| Photos (See all 14 | slideshow) | Videos (see all 8) |
| Stuart Graham | ... | Raymond Lohan | |
| Laine Megaw | ... | Raymond's Wife | |
| Brian Milligan | ... | Davey Gillen | |
| Liam McMahon | ... | Gerry Campbell | |
| Karen Hassan | ... | Gerry's Girlfriend | |
| Michael Fassbender | ... | Bobby Sands | |
| Frank McCusker | ... | The Governor | |
| Lalor Roddy | ... | William | |
| Helen Madden | ... | Mrs. Sands | |
| Des McAleer | ... | Mr. Sands | |
| Geoff Gatt | ... | Bearded Man | |
| Rory Mullen | ... | Priest | |
| Ben Peel | ... | Riot Prison Offficer Stephen Graves | |
| Helena Bereen | ... | Raymond's Mother | |
| Paddy Jenkins | ... | Hitman | |
| Liam Cunningham | ... | Father Dominic Moran | |
| Billy Clarke | ... | Chief Medical Officer | |
| Ciaran Flynn | ... | Twelve Year Old Bobby | |
| B.J. Hogg | ... | Loyalist Orderly | |
| rest of cast listed alphabetically: | |||
| Larry Cowan | ... | Prison Guard (uncredited) | |
| Denis Halligan | ... | Naked Prisoner (uncredited) | |
| Thomas James Scott | ... | Riot Officer (uncredited) | |
Directed by | |||
| Steve McQueen | |||
Writing credits | ||
| Enda Walsh | (written by) and | |
| Steve McQueen | (written by) | |
Original Music by | |||
| Leo Abrahams | |||
| David Holmes | |||
Cinematography by | |||
| Sean Bobbitt | (director of photography) | ||
Film Editing by | |||
| Joe Walker | |||
Casting by | |||
| Gary Davy | |||
Production Design by | |||
| Tom McCullagh | |||
Art Direction by | |||
| Brendan Rankin | |||
Costume Design by | |||
| Anushia Nieradzik | |||
Makeup Department | |||
| Jacqueline Fowler | .... | chief hair designer | |
| Jacqueline Fowler | .... | chief makeup designer | |
| Cheryl Hill | .... | hair stylist | |
| Cheryl Hill | .... | makeup artist | |
| Judith Laverty | .... | hair stylist | |
| Judith Laverty | .... | makeup artist | |
| Maria Moore | .... | hair stylist | |
| Maria Moore | .... | makeup artist | |
| Alison Rainey | .... | hair stylist | |
| Alison Rainey | .... | makeup artist | |
| Robyn Wheeler | .... | hair stylist (as Robin Wheeler) | |
| Robyn Wheeler | .... | makeup artist (as Robin Wheeler) | |
| Sian Wilson | .... | hair stylist | |
| Sian Wilson | .... | makeup artist | |
| Stuart Conran | .... | prosthetic technician (uncredited) | |
| Dan Frye | .... | prosthetics technician (uncredited) | |
| Vesna Giordano | .... | silicone prosthetics technician (uncredited) | |
| Lisa Hill | .... | makeup daily (uncredited) | |
| Paul Hyett | .... | special makeup effects artist (uncredited) | |
Production Management | |||
| Alistair Hopkins | .... | post-production supervisor | |
| Cathy Mooney | .... | production supervisor | |
Second Unit Director or Assistant Director | |||
| Michele Burn | .... | assistant director runner | |
| Mark Fenn | .... | first assistant director | |
| Matthew Hanson | .... | second assistant director (as Matt Hanson) | |
| Adam Philpott | .... | third assistant director | |
Art Department | |||
| Antony Buonomo | .... | graphic artist | |
| Diarmid Carr | .... | dressing props | |
| David Carson | .... | dressing props | |
| Paul Cooke | .... | plasterer | |
| Cole Doherty | .... | construction manager | |
| Hugh Gault | .... | carpenter | |
| Neville Gaynor | .... | scenic artist | |
| Heather Greenlees | .... | assistant art director | |
| Tommy Hilland | .... | painter | |
| Colin Holmes | .... | dressing props | |
| Rebecca Luckley | .... | art department runner | |
| Daniel Lyons | .... | standby painter (as Danny Lyons) | |
| Frank Matthews | .... | plasterer | |
| Anto McCabe | .... | plasterer | |
| Thomas McCann | .... | plasterer | |
| Stuart McConnaughie | .... | carpenter | |
| Dan McCoy | .... | painter | |
| Pat McKane | .... | standby props | |
| Kieron Mcnamara | .... | standby props | |
| Alan Nixon | .... | standby carpenter | |
| Jim Reid | .... | construction manager | |
| Patsy Smith | .... | plasterer | |
| Sarah Speers | .... | props buyer | |
