The Reader (2008)

User Rating:

7.7/10   

Director:

Stephen Daldry

Writers (WGA):

David Hare (screenplay)
Bernhard Schlink (book)

Release Date:

9 January 2009 (USA)

Genre:

Drama | Romance

Tagline:

How far would you go to protect a secret?

Plot:

Post-WWII Germany: Nearly a decade after his affair with an older woman came to a mysterious end, law student Michael Berg re-encounters his former lover as she defends herself in a war-crime trial.

Plot Keywords:

Student | Law Student | Trial | Germany | Nazi

Awards:

Won Oscar. Another 13 wins & 25 nominations

Cast

Ralph Fiennes	...	Michael Berg
Jeanette Hain	...	Brigitte
David Kross	...	Young Michael Berg
Kate Winslet	...	Hanna Schmitz
Susanne Lothar	...	Carla Berg
Alissa Wilms	...	Emily Berg
Florian Bartholomäi	...	Thomas Berg
Friederike Becht	...	Angela Berg
Matthias Habich	...	Peter Berg
Frieder Venus	...	Doctor
Marie-Anne Fliegel	...	Hanna's Neighbor
Hendrik Arnst	...	Woodyard Worker
Rainer Sellien	...	Teacher
Torsten Michaelis	...	Sports Master
Moritz Grove	...	Holger

Also Known As:

Der Vorleser (Germany)

MPAA:

Rated R for some scenes of sexuality and nudity.

Runtime:

124 min

Country:

USA | Germany

Language:

English | German | Greek | Latin

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

DTS | Dolby Digital | SDDS

Certification:

USA:R (certificate #44922) | UK:15 | Ireland:16 | Singapore:R21 | Australia:MA | Finland:K-15 | South Korea:18 | Brazil:16 | Portugal:M/16 (Qualidade) | Netherlands:12 | New Zealand:R16 | Switzerland:12 (canton of Geneva) | Switzerland:12 (canton of Vaud) | Philippines:R-18 (MTRCB) | Spain:13 | Germany:12 | Canada:14A (Ontario) | Mexico:B15 | Japan:PG-12 | Sweden:Btl | Hong Kong:III | Denmark:11 | Austria:12 | Argentina:16 | Iceland:14 | Iceland:12 (DVD rating)

Filming Locations:

Berlin, Germany

Company:

Mirage Enterprises

Trivia:

To avoid legal consequences, the crew delayed the filming of sexually explicit scenes until after actor David Kross' 18th birthday on July 4 2008.

Goofs:

Incorrectly regarded as goofs: Hanna teaches herself to read and write though library books. Yet, her handwriting is in the style of "penmanship" handwriting, for certain letters, not as they are written in books. The main example of this is the lowercase "a" - she writes it the way most people write it, not as it is printed in books, which is how she would have learned it. However, in the movie when Hanna first begins to learn to write while reading "The Lady with the Little Dog", it is shown that the lowercase "a" in her copy of the book is not printed in "penmanship" font, i.e. printed in a font much like the way most people write (such as Arial).

Quotes:

Young Ilana Mather: [Testifying in court] Each of the guards would choose a certain number of women. Hanna Schmitz chose differently.
Judge: In what way differently?
Young Ilana Mather: She had favourites. Girls, mostly young. We all remarked on it, she gave them food and places to sleep. In the evening, she asked them to join her. We all thought - well, you can imagine what we thought. Then we found out - she was making these women read aloud to her. They were reading to her. At first we thought this guard...

Movie Connections:

Featured in 15th Annual Screen Actors Guild Awards (2009) (TV)

Soundtrack:

Pueri Hebraeorum

The Reader is a brilliant, sexually charged, and oddly heartbreaking tale about the complexity of human morality and the lifelong repercussions that result from our actions.

There's an urgency in human nature to understand. When it comes to the Holocaust, history's bleak, unsettling period, it doesn't matter what book you've read, film you've seen or account you've heard; in the end, your response it halted by its incomprehensible conclusion. How could humanity course its way towards such a violent, destructive path? How could people knowingly send men, women, and children to their impending doom? Most puzzling, how could the world allow it? Even though its been 63 years since the blood-drenched annals of World War II, its aftermath today is still bone chilling.

After a six year celluloid dry spell, Stephen Daldry returns to the director's chair in a brilliant, sexually charged, and oddly heartbreaking tale about the complexity of human morality and the lifelong repercussions that result from our actions. Adapted from Bernhard Schlink's best-selling German novel, "The Reader," Daldry's visual translation is a powerful, emotionally absorbing film that is one of the year's best. It's superbly crafted.

With World War II over, Germany, in 1958, is still recovering. Deep within Heidelberg, Germany, Michael (David Kross), a young pubescent teenager haven fallen ill, is comforted by Hanna (Kate Winslet), a hard working woman who is twice his age. Taken by her generosity, Michael revisits Hanna to offer his gratitude. What begins as an awkward reunion escalates into a seductive, forbidden affair that intensifies when Michael begins reading to the distant, empty Hanna, who is deeply awakened by Michael's spoken literature. Too young to understand love's complicated implications, Michael is emotionally devastated when Hanna suddenly disappears. Nearly a decade later, unable to forget his passionate summer while studying law, he attends a Nazi trail, and to his dismay, hears Hanna's distant voice.

"The Reader" is a complex film; maybe a little too complex for some. Though the film pertains to Nazism and the "sins of our fathers," in essence, "The Reader" is a film that reflects the emotions inside all of us. During a lecture, Michael's professor comments, "Societies like to think they operate on morality but they don't." In this cynical age, how far from reality is that statement? During Hanna's trial, she's questioned why she participated in the Nazi party's horrendous war crimes, broken she replies, "It was my job." Oddly enough, that seems to be the justification most people use. Surprisingly, though, "The Reader" isn't about her exposure as a war criminal, but an exposure on an individual who took the wrong path. She's not a bad person; she's simply made wrong choices. However, when it comes to having involvement in the Nazi's liquidation of the Jews, how "wrong" can you get? "You ask us to think like lawyers," cries on student, "what are we trying to do?" A distraught Michael replies, "We are trying to understand!" But, just who exactly is trying to grasp a deeper understanding: the court or Michael? How can Hanna's past be forgiven? Director Stephen Daldry brings the much needed emotional layer that a character such as Hanna Schmitz desperately needs. Although her actions are beyond unforgivable, strangely, we sympathize with her. Maybe it's her other shameful secret. Maybe it's superb character development.

"The Reader" is a film that is driven by it's raw performances. In one of her finest hours, Kate Winslet gives the performance of a lifetime. It's a haunting and heart-breaking. David Kross, who's only 18, is impressive as the teenager with raging hormones; it's such a daring performance. Winselt and Kross bring this picture together. Their performances are jaw-droppingly brilliant. Completing the role of Michael, as the tortured grown man, is Ralph Fiennes, who balances Michael's despair through his melancholic emotion when he encounters a grown Jewish woman, played by Lena Olin, who was also at Hanna's trail. Although her scenes clock in less than 10 minutes, Olin, too, is breathtaking.

When "The Reader's" credits rolled, I sat quietly shaken by what I had witnessed. It's a film that is impossible to forget. When a grown Michael asks Hanna, "Have you spent much time thinking about the past?" Heartbroken, she replies, "It doesn't matter what I think. It doesn't matter what I feel. The dead are still dead." She's right.