| Photos (See all 12 | slideshow) |
| Thure Lindhardt | ... | Flammen | |
| Mads Mikkelsen | ... | Citronen | |
| Stine Stengade | ... | Ketty Selmer | |
| Peter Mygind | ... | Aksel Winther | |
| Mille Lehfeldt | ... | Bodil (as Mille Hoffmeyer Lehfeldt) | |
| Christian Berkel | ... | Hoffmann - Gestapo leader | |
| Hanns Zischler | ... | Gilbert - German colonel | |
| Claus Riis Østergaard | ... | Bananen | |
| Flemming Enevold | ... | Spex | |
| Lars Mikkelsen | ... | Frode 'Ravnen' Jacobsen | |
| Jesper Christensen | ... | Flammens Far | |
| Lærke Winther Andersen | ... | Cap | |
| Peter Plaugborg | ... | Lillebjørn | |
| Martin Hestbæk | ... | Storebjørn | |
| Thomas Voss | ... | Teddy | |
| Martin Greis | ... | Heinrich | |
| René Hansen | ... | Carl (as Rene Benjamin Hansen) | |
| Jeppe Vig Find | ... | Bob (as Jeppe Find) | |
| Jesper Aron Kaplan | ... | Skolelæreren (as Jesper Kaplan) | |
| Rasmus Bjerg | ... | Smalle | |
| Jaques Lauritsen | ... | Vinhandler (as Jacque Lauritsen) | |
| Charlote Rathnow | ... | Lis Bomhoff (as Charlotte Rathnov) | |
| Henrik Jandorf | ... | Helmer Bomhoff | |
| Rasmus Botoft | ... | Liquorstore owner | |
| Mads M. Nielsen | ... | Bodil's new boyfriend (as Mads Møllegaard Nielsen) | |
| Malene Schwartz | ... | Gilberts wife | |
| Martin Hall | ... | Østergaard Petersen | |
| Karel Dobrý | ... | Seibold | |
| Hans Henrik Clemensen | ... | Redaktør Gaust | |
| Tina Robinsson Simonsen | ... | Fru Lorentzen (as Tina Robinson Simonsen) | |
| Jan Zuska | ... | Hr. Lorentzen | |
| Mai Holm Laureng | ... | Anne | |
| Marie Christensen-Dalsgaard | ... | Nurse | |
| Klaus Tange | ... | Schalburg - Sergent | |
| Martin Vasques | ... | German officer (as Martin Vasquez) | |
| Robert Reinhold | ... | Police officer | |
| Caspar Phillipson | ... | Schalburg - soldier with glasses | |
| Roman Horn | ... | Police officer | |
| Benjamin Boe Rasmussen | ... | Ambulance chief | |
| Thomas Bendixen | ... | Gestapo chief | |
| Oliver Hvidtfeldt | ... | Injured boy in car | |
| Tinus Løvento | ... | Father of the boy | |
| Nikola Navrátil | ... | Young officer | |
| Per Löfberg | ... | Waiter (as Per Löwberg) | |
| Per Löwberg | ... | Tjener | |
| Simona Vcalová | ... | Vinhandlerens kone / liquorstore owner's wife | |
| rest of cast listed alphabetically: | |||
| Finn Bergh | ... | (uncredited) | |
| David Bjergsø | ... | Schalburg Soldier (uncredited) | |
| Henrik Jørgensen | ... | Civil Danish Policeman (uncredited) | |
| Mads Lodberg | ... | Bodyguard (uncredited) | |
Directed by | |||
| Ole Christian Madsen | |||
Writing credits(in alphabetical order) | ||
| Lars Andersen | (as Lars K. Andersen) | |
| Ole Christian Madsen | writer | |
Produced by | |||
| Christoph Fisser | .... | co-producer | |
| Kristina Kornum | .... | line producer | |
| Pavel Muller | .... | line producer | |
| Arno Neubauer | .... | line producer: Germany | |
| Søren Green Nielsen | .... | assistant producer | |
| Lars Bredo Rahbek | .... | producer | |
| Stefan Schubert | .... | co-producer | |
| Ralph Schwingel | .... | co-producer | |
| David B. Sørensen | .... | assistant producer | |
| Charlie Woebcken | .... | co-producer | |
| Sonja B. Zimmer | .... | production executive | |
Original Music by | |||
| Karsten Fundal | |||
Cinematography by | |||
| Jørgen Johansson | |||
Film Editing by | |||
| Søren B. Ebbe | |||
Casting by | |||
| Rie Hedegaard | |||
Production Design by | |||
| Nanna Due Friborg | |||
