Un conte de Noël (2008)

User Rating:

7.3/10   

Director:

Arnaud Desplechin

Writers:

Arnaud Desplechin (scenario and dialogue) &
Emmanuel Bourdieu (scenario and dialogue)

Release Date:

21 May 2008 (France)

Genre:

Comedy | Drama

Plot:

The Vuillard's shared history of physical and mental illness, estrangement, self harm, and loss doesn't lead itself to the idea of a cheerful holiday season. But can a Christmastime reunion, a scheme concocted by three of the youngest family members, finally bring peace their clan? |

Plot Keywords:

Schizophrenia | France | Family Relationships | Alcoholic | Bone Marrow Transplant

Awards:

2 wins & 14 nominations

Cast

Catherine Deneuve	...	Junon
Jean-Paul Roussillon	...	Abel, Junon's husband
Anne Consigny	...	Elizabeth, their oldest child
Mathieu Amalric	...	Henri, their middle child
Melvil Poupaud	...	Ivan, their youngest child
Hippolyte Girardot	...	Claude, Elizabeth's husband
Emmanuelle Devos	...	Faunia, Henri's lover
Chiara Mastroianni	...	Sylvia, Ivan's wife
Laurent Capelluto	...	Simon, Junon's nephew, the painter cousin
Emile Berling	...	Paull, Elizabeth and Claude's son
Thomas Obled	...	Basile, Ivan and Sylvia's son
Clément Obled	...	Baptiste, Ivan and Sylvia's son
Françoise Bertin	...	Rosaimée, Abel's mother's girlfriend
Samir Guesmi	...	Spatafora, the family friend at Roubaix
Azize Kabouche	...	Doctor Zraïdi, the oncologist

Also Known As:

A Christmas Tale (International: English title) (UK) (USA)

Runtime:

France:150 min | USA:150 min | Argentina:150 min

Country:

France

Language:

French

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital

Certification:

USA:Not Rated | USA:Unrated | UK:15 | Sweden:7 | Netherlands:12 | Portugal:M/12 | Argentina:16

Filming Locations:

Roubaix, Nord, France

Company:

Why Not Productions

Goofs:

Continuity: When Faunia introduces herself to Abel in the foyer, she takes off her glasses and shakes his hand. In the very next shot, as Abel is greeting Henri, she removes her glasses again.

Movie Connections:

Features The Ten Commandments (1956)

a big book of a film, with some invention and strong acting, that is too long

I got to hand it to the filmmaker, Arnaud Desplechin, at least on one significant point: A Christmas Tale is like a big book faithfully adapted to the screen, only in this case non-existent, and it has that wonderful if imperfect feeling of surrounding oneself with the world and atmosphere and attitudes of a family where the dysfunction runs deep and clear, emphasizing Tolstoy's classic "no one unhappy family is the same" credo. His film is also sometimes a big melodrama, folded around a cancer story not unlike a more serious (yet sometimes lighter version of) The Royal Tenenbaums, and centered so firmly around the family during that crazy but loving-despite-everything time of Christmas you'd swear Desplechin watched the first hour of Fanny & Alexander too many times to count.

At the same time A Christmas Tale in very much a French film, is attitude and approach to narrative and occasionally nearing that dreaded P-word (pretentious) in being 2 1/2 hours of incidents and confrontations and little details and twists. A lot happens with the Vuillard family over a few days, but in it uncovers a whole can of worms involving a banished son (Mathieu Amalric, who thankfully is maybe the centerpiece of the ensemble in terms of being the black sheep like Anne Hathaway in Rachel Getting Married), a depressed daughter (Anne Consigny who, despite being effective in a one-note performance, is also so shrill and cold as a character it's hard to feel anything for her, at all, despite her plight of losing her older brother as a child), and a cousin who has loved his cousin's wife ever since he got him, Ivan, the youngest Vuillard brother, to hook up with her so many years ago. Meanwhile, the mother (Catherine Deneuve, who may not exactly be a great actress but is the greatest living female French star which carries a lot of weight as a true beauty), has cancer, possibly terminal, unless a donor comes forward.

So there's a lot here to work with - maybe, perhaps, arguably too much, though it's almost a credit to the director that I can't say exactly what (little things, for example, like the Christmas Eve sex scene are deliberately paced but for good reason), and he laces everything with a curious jazz score throughout, sometimes to great effect and sometimes not. But, at the least, it's wonderful to see so many good actors in one place, particularly Amalric who is quickly becoming a truly fantastic talent with a lot of range in the work I've seen him in- one day he's a subdued intelligence man in Munich, next he's paralyzed except for one eye-blinking in Diving Bell, and even a 007 villain- and here goes further in a scene stealing performance (one such scene is his toast at the Christmas dinner, a scene actually shocking and hilarious and sad all in a thirty-second split).

He and Deneuve and the underrated Jean-Paul Roussillon as the husband of Junon almost make me want to rate the movie higher. But alas, it is what it is: a very strong take on a familiar subject - crazy and light and dark and tragic and unnerving times with a family at Christmas - and standing it on its head, while also the things I mention above. Did I mention it's French? 7.5/10