| Steve Wheeler | .... | property master | |
| Neil McNally | .... | props (uncredited) | |
Sound Department | |||
| Danny Crowley | .... | sound maintenance engineer | |
| Richard Davey | .... | sound re-recording mixer | |
| Paul Davies | .... | sound designer | |
| Ronan Hill | .... | sound mixer | |
| Michael McKnight | .... | sound trainee | |
| Mervyn Moore | .... | sound mixer | |
| Laurence O'Keefe | .... | sound maintenance engineer | |
| Adam Ridge | .... | sound maintenance engineer | |
| Peter Shaw | .... | assistant sound editor | |
| Chu Li Shewring | .... | additional sound effects editor (as ChuLi Shewring) | |
| Chris Treble | .... | assistant sound re-recording mixer | |
| Antonia Bates | .... | additional adr editor (uncredited) | |
| Rachel Carberry | .... | assistant adr recordist (uncredited) | |
| Tom Deane | .... | adr mixer (uncredited) | |
| Steve Haynes | .... | adr recordist (uncredited) | |
| Lionel Strutt | .... | adr coordinator (uncredited) | |
Special Effects by | |||
| Scott Peters | .... | special effects technician (uncredited) | |
| Bob Smoke | .... | visual effects supervisor: Bob Smoke Special Effects (uncredited) | |
Visual Effects by | |||
| James Ballard | .... | production executive: Dragon DI | |
| Valentina Catena | .... | digital grading assistant: Dragon DI | |
| Michele De Benedetti | .... | film scanning and clean-up: Dragon DI | |
| Myfanwy Harris | .... | visual effects artist: Dragon DI | |
| Paul J. Wright | .... | film scanning and recording manager: Dragon DI | |
Stunts | |||
| Andy Bennett | .... | stunt artist | |
| Jamie Edgell | .... | stunt artist | |
| Paul Herbert | .... | stunt coordinator | |
| Mark Mottram | .... | stunt artist | |
| James O'Donnell | .... | stunt artist (as James O'Dee) | |
Camera and Electrical Department | |||
| Natasha Back | .... | second assistant camera | |
| Brian Beaumont | .... | gaffer | |
| Louise Ben-Nathan | .... | camera loader (as Louise Ben Nathan) | |
| Steve Casey | .... | generator operator | |
| Rob Collins | .... | electrician | |
| Ian Glenister | .... | rigging gaffer | |
| Conor Hammond | .... | focus puller | |
| Steffan Hill | .... | still photographer | |
| Gary Hutchinson | .... | standby rigger | |
| Jill Jennings | .... | still photographer | |
| Davie Mayes | .... | electrician | |
| Stephen McBroom | .... | camera trainee | |
| Paul Molloy | .... | electrician | |
| Stephen Murphy | .... | steadicam operator | |
| Steve Pugh | .... | key grip | |
| Suzanne Sanders | .... | electrician | |
| Hugo Wilkinson | .... | rigger | |
| Ruth Woodside | .... | camera trainee: second unit (as Ruth Greer) | |
| Rob Gilmour | .... | clapper loader dailies (uncredited) | |
Casting Department | |||
| Clare Ewing | .... | casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Louise Allen | .... | assistant costume designer | |
| Carla Barrow | .... | costume assistant | |
| Diane Campbell | .... | wardrobe assistant | |
| Heather Long | .... | daily costume assistant (uncredited) | |
Editorial Department | |||
| Geoffrey R. Case | .... | colorist | |
| Phil Eldridge | .... | assistant editor | |
| Julie Harding | .... | digital intermediate producer (as Julie Pucher) | |
| Myfanwy Harris | .... | digital intermediate operator | |
| Claire O'Neill | .... | assistant editor | |
| Tony Ray | .... | digital intermediate executive | |
| Sara Janasz | .... | post-production coordinator (uncredited) | |
Music Department | |||
| Hugo Nicolson | .... | score mixer | |
Transportation Department | |||
| Johnny Crawford | .... | unit driver | |
| Sharron McBride | .... | driver | |
| Dermott McKee | .... | driver: minibus (as Dermot McKee) | |
| Roy McManus | .... | driver: minibus | |
| Karl Moor Lewy | .... | driver: action vehicle | |
| Davey Wilson | .... | driver: cherry picker | |
| Ryan Marshall | .... | unit driver (uncredited) | |
Other crew | |||
| Nigel Abbas | .... | legal advisor | |
