| Photos (see all 4 | slideshow) | Videos (see all 9 NEW) |
| Jennifer Connelly | ... | Emma Darwin | |
| Paul Bettany | ... | Charles Darwin | |
| Jeremy Northam | ... | Reverend Innes | |
| Toby Jones | ... | Thomas Huxley | |
| Jim Carter | ... | Parslow | |
| Benedict Cumberbatch | ... | Joseph Hooker | |
| Teresa Churcher | ... | Mrs. Davies | |
| Pauline Stone | ... | Mrs. Darwin's Maid | |
| Martha West | ... | Annie Darwin | |
| Zak Davies | ... | Jemmy Buttons | |
| Harrison Sansostri | ... | Lenny Darwin | |
| Christopher Dunkin | ... | George Darwin |
Directed by | |||
| Jon Amiel | |||
Writing credits(in alphabetical order) | ||
| John Collee | screenplay | |
| Randal Keynes | biography | |
Original Music by | |||
| Christopher Young | |||
Cinematography by | |||
| Jess Hall | |||
Film Editing by | |||
| Melanie Oliver | |||
Casting by | |||
| Celestia Fox | |||
Production Design by | |||
| Laurence Dorman | |||
Art Direction by | |||
| Bill Crutcher | (supervising art director) | ||
| Pongnarin Jonghawklang | (segment) | ||
| Gary Jopling | |||
| Stuart Rose | |||
Set Decoration by | |||
| Dominic Capon | |||
Costume Design by | |||
| Louise Stjernsward | |||
Makeup Department | |||
| Francesco Alberico | .... | hair stylist | |
| Ashley Johnson | .... | makeup artist | |
| Heather Manson | .... | makeup trainee | |
| Julia Vernon | .... | crowd hair supervisor | |
| Julia Vernon | .... | crowd makeup supervisor | |
| Jo Wand | .... | makeup artist: dailies | |
Production Management | |||
| Layla Blackman | .... | post-production supervisor (as Layla Evans) | |
| Sara Desmond | .... | production manager | |
| Oscar Kahar | .... | production supervisor: Thailand | |
Second Unit Director or Assistant Director | |||
| Desho Bernard | .... | first assistant director: Thailand | |
| Glen Carroll | .... | crowd assistant director | |
| Simon Downes | .... | key second assistant director | |
| Henry Forsyth | .... | assistant director | |
| Sarah Grohnert | .... | dggb trainee director | |
| Alex Kaye-Besley | .... | third assistant director | |
| Tiziano Niero | .... | assistant director runner | |
| Mick Ward | .... | first assistant director | |
| Chanida 'Chompoo' Yasiri | .... | second assistant director: Thailand | |
Art Department | |||
| Giles Asbury | .... | storyboard artist | |
| Will Ayers | .... | props | |
| Will Ayres | .... | dressing prop | |
| Noel Cowell | .... | property master | |
| Quentin Davies | .... | props storeman | |
| Kevin Day | .... | stand-by | |
| Sarah Forbes | .... | prop buyer | |
| Felicity Hickson | .... | graphic artist | |
| Tara Ilsley | .... | art department assistant | |
| Martin Kane | .... | props | |
| Lisa McDiarmid | .... | stand-by art director | |
| Kathryn Pyle | .... | production buyer | |
| James Wakefield | .... | assistant art director | |
Sound Department | |||
| Nick Adams | .... | co-supervising sound editor | |
| Jovan Ajder | .... | adr mixer | |
| Chris Burdon | .... | sound re-recording mixer | |
| Doug Cooper | .... | sound re-recording mixer | |
| Nick Del-Molino | .... | mixing assistant | |
| Rick Gould | .... | adr recordist | |
| Charlotte Gray | .... | sound assistant | |
| Tim Hands | .... | supervising sound editor | |
| Sue Harding | .... | foley artist | |
| Alex Joseph | .... | foley supervisor | |
| Srdjan Kurpjel | .... | sound effects editor | |
| John Midgley | .... | sound | |
| Martin Seeley | .... | sound mixer: second unit | |
Special Effects by | |||
| Neal Champion | .... | special effects supervisor (2008) | |
| Bernard Newton | .... | special effects technician | |
| Scott Peters | .... | special effects technician | |
| Nick P. Phillips | .... | special effects supervisor | |
| Cliff Wallace | .... | creature effects supervisor | |
