4 luni, 3 saptamâni si 2 zile (2007)

Director:

Cristian Mungiu

Writer:

Cristian Mungiu (writer)

Release Date:

24 August 2007 (Italy)

Genre:

Drama

Plot:

Drama about a woman who assists her friend to arrange an illegal abortion in 1980's Romania. |

Plot Keywords:

Abortion | Pregnancy | Bleakness | Exam | Dormitory

Awards:

Nominated for Golden Globe. Another 17 wins & 12 nominations

Cast

Anamaria Marinca	...	Otilia
Laura Vasiliu	...	Gabriela 'Gabita' Dragut
Vlad Ivanov	...	Viarel aka Domnu' Bebe
Alexandru Potocean	...	Adi Radu
Ion Sapdaru	...	Dr. Rusu
Teodor Corban	...	Unireal Hotel receptionist (as Teo Corban)
Tania Popa	...	Night receptionist
Cerasela Iosifescu
Doru Ana	...	Benzanirul
Eugenia Bosânceanu	...	Domnu' Bebe's mother
Marioara Sterian	...	Adela Racoviceanu (as Maricara Sterian)
rest of cast listed alphabetically:
Monica Alexandrescu	...	Female soldier
Mihaela Alexandru	...	Daniela
Costica Babu	...	Tatal Gabitei
Constantin Bojog	...	Martu
Cristina Burbuz	...	Marie-Jeanne Rusu
Georgeta Paduraru Burdujan	...	Mrs. Aldea
Adi Carauleanu	...	Dr. Radu - Adi's father
Cristian Ciuzan	...	Medicinistul
Alexandru Conovaru	...	Barbatal din statie
Emil Coseru	...	Dr. Racoviceanu
Geo Dobre	...	Dr. Aldea
Hazim E'Layan	...	Ahmed
Robert Emmanuel	...	Militian
Luminita Gheorghiu	...	Gina Radu - Adi's mother
Madalina Ghitescu	...	Dora - Colega de camin
Ion Grosu	...	Portar
Catalina Harabagiu	...	Mihaela
Daniel Cristian Iancu	...	Militian (as Daniel Iancu)
Cristina Iosif	...	Medicinista
Liliana Mocanu	...	Receptionara Unirea
Traian Tudorica State	...	Chelnerul
Simona Stoicescu	...	Female soldier
Sanziana Tarta	...	Carmen

Directed by
Cristian Mungiu

Writing credits (in alphabetical order)
Cristian Mungiu		writer

Produced by
Daniel Burlac	....	delegate producer (as Dan Burlac)
Cristian Mungiu	....	producer
Oleg Mutu	....	producer
Alex Teodorescu	....	co-producer

Cinematography by
Oleg Mutu

Film Editing by
Dana Bunescu

Casting by
Catalin Dordea

Production Design by
Mihaela Poenaru

Costume Design by
Dana Istrate

Makeup Department
Ioana Angelescu	....	makeup artist
Lidia Ivanov	....	hair stylist

Production Management
Dana Boghean-Melconian	....	assistant production manager
Florentina Onea	....	line production manager
Dragos Popa	....	assistant production manager
Alina Tapardel	....	unit production manager

Second Unit Director or Assistant Director
Radu Barbulescu	....	first assistant director

Sound Department
Dana Bunescu	....	sound editor
Cristian Coroiu	....	boom operator
Constantin Fleancu	....	sound editor (as Titi Fleancu)
Constantin Fleancu	....	sound recordist (as Titi Fleancu)
Constantin Fleancu	....	sound
Christinel Sirli	....	sound mixer
Cristian Tarnovetchi	....	sound recordist

Special Effects by
Ionel Popa	....	special effects artist
Ionel Popa	....	special effects makeup

Camera and Electrical Department
Pompiliu Avram	....	first assistant camera
Mihai Postasu	....	grip
Cristian Toader	....	key grip

Editorial Department
Maria Murgu	....	digital intermediate artist
Maria Murgu	....	digital intermediate colorist

Transportation Department
Ion Stefan	....	electrical truck driver

Other crew
Alexandru Belc	....	script supervisor
Avra Iordache	....	accountant
Razvan Radulescu	....	script consultant

Production Companies

• Mobra Films
• Saga Film (I) (co-producer)
• Anonimal Foundation, The (participation)
• Centre National de la Cinématographie (CNC) (support)
• Hubert Bals Fund of the Rotterdam Festival, The (support)
• McCann-Erickson (participation)
• Mindshare Media (support)
• Romanian National Center for Cinematography (support)
• Romanian Television (participation)