| Reno Antoniades | .... | production lawyer: Lee & Thompson | |
| Ursula Arens | .... | dietician: Michael Fassbender | |
| Natalie Bass | .... | production lawyer: Lee & Thompson | |
| Jemma Beach | .... | production runner | |
| Claire Bosworth | .... | head of production: Blast! Films | |
| Diarmaid Breathnach | .... | director: Broadcasting Commission of Ireland's Sound & Vision Scheme | |
| Antony Buonomo | .... | title designer | |
| Michele Burn | .... | production runner | |
| David Cooke | .... | assistant location manager | |
| Bethan Cousins | .... | fund manager: Wales Creative IP Fund | |
| Sean Curran | .... | additional floor runner | |
| Lisa Curry | .... | clearance | |
| Harry Dixon | .... | business affairs: Channel 4 and Film4 | |
| Helen Dudley | .... | business affairs: Channel 4 and Film4 | |
| Kirstie Edgar | .... | script supervisor | |
| Mark Edwards | .... | production accountant | |
| Alistair Ferguson | .... | health and safety advisor | |
| Tracy Ferguson | .... | unit nurse | |
| Brian Furey | .... | commissioning officer: roadcasting Commission of Ireland's Sound & Vision Scheme | |
| Catherine Geary | .... | location manager | |
| Damien Glenholmes | .... | location scout | |
| Robert Gyle | .... | armourer | |
| Faye Hamilton | .... | researcher: Blast! Films | |
| Neil Haughton | .... | doctor: Michael Fassbender (as Dr. Neil Haughton) | |
| Lauren E. Hood | .... | production assistant (as Lauren Hood) | |
| Pay Hoy | .... | accounts assistant | |
| Steve Joberns | .... | auditor: Shipleys | |
| Tracey Josephs | .... | representative: Channel 4 and Film4 (as Tracey Joseph) | |
| Moyra Lock | .... | head of marketing: Northern Ireland Screen | |
| Lisa Marsden | .... | insurance agent: Media Insurance Brokers | |
| Linda Martin | .... | head of finance: Northern Ireland Screen | |
| Sharron McBride | .... | runner | |
| Millar McCall Wylie | .... | legal services: Northern Ireland Screen | |
| Leona McCarren | .... | additional floor runner (as Leona McCarron) | |
| Damian McParland | .... | legal services: Northern Ireland Screen | |
| Christos Michaels | .... | legal services: Wales Creative IP Fund, Lee & Thompson | |
| Richard Moore | .... | insurance agent: Media Insurance Brokers | |
| Stephen Murphy | .... | legal services: Wales Creative IP Fund, Lee & Thompson | |
| Prash Nak | .... | legal advisor | |
| Rebecca O'Connor | .... | representative: Channel 4 and Film4 | |
| Stacey Quigley | .... | production trainee | |
| Anne Quinn | .... | production coordinator: Northern Ireland Screen | |
| Andrew Reid | .... | head of production: Northern Ireland Screen | |
| Sarah Rushbrook | .... | production assistant: Blast! Films | |
| Peter Alexander Scott | .... | floor runner (as Peter Scott) | |
| Sue Bruce Smith | .... | commercial development: Channel 4 and Film4 | |
| Hilary Stewart | .... | representative: Channel 4 and Film4 | |
| Andrew Sturcke | .... | production lawyer: Lee & Thompson | |
| Bethan Thomas | .... | investment executive: Wales Creative IP Fund | |
| Ian Thomson | .... | publicist | |
| Graham Wheeler | .... | accounts assistant | |
| Richard Williams | .... | chief executive: Northern Ireland Screen | |
| Nigel Wood | .... | production accountant | |
| Susie Wright | .... | funding programmes coordinator: Northern Ireland Screen | |
| Michael Gibson | .... | epk assistant (uncredited) | |
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| The Basketball Diaries | The Baader Meinhof Complex | Munich | The Wind That Shakes the Barley | Breakfast on Pluto |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Biography section | IMDb UK section |
Hunger (2008) ****
Bobby Sand's story has been told before on screen, but never with such raw intensity and unrelenting artistry as in Hunger. The film is directed by Turner Prize winning artist Steve McQueen. While his art has often been part of the film medium, this is his first entry into feature film-making.