| Jette Lehmann | |||
Art Direction by | |||
| Jens Löckmann | |||
| Anja Müller | |||
| Søren Schwartzberg | |||
Costume Design by | |||
| Manon Rasmussen | |||
| Margrethe Rasmussen | |||
| Rikke Simonsen | |||
Makeup Department | |||
| Jens Bartram | .... | makeup artist | |
| Ivana Chlostova | .... | makeup artist | |
| Sabine Schumann | .... | makeup artist | |
| Bobo Sobotka | .... | makeup artist: Czech Republic | |
Production Management | |||
| Lina Bach Christensen | .... | production manager | |
| Maria Hoffmann | .... | assistant unit manager | |
| Solveig Jork | .... | unit manager | |
| Ulla Bay Kronenberger | .... | assistant unit manager | |
| Arno Neubauer | .... | production manager | |
| Karen Nørøxe | .... | assistant production manager | |
| Christian Vennefrohne | .... | post-production supervisor | |
Art Department | |||
| Simon Bang | .... | storyboard artist | |
| Tom Hecker | .... | storyboard artist | |
| Helko Klünder | .... | carpenter | |
| Julia König | .... | set dresser: Berlin | |
| Peter Naguib | .... | set dresser | |
| Marco Pressler | .... | construction manager | |
| Harry Rischmüller | .... | property master: outdoor | |
| Stefan Rohde | .... | set dresser | |
| M. Wan Sputnick | .... | property master: Denmark | |
| Jirí Trier | .... | props buyer | |
| Jon Truelsen | .... | property master | |
| Annelie Wheeler | .... | prop assistant | |
Sound Department | |||
| Andreas Drost | .... | dubbing recordist | |
| Håkon Garpestad | .... | boom operator | |
| Anne Jensen | .... | dialogue editor | |
| Hans Møller | .... | sound | |
Special Effects by | |||
| Søren Skov Haraldsted | .... | special effects project manager | |
| Hummer Høimark | .... | special effects coordinator | |
| Christian Kitter | .... | special effects senior technician | |
| Lars Kolding Andersen | .... | special effects senior technician | |
| Bernd Wildau | .... | special effects technician: Berlin | |
Visual Effects by | |||
| Nastuh Abootalebi | .... | visual effects artist | |
| Sofie Friis Borup | .... | compositor | |
| Jonas Drehn | .... | visual effects supervisor | |
| Peter Hartwig | .... | CG supervisor: Duckling | |
| Emma Lidé | .... | compositor | |
| Sam Loxton | .... | compositor | |
| Martin Madsen | .... | compositor | |
| Benjamin Magnussen | .... | digital effects artist | |
| Florian Martin | .... | digital colorist (as Florian 'Utsi' Martin) | |
| Per Mørk-Jensen | .... | lead compositor | |
| Christian Nielsen | .... | visual effects | |
| Claus Nicholas Nielsen | .... | matte painter | |
| Peter Szewczyk | .... | technical director | |
| Dominik Trimborn | .... | visual effects supervisor | |
Stunts | |||
| Klaus Hjuler | .... | stunt performer | |
| Deni Jordan | .... | stunt coordinator | |
Camera and Electrical Department | |||
| Erik Aavatsmark | .... | still photographer | |
| Christian Almesberger | .... | camera operator: "b" camera: Berlin | |
| Martin Bartels | .... | video operator: Berlin | |
| Morten Boserup | .... | additional electrician | |
| Thomas Ditzel | .... | best boy electric | |
| Tilmann Hautsch | .... | electric trainee | |
| Asger Lindgaard | .... | camera operator: behind-the-scenes footage | |
| Josef Lopez | .... | lighting technician | |
| Jacob Møller | .... | electrician | |
| Alexander Sachariew | .... | first assistant camera: "b" camera: Berlin | |
| Frantisek Wirth | .... | second assistant camera | |
Casting Department | