentary production, Atresplayer Premium, the pay TV platform of media conglom Atresmedia Group, is preparing docuseries “Érase una vez en Marbella” (Once Upon a Time in Marbella).
Produced by Atresmedia TV in collaboration with Seville-based Happy Ending (“Pongamos que hablo de…”), the four episode 50 minutes series will dive into real-life stories of deep impact that had the city of Marbella, in Spain’s southern Andalusia coast, as a common element.
The documentary will explain how Marbella went in a few years, since the 1950s, from being a fishing village in Málaga province to becoming one of the most ostentatious leisure centers for the worldwide jet set.
“Once Upon a Time in Marbella” will describe different events and characters that, in one way or another, were related to the Costa del Sol’s city and its universe.
Produced by Atresmedia TV in collaboration with Seville-based Happy Ending (“Pongamos que hablo de…”), the four episode 50 minutes series will dive into real-life stories of deep impact that had the city of Marbella, in Spain’s southern Andalusia coast, as a common element.
The documentary will explain how Marbella went in a few years, since the 1950s, from being a fishing village in Málaga province to becoming one of the most ostentatious leisure centers for the worldwide jet set.
“Once Upon a Time in Marbella” will describe different events and characters that, in one way or another, were related to the Costa del Sol’s city and its universe.
- 10/19/2022
- by Emiliano De Pablos
- Variety Film + TV
Cannes — An Atresplayer Premium Original, “The Route,” begins as the lead characters’ time together ends, in 1993.
A star DJ on Valencia’s Ruta de Bakalao, Marc’s heart isn’t in it anymore. He visits his family home and sits in his bedroom, still plastered with teenage memorabilia, trying to connect with a younger self who felt music with passion. For Sento, clubbing is now a business. Toni wonders if it’s time to go home.
“The Route” (“La Ruta”) then goes back in time, one episode at a time to end to when the friends first met, in 1981, and enjoyed some kind of innocence. Even a flashback to 1981 in the first episode feature a sequence which is narrated backwards, though many viewers may not cotton on.
As around all the world, global streamers demand for original series from Spain may in many cases now be slowing down. The creativity...
A star DJ on Valencia’s Ruta de Bakalao, Marc’s heart isn’t in it anymore. He visits his family home and sits in his bedroom, still plastered with teenage memorabilia, trying to connect with a younger self who felt music with passion. For Sento, clubbing is now a business. Toni wonders if it’s time to go home.
“The Route” (“La Ruta”) then goes back in time, one episode at a time to end to when the friends first met, in 1981, and enjoyed some kind of innocence. Even a flashback to 1981 in the first episode feature a sequence which is narrated backwards, though many viewers may not cotton on.
As around all the world, global streamers demand for original series from Spain may in many cases now be slowing down. The creativity...
- 10/18/2022
- by John Hopewell and Anna Marie de la Fuente
- Variety Film + TV
Cannes — Ester Expósito, one of the most preeminent of breakout actors from “Elite,” is set to star in “La Isla Bonita,” a new series created by Ginesta Guindal, produced by The Immigrant and Sabado Películas with production-distribution superindie Fremantle handling global distribution.
Billed as an irreverent dramedy, “La Isla Bonita” focuses on a group of friends – party, party animal Alfonso, idealist Peter, environmentalist Sol – who share a quaint house on Ibiza, until the owner decides to triple the rent for the summer months, forcing them to find an ingenious solution to keep their lives and home together.
Expósito, who brought increasing nuance and depth to her performance as Carla Rosón Caleruega in “Elite,” plays Roxy, who rents a room in the house to becomes “someone” on social media, attending the island’s best parties.
Packing a six-part first season, “La Isla Bonita” casts Ibiza as an “over-the-top metaphor for the...
Billed as an irreverent dramedy, “La Isla Bonita” focuses on a group of friends – party, party animal Alfonso, idealist Peter, environmentalist Sol – who share a quaint house on Ibiza, until the owner decides to triple the rent for the summer months, forcing them to find an ingenious solution to keep their lives and home together.
Expósito, who brought increasing nuance and depth to her performance as Carla Rosón Caleruega in “Elite,” plays Roxy, who rents a room in the house to becomes “someone” on social media, attending the island’s best parties.
Packing a six-part first season, “La Isla Bonita” casts Ibiza as an “over-the-top metaphor for the...
- 10/18/2022
- by John Hopewell
- Variety Film + TV
“La Mesías,” from “Veneno” creators Javier Ambrossi and Javier Calvo, drinks deep from Catholic tradition from its very title — literally, “The Female Messiah” — to iconography and focus on faith.
Another awaited Movistar+ series, “The Left-Handed Son,” created by “The Plague” screenwriter Rafael Cobos, was presented to the press in July against a spectacular backdrop taking in, just across a waterway, Seville’s iconic Torre de Oro and, a little further away, the Giralda bell tower of Seville’s Cathedral.
In line with platform production trends the world over, rather than playing down local elements, Movistar+ is playing them up. For the Telefonica SVOD/pay TV player in Spain, this has been a longterm philosophy, reaching back to its earliest series in 2017.
No big European SVOD player has insisted as much as Movistar+ on capturing the hot button issues, history, culture (“Spanish Shame”), traumas (“The Invisible Line”) and landscapes (“Félix”) of its local market.
Another awaited Movistar+ series, “The Left-Handed Son,” created by “The Plague” screenwriter Rafael Cobos, was presented to the press in July against a spectacular backdrop taking in, just across a waterway, Seville’s iconic Torre de Oro and, a little further away, the Giralda bell tower of Seville’s Cathedral.
In line with platform production trends the world over, rather than playing down local elements, Movistar+ is playing them up. For the Telefonica SVOD/pay TV player in Spain, this has been a longterm philosophy, reaching back to its earliest series in 2017.
No big European SVOD player has insisted as much as Movistar+ on capturing the hot button issues, history, culture (“Spanish Shame”), traumas (“The Invisible Line”) and landscapes (“Félix”) of its local market.
- 10/14/2022
- by John Hopewell
- Variety Film + TV
In what is expected to be a surefire hit, Buendia Estudios revealed an upcoming TV series adaptation of Antonio Gala’s erotic novel, “La Pasion Turca.” The popular novel was last adapted into a hit feature film in 1994 with the late Vicente Aranda directing and Andres Vicente Gomez of Lolafilms producing. It starred singer-actress Ana Belen in what is considered her most successful film.
Buendia Estudios’ director general Ignacio Corrales and editorial director Sonia Martínez jointly announced the new project at the 2nd edition of the Iberseries & Platino Industria television event in Madrid.
The new six-episode series set to air on Spanish free-to-air channel Antena 3 and streamer AtresPlayer Premium will start shooting by the end of October in Turkey for seven weeks before moving to Madrid. The cast will be made up of Spanish, Turkish and Italian talent.
Story revolves around Olivia, a Spanish Fine Arts teacher who wakes...
Buendia Estudios’ director general Ignacio Corrales and editorial director Sonia Martínez jointly announced the new project at the 2nd edition of the Iberseries & Platino Industria television event in Madrid.
The new six-episode series set to air on Spanish free-to-air channel Antena 3 and streamer AtresPlayer Premium will start shooting by the end of October in Turkey for seven weeks before moving to Madrid. The cast will be made up of Spanish, Turkish and Italian talent.
Story revolves around Olivia, a Spanish Fine Arts teacher who wakes...
- 9/28/2022
- by Anna Marie de la Fuente
- Variety Film + TV
Top Spanish arthouse distributor-producer Avalon had boarded “La niña de la cabra” (“Goat Girl”), the sophomore film by actor-director Ana Asensio whose “Most Beautiful Island” feature snagged the SXSW Grand Jury Award in 2017.
The project, which has just earned support from Spain’s Icaa film institute, is set up at Aquí y Allí Films and co-produced with Romania’s Avantpost Media. Pedro Hernández’s Aquí y Allí Films is the producer behind Antonio Méndez Esparza’s festival hits “Here and There,” a Cannes Critics’ Week winner, and “Life and Nothing More.”
An allegorical drama set in the suburbs of Madrid in the late ’80s, “Goat Girl” is scheduled to roll in 2023 and has been acquired for international sales by Paris-based Alpha Violet.
Both Avalon and Aquí y Allí share a close relationship since they teamed on Carlos Vermut’s “Magical Girl,” which scooped San Sebastian’s Golden Shell in 2016, distribution...
The project, which has just earned support from Spain’s Icaa film institute, is set up at Aquí y Allí Films and co-produced with Romania’s Avantpost Media. Pedro Hernández’s Aquí y Allí Films is the producer behind Antonio Méndez Esparza’s festival hits “Here and There,” a Cannes Critics’ Week winner, and “Life and Nothing More.”
An allegorical drama set in the suburbs of Madrid in the late ’80s, “Goat Girl” is scheduled to roll in 2023 and has been acquired for international sales by Paris-based Alpha Violet.
Both Avalon and Aquí y Allí share a close relationship since they teamed on Carlos Vermut’s “Magical Girl,” which scooped San Sebastian’s Golden Shell in 2016, distribution...
- 9/26/2022
- by Emiliano De Pablos
- Variety Film + TV
Atresplayer Premium, the burgeoning Ott service behind HBO Max hit “Veneno,” has renewed “The Gypsy Bride” (“La novia gitana”), whose Season 1, from “Penny Dreadful” director Paco Cabezas, world premieres at the San Sebastian Film Festival.
Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by Vis with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.
Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, is called in to investigate the torture and assassination of a young woman just before her wedding.
Channelling echoes of a Lorca tragedy, the series, shot with large visual ambition by Cabezas – mixing bold panoramics and hand-held camerawork...
Atresmedia Television will produce with Banijay Iberia’s Diagonal TV, producer of Netflix hit “Heirs to the Land.”Produced by Vis with the participation of Atresmedia Television and the collaboration of the Diagonal TV, the first season of “The Gypsy Bride” will bow on Atresplayer Premium on Sept. 25.
Directed in its totality by Cabezas, whose credits also include “American Gods,” Season 1 is set in a gypsy community on Madrid’s humble outskirts as homicide inspector Elena Blanco, is called in to investigate the torture and assassination of a young woman just before her wedding.
Channelling echoes of a Lorca tragedy, the series, shot with large visual ambition by Cabezas – mixing bold panoramics and hand-held camerawork...
- 9/15/2022
- by John Hopewell
- Variety Film + TV
Beta Film has partnered with Morena Films and Disney + Spain, picking up international distribution rights to the young-adult mystery drama “The Invisible Girl,” based on the best-selling book trilogy of the same name by Blue Jeans, a leading figure in YA literature.
The eight-hour series is being shot in Carmona, Southern Spain, and in various locations across the province of Seville, among them El Viso del Alcor and Gerena.
The thriller series, produced by Morena Films, stars Daniel Grao and Zoe Stein, playing father and daughter involved in the investigation of a murder of a teenage girl in the picturesque fictional town of Cárdena, set in Andalusia. The two are forced to put their differences aside in order to solve the murder case rocking a supposedly peaceful town, where all inhabitants are suspects.
“The Invisible Girl” is directed by Tito López Amado and Aritz Moreno (“Advantages of Travelling by Train...
The eight-hour series is being shot in Carmona, Southern Spain, and in various locations across the province of Seville, among them El Viso del Alcor and Gerena.
The thriller series, produced by Morena Films, stars Daniel Grao and Zoe Stein, playing father and daughter involved in the investigation of a murder of a teenage girl in the picturesque fictional town of Cárdena, set in Andalusia. The two are forced to put their differences aside in order to solve the murder case rocking a supposedly peaceful town, where all inhabitants are suspects.
“The Invisible Girl” is directed by Tito López Amado and Aritz Moreno (“Advantages of Travelling by Train...
- 7/1/2022
- by Leo Barraclough
- Variety Film + TV
Queer representation on the small screen has certainly come a long way over the past two decades, not only in terms of quality but also quantity. Back when I was a baby queer in the early 2000s, “The L Word” was pretty much all I had to see parts of my experience on TV, save for the rare gay subplots of popular teen shows — never forget Marissa’s brief but extremely hot dalliance with Olivia Wilde on “The O.C.” The stereotyped gays of “Sex and the City” and “Will and Grace” were replaced over the years by more fleshed out and nuanced queer characters across the LGBTQ+ spectrum, and, finally, we’ve seen some actually well-written trans characters played by trans performers. Its mostly been in the latter half of the 2010s and early 2020s that we’ve really seen a rise in more dynamic and diverse LGBTQ+ storytelling, with...
- 6/16/2022
- by Oliver Whitney
- Indiewire
Universal International Studios has struck a first-look deal with “Call My Agent!” and “Parallèles” writer Quoc Dang Tran as it continues a charm offensive directed at international creators.
Uis has inked a first-look deal with the French-Vietnamese writer and showrunner who will develop and produce English and French-language television projects with the studio for the global market. French-language series will be co-produced with the “Marianne” writer’s recently formed label, Daïmôn Films.
“He really leads from themes that speak to his heart versus responding to the industry, so we’re excited to do business with a creator who listens to their gut instead of just what the network is mandating,” Beatrice Springborn, president of Universal International Studios, tells Variety ahead of a keynote at French TV festival Series Mania.