The film sparked both controversy and applause at this years Cannes Film Festival, with both disgusted walkouts and rousing ovation. It the end it landed McQueen the Camera D'or.
While the film follows the final weeks of Bobby Sand's hunger strike, it is equally about recreating the atmosphere and conditions inside the infamous Long Kesh Maze Prison. Its nearly a half hour into the film before we even meet Sands, in fact. We're introduced to a prison guard, who outside nervously checks his car for bombs, quietly avoids his comrades, then becomes as vicious as any other when brutalizing the inmates. We're also first introduced to a new inmate, who, as per the IRA standard, refuses to war a uniform and instead goes simply wrapped in a blanket. He and his cellmate smear the walls of their cells in feces as part of the no wash protest.
Bobby is played by Michael Fassbender, who gives a quietly powerful performance. For the film he underwent a medically supervised crash diet, one rivaling - if not outright surpassing - that of Christian Bale in the Machinist. He moves throughout the film with a sense of determination and dedication.
It is difficult to go into any detail about plot, as the film more or less moves patiently and quietly towards the inevitable. And the key word may be quiet. McQueen claimed that he originally envisioned doing the film dialogue free. Indeed, much of Hunger is free of dialogue. However, McQueen, as he puts it, felt it would be more powerful to go from vocal silence into an avalanche of dialogue. And so the films centerpiece was born - a 20 minute stationary shot of Bobby speaking with his Priest. In a film that is filled with a dark heaviness in a cruel prison atmosphere, that meeting lifts a weight for a time, before slowly descending into a sad sense of inevitability. Though that inevitability is liberating, it is nonetheless a profoundly sad one. The film also does not shy away from the cruelty of the British towards the Irish, though it also does not deny the brutality of the IRA at times - as characterized in one shocking moment. However, anyone with any inkling of rational knowledge on the Irish struggles knows that the IRA was never simply a terrorist organization, but a rebel group that did from time to time employ terrorist tactics. Like all anti-state organizations, however, the IRA did not exist for the sake of conflict, but because of callousness and cruelty. McQueen reminds us of the cruelty and arrogance of the British particularly through the cold words of Margaret Thatcher, speaking shamelessly about Sands' strike.
There have been many fantastic films about the Irish Struggles, with some of the best coming in recent years (Ken Loach's fantastic Wind that Shakes the Barley, and Paul Greengrass's Bloody Sunday, to name two of the better). This one, I think, may be the best. At least from an artistic and purely visceral standpoint. McQueen captures his scenes in jarring compositions, with all the skill and artistic imagining of a true artist. From the opening sequences, Hunger promises something more than just the standard. Whereas most political films focus all their attention on the message, Hunger focuses on the feeling, and never strays from its artistic goals. This is art, from its opening to closing frames. It's a boldly crafted and brave film. The cinematography and direction are assured, moving slowly and unexpectedly, always beautifully even in its darkest and dirtiest moments.
I believe this truly is a great masterpiece. McQueen has proved himself as a masterful artist of film-making as well with Hunger.