Visual Effects by | |||
| Lucy Ainsworth-Taylor | .... | vfx executive producer: Machine | |
| Louie Alexander | .... | digital compositor: Framestore | |
| Matthew Baker | .... | retouch and restoration: Framestore | |
| Praveen Bareria | .... | digital compositor | |
| Zachary Bloom | .... | scanning and recording: Framestore | |
| Warwick Campbell | .... | digital compositor | |
| Matthew Collorafice | .... | lead compositor | |
| Keith Devlin | .... | 2d supervisor: Machine | |
| Richard Edwards | .... | digital intermediate data operator | |
| Bruno Fernandes | .... | digital compositor: Machine FX | |
| Christina Graff | .... | visual effects producer: Crazy Horse Effects | |
| Paul Graff | .... | visual effects supervisor: Crazy Horse Effects | |
| Charlie Habanananda | .... | conform editor | |
| Andrew Harvey | .... | digital intermediate retouch | |
| Karsten Hecker | .... | film mastering engineer | |
| Jan Hogevold | .... | executive producer: framestore di | |
| Tom Kimberley | .... | digital compositor: Machine FX | |
| John Lockwood | .... | visual effects supervisor: Machine | |
| James Long | .... | digital intermediate data operator | |
| Veronica Marcano | .... | scanning & recording operator: Framestore | |
| Standish Millennas | .... | visual effects producer: Machine | |
| Adam Parker | .... | retouch and restoration: Framestore | |
| Chandrasekhar Reddy | .... | visual effects compositor | |
| James Reed | .... | scanning and recording | |
| Gavin Round | .... | DI producer: Framestore | |
| Jimmy Saul | .... | scanning and recording manager | |
| Asa Shoul | .... | digital colourist | |
| David Sjodin | .... | compositor | |
| Steve Street | .... | visual effects supervisor: Machine | |
Camera and Electrical Department | |||
| Tom Balogh | .... | assistant camera | |
| Jacob Barrie | .... | second assistant camera: dailies | |
| Ashley Bond | .... | focus puller: 'a' camera | |
| Rob Gilmour | .... | clapper loader: dailies | |
| Rawdon Hayne | .... | first assistant camera | |
| Alice Hobden | .... | second assistant camera | |
| Andy Hopkins | .... | key grip | |
| Chris McAleese | .... | additional clapper loader | |
| Jennie Paddon | .... | first assistant camera | |
| Phineas Page | .... | video assist | |
| Paul Sharp | .... | best boy | |
| Axel Ulrich | .... | assistant camera | |
| Lee Walters | .... | gaffer | |
Casting Department | |||
| Cara Beckinsale | .... | casting assistant | |
| Brendan Donnison | .... | adr voice casting | |
Costume and Wardrobe Department | |||
| Kathryn Blight | .... | wardrobe mistress | |
| Nigel Egerton | .... | wardrobe supervisor | |
| Stephen Kill | .... | leather worker | |
| Kunza | .... | corsetiere | |
| Joanne Mosley | .... | costume assistant | |
| Timothy Shanahan | .... | dyer/ager | |
Editorial Department | |||
| Wayne Jones | .... | negative cutter | |
| Clive Noakes | .... | laboratory contact: DeLuxe London | |
| Brenna Rangott | .... | first assistant editor | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Adam Barber | .... | music programmer: score | |
| Peter Bateman | .... | orchestrator | |
| Richard Bronskill | .... | supervising orchestrator | |
| Steve Davis | .... | midi transcriptions | |
| Peter Fuchs | .... | score mixer | |
| Benoit Grey | .... | orchestrator | |
| Tony Lewis | .... | music editor | |
| Sean McMahon | .... | orchestrator | |
| Thomas Milano | .... | supervising music editor | |
| Flavio Motalla | .... | score producer | |
| Joohyun Park | .... | musician | |
| Joohyun Park | .... | orchestrator | |
| Andrew Spence | .... | orchestrator: score programming | |
| Jonathan Timpe | .... | score programmer | |
| Brandon K. Verrett | .... | orchestrator | |
| Sunna Wehrmeijer | .... | score coordinator | |
| Ugo Derouard | .... | music recording engineer (uncredited) | |
Transportation Department | |||
| Alan Canty | .... | driver: Paul Bettany | |
| Jeff Hudson | .... | unit driver | |
| Barrie Williams | .... | transportation captain | |
Other crew | |||
| Carolyn Allen | .... | tutor | |
| Kittipat Boonvanno | .... | location manager: Thailand unit | |
| Duncan Broadfoot | .... | unit manager | |
| Daniel Budd | .... | assistant accountant | |
| David Coupland | .... | key production runner | |
| Devis Damonte | .... | assistant: director | |
| Rebecca Davis | .... | additional assistant location manager | |
| Tina Falcone | .... | assistant accountant | |
| Sue Field | .... | script supervisor | |
| Andy Garner | .... | creature effects sculptor/puppeteer | |
| Poppy Gordon-Clark | .... | assistant location manager | |
| Ella Harris | .... | floor runner/stand in | |
| Rachel James | .... | post production accountant | |
| Matt Jones | .... | assistant location manager | |
| Rachel Kennedy | .... | unit publicist | |
| Alainée Kent | .... | development executive | |
| Rachel King | .... | unit nurse | |
| Erin Lander | .... | floor runner | |
| Jamie Lengyel | .... | location manager | |
| Richard Mansell | .... | business affairs | |
| Barry May-Leybourne | .... | health & safety officer | |
| Daniel McAuley-Burnett | .... | floor runner/stand in | |
| John Miles | .... | production accountant | |
| Philie Naughten | .... | production coordinator | |
| Lindsey Powell | .... | location assistant | |
| Samavee Pummoung | .... | animal department coordinator: Thailand unit | |
| Ian Robinson | .... | laboratory contact: DeLuxe London | |
| Somboon Vichaisre | .... | production assistant: Thailand unit | |
| Julia Wilson Dickson | .... | dialect coach: Jennifer Connelly (as Julia Wilson-Dixon) | |
| Trish Wylie | .... | assistant production coordinator | |
| Darren Helman | .... | location support (uncredited) | |
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| Stevie | Shadowlands | Squanto: A Warrior's Tale | Fratello sole, sorella luna | Inherit the Wind |
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As you sit there, quietly evolving, spare a thought for Charles Darwin. He was more than the venerable man with beard you may remember from your schoolbooks. He had a wife and children, and spent much of the long hiatus between writing his big theory and actually publishing it, coping with his wife, beautiful Emma, who, if she looked at all like actress Jennifer Connelly, was beautiful, but not at all ready to give up on God. She was also having to deal with Darwin's all-consuming guilt over the fatal illness of his eldest daughter, for which he seemed to have believed he was responsible in at least one way.
This, Charles Darwin's homelife, is colourfully evoked in the slightly Gothic new film, Creation. As it opens with a flashback to a failed attempt to steal 'savage' children from a Pacific island and take them home to convert them into Good Christians, it has us on its side from the start; even more as it nods to Francois Truffaut's 'L'Enfant Sauvage'. Paul Bettany as the man himself is on-screen most of the time, like a contestant in the Channel Four 'big brother house' permanently in close-up. The way the story jumps backwards and forwards in time gives it the feeling of a ghost story too. And there are other pieces of Darwin's life we rarely get to think about, such as the relationship he built up with the female ape, stolen from her jungle family and living in solitary confinement in an English zoo until her death.
All in all, it's quite an emotional roller-coaster, although not at the expense of recreating the world of the late Victorians very convincingly.