“That has helped him stand out as someone with a real point of view, [who] is a real visionary.”
Dang Tran added:...
Uis has inked a first-look deal with the French-Vietnamese writer and showrunner who will develop and produce English and French-language television projects with the studio for the global market. French-language series will be co-produced with the “Marianne” writer’s recently formed label, Daïmôn Films.
“He really leads from themes that speak to his heart versus responding to the industry, so we’re excited to do business with a creator who listens to their gut instead of just what the network is mandating,” Beatrice Springborn, president of Universal International Studios, tells Variety ahead of a keynote at French TV festival Series Mania.
“That has helped him stand out as someone with a real point of view, [who] is a real visionary.”
Dang Tran added:...
- 3/22/2022
- by Manori Ravindran
- Variety Film + TV
Universal International Studios has struck a deal with one of the hottest players in Spanish-language programming, Buendía Estudios.
Under the deal, the company, whose recent credits include the hit dramas “Cardo” and “Veneno,” will co-develop and co-produce Spanish-language series with Universal International Studios, a division of Universal Studio Group. Formed in 2020, Buendía Estudios is a joint venture between Atresmedia and Telefónica’s Movistar Plus, and incorporates the in-house player formerly known as Atresmedia Studios.
The company, which is led by CEO Ignacio Corrales, told Variety earlier this year that, in addition to producing for Spain and Latin America, it’s looking to develop projects from the region that are global-facing, in the vein of international Spanish-language triumphs like “Money Heist” and “Velvet.” A slate of around 40 projects across various genres and formats is currently in the works.
The Universal International Studios pact will see the two studios partner on a slate of original programming,...
Under the deal, the company, whose recent credits include the hit dramas “Cardo” and “Veneno,” will co-develop and co-produce Spanish-language series with Universal International Studios, a division of Universal Studio Group. Formed in 2020, Buendía Estudios is a joint venture between Atresmedia and Telefónica’s Movistar Plus, and incorporates the in-house player formerly known as Atresmedia Studios.
The company, which is led by CEO Ignacio Corrales, told Variety earlier this year that, in addition to producing for Spain and Latin America, it’s looking to develop projects from the region that are global-facing, in the vein of international Spanish-language triumphs like “Money Heist” and “Velvet.” A slate of around 40 projects across various genres and formats is currently in the works.
The Universal International Studios pact will see the two studios partner on a slate of original programming,...
- 3/17/2022
- by Manori Ravindran
- Variety Film + TV
Spain’s trendiest twosome, Claudia Costafreda and Ana Rujas, are co-creators of “Cardo,” the series on everyone’s lips since launching last fall on Atresplayer, the Ott platform run by Spanish media conglom Atresmedia, last fall and one of Variety’s best international TV shows of 2021.
Rujas stars in the furious tirade against external, bogus beauty standards and Costafreda directs with Lluís Sellarès also heading two episodes. “Cardo” is co-produced by Atresmedia’s production arm Buendía Estudios and Suma Content (formerly Suma Latina), the outfit setup by iconic multi-hyphenate partners Los Javis (“Veneno”), selected by Variety as talents to track, as was Costafreda.
“Cardo” offers a raw, deeply disinhibited portrait of almost 30-year-old María, a character who rebels against her own attractiveness, as the actress herself – formerly a model– did on stage in the acclaimed production “The Ugliest Women in the World,” written by Rujas and Bárbara Mestanza. María, distraught and confused,...
Rujas stars in the furious tirade against external, bogus beauty standards and Costafreda directs with Lluís Sellarès also heading two episodes. “Cardo” is co-produced by Atresmedia’s production arm Buendía Estudios and Suma Content (formerly Suma Latina), the outfit setup by iconic multi-hyphenate partners Los Javis (“Veneno”), selected by Variety as talents to track, as was Costafreda.
“Cardo” offers a raw, deeply disinhibited portrait of almost 30-year-old María, a character who rebels against her own attractiveness, as the actress herself – formerly a model– did on stage in the acclaimed production “The Ugliest Women in the World,” written by Rujas and Bárbara Mestanza. María, distraught and confused,...
- 2/16/2022
- by Emilio Mayorga
- Variety Film + TV
As other European TV giants such as the Rtl Group, Spain’s Atresmedia, owner of the Ott service Atresplayer Premium, is finding the sweet spot between auteur and broad audience shows.
Launched two years ago, Atresplayer Premium boasts fast growth in terms of subscriptions – reaching 400,000 users in Spain alone – and content production volume, readying some 20 new TV projects for this year.
Promoting original voices, the platform is winning international visibility. Iconic original series “Veneno,” created by Javier Calvo and Javier Ambrossi, “Los Javis,” successfully launched on HBO Max in the U.S. and Latin America, with a strong impact on the international media, which contributed to strengthening the Atresplayer brand.
Now, “Cardo,” from creators and writers Claudia Costafreda and Ana Rujas, executive produced by Los Javis after becoming one of the hottest indie series of last year for TV critics and audiences, is close to an important international distribution deal.
Launched two years ago, Atresplayer Premium boasts fast growth in terms of subscriptions – reaching 400,000 users in Spain alone – and content production volume, readying some 20 new TV projects for this year.
Promoting original voices, the platform is winning international visibility. Iconic original series “Veneno,” created by Javier Calvo and Javier Ambrossi, “Los Javis,” successfully launched on HBO Max in the U.S. and Latin America, with a strong impact on the international media, which contributed to strengthening the Atresplayer brand.
Now, “Cardo,” from creators and writers Claudia Costafreda and Ana Rujas, executive produced by Los Javis after becoming one of the hottest indie series of last year for TV critics and audiences, is close to an important international distribution deal.
- 2/15/2022
- by Emiliano De Pablos and John Hopewell
- Variety Film + TV
Spanish media giant Atresmedia is joining forces with Portocabo, the production outfit behind Movistar Plus hit series “Hierro,” for a remake of Showtime drama “Your Honor,” starring Bryan Cranston.
The Spanish redo is currently at the script stage and initiating casting.
With an undisclosed number of episodes, the project production is scheduled to kick off this year.
The TV series release date is still unknown. But it would be logical for it to launch on platform Atresplayer Premium before airing on Atresmedia’s free-to-air channel Antena 3 primetime, a windowing strategy usually followed by the group with its new fiction releases since Atresplayer Premium bowed in 2019.
“Your Honor” is based on the Israeli TV drama “Kvodo,” created by Ron Ninio and Shlomo Mashiach, and aired first on Israel’s paybox Yes TV.
The U.S. version was developed by Peter Moffat for Showtime and stars “Breaking Bad’s” Bryan Cranston,...
The Spanish redo is currently at the script stage and initiating casting.
With an undisclosed number of episodes, the project production is scheduled to kick off this year.
The TV series release date is still unknown. But it would be logical for it to launch on platform Atresplayer Premium before airing on Atresmedia’s free-to-air channel Antena 3 primetime, a windowing strategy usually followed by the group with its new fiction releases since Atresplayer Premium bowed in 2019.
“Your Honor” is based on the Israeli TV drama “Kvodo,” created by Ron Ninio and Shlomo Mashiach, and aired first on Israel’s paybox Yes TV.
The U.S. version was developed by Peter Moffat for Showtime and stars “Breaking Bad’s” Bryan Cranston,...
- 2/14/2022
- by Emiliano De Pablos
- Variety Film + TV
Isabel Torres, the Spanish transgender actress who played LGBT icon Cristina Ortiz “La Veneno” Rodríguez in the 2020 HBO Max miniseries “Veneno,” died Friday after battling lung cancer.
“Today, February 11, 2022, we say goodbye to Isabel,” her family wrote in Spanish on her Instagram account. “Although her family and friends deeply feel her loss, we know that wherever she goes she will have fun as only she knows how. Thank you for all the messages of affection and concern. She has left feeling very loved and embraced.”
The actress, whose Spanish films include “Fotos,” and “Camino a la locura,” played the oldest version of “La Veneno'”in the HBO series, with younger versions played by Daniela Santiago and Marcos Sotkovszki.
“I think in it there was a lot of me, and in her there was a lot of all of us,” Torres told The Advocate in January 2021 of portraying the trailblazing transgender star.
“Today, February 11, 2022, we say goodbye to Isabel,” her family wrote in Spanish on her Instagram account. “Although her family and friends deeply feel her loss, we know that wherever she goes she will have fun as only she knows how. Thank you for all the messages of affection and concern. She has left feeling very loved and embraced.”
The actress, whose Spanish films include “Fotos,” and “Camino a la locura,” played the oldest version of “La Veneno'”in the HBO series, with younger versions played by Daniela Santiago and Marcos Sotkovszki.
“I think in it there was a lot of me, and in her there was a lot of all of us,” Torres told The Advocate in January 2021 of portraying the trailblazing transgender star.
- 2/12/2022
- by Sharon Knolle
- The Wrap
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