Distributors

• Angel Films (2007-) (Denmark) (all media)
• Art Metropole (2008) (Canada) (theatrical)
• Artificial Eye (2007) (UK) (theatrical)
• Baba Films (2007) (India) (theatrical)
• Bac Films (2008) (France) (theatrical)
• Cinema Mondo (2007) (Finland) (theatrical)
• Comstock (2008) (Japan) (theatrical)
• Concorde Filmverleih (2007) (Germany) (theatrical)
• Eureka (2007) (South Korea) (theatrical)
• First Distributors (2007) (Hong Kong) (theatrical)
• Golem Distribución (2007) (Spain) (theatrical)
• Gutek Film (2007) (Poland) (all media)
• IFC Films (2007) (USA) (theatrical)
• IFC First Take (2007) (USA) (theatrical) (subtitled)
• Imagine Films Distribution (2007) (Netherlands) (theatrical)
• Koji (2007) (Australia) (theatrical)
• Lucky Red (2007) (Italy) (theatrical)
• Lumière (2008) (Brazil) (theatrical)
• Mars Production (2008) (Turkey) (theatrical)
• Mindshare Media (2007) (Romania) (theatrical)
• NonStop Entertainment (2007) (Sweden) (theatrical)
• Pachamama Cine (2007) (Argentina) (theatrical)
• Sandrews (2008) (Sweden) (DVD)
• Seasonal (2008) (China) (theatrical)
• Swallow Wings (2007) (Taiwan) (theatrical)

Other Companies

• Abis Studio  post-production facilities
• Dolby Laboratories  sound mix
• Kodak  film stock
• Wild Bunch  worldwide sales

Also Known As:

4 Months, 3 Weeks & 2 Days (International: English title)
4 Months, 3 Weeks and 2 Days (USA)

Runtime:

113 min

Country:

Romania

Language:

Romanian

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

New Zealand:R16 | Finland:K-15 | Australia:MA | Portugal:M/16 | UK:15 | Germany:16 | Japan:PG-12 | Argentina:18 | France:U (with warning) | South Korea:18 | Hong Kong:IIB | Sweden:11 | Taiwan:R-12 | Israel:18 | Brazil:14

Filming Locations:

Bucharest, Romania

Company:

Mobra Films

Trivia:

Filmed in the fall of 2005.

Goofs:

Anachronisms: When Bebe takes Otilia on the detour to his neighborhood you can see a few Dacia cars with rear and front bumpers. These were only introduced in 1994. The mirror model mounted on Bebe's car is also built after 1990.

Movie Connections:

References "The Thorn Birds" (1983)

the end of the transition for Romanian cinema

Cristian Mungiu's film is the most successful in what is called the Romanian Cinama New Wave, although it's not the very best in my opinion. I liked more 'The Death of Dante Lazarescu', and even 'California Dreamin' (Nesfarsit') had better chances from start. And yet '4-3-2' succeeded better than other because it vibrates different chords in the viewers souls and on different planes. Women will resonate with the story of the imposed tragedy at a personal and national level resulted from the anti-abortion policies in Communist Romania, and one cannot say it's only a pro-choice movie, it's a real indictment. If one is interested in recent European history he may see the results of what communist propaganda named the Golden Age, an apocalyptic landscape of cold, dark and loneliness. If you are Romanian and lived these times you may feel you returned in time and the end of the movie may seem the awakening from a recurring nightmare.

And if you are a fan of good cinema you will admire the virtuosity of a director who learned perfectly the lessons of Jim Jarmusch and DOGMA and transfered them in the East European space. You need the hand of a master to create those those long shots in which every detail is in place, camera, actors, lights and voices. I see from time to time older Romanian movies where I observe not that much the lack of technical means in the 70s or 80s, but more the lack of capacity of the directors to compensate this disadvantages with simplicity of concept and turn them into quality as other directors from less privileged schools of cinema have done. Well, the last films of directors like Mungiu or the late Nemescu I could see a jump ahead in quality of expression that takes many generations for other film schools.

There are many memorable scenes in this film. One of them describes a family dinner, where the principal character, a student from a lesser means family arrives invited by her boyfriend. It's his mother's birthday, and they have as guests two couples of friends from the local mid-upper class. The scene is a nine minute shot with fixed camera, focusing on four characters sited at the head of the table, with a few others voices being heard from out of the screen space. She is in the middle, and obliged to listen and participate, but she wants to be some other place, near her friend who just underwent an illegal abortion. Every minute may be fatal for the life of her friend. The dialog is not meaningless, it is a short novella on its own about the art of compromise necessary for survival in a dictatorship. And yet, she is there and is not there - all looks like a Da Vinci painting, with Jesus sited among the apostles, but already in a different spiritual reality. Magnificent to follow as its character has its own life, its like a concatenation of first plans one near the other.

In another memorable scene Otilia runs in the night to get rid of the aborted child. It's one of these long and cold nights into which Romania was plunged at these times because of electricity savings. She runs on the streets scared, scared not that much by the shades of the night but by the proof of the 'crime' she is carrying and which can incriminate her for many years of jail if she is caught. Best horror scene of the year in my view.

Anamaria Marinca is superb in the role of Otilia. No mannerism, no melodrama, no make-up - the actress is just living the character of a girl ready to sacrifice everything to help her naive and maybe a little dumb friend. It is by this humanity of the simple people that dictatorship can be survived at the human level the film seems to say.

'4-3-2' is a candidate for the best foreign film at the Oscars, but I am afraid it will not get the prize. The film starts slowly and needs patience to get the sense, and many jurors may not get over the first third. The interest for East-European cinema is decreasing, it's not such a new thing any longer, and Romanian cinema is little known out of Europe. Anyway, Oscar or not, this film is simply good, and it demonstrates that the Romanian cinema passed the period of transition and it's time for maturity. It's now even harder, as Romanian directors will need to find the inspiration to make films that do not look that much into the past but still can catch the interest of the local and international audiences. It will be interesting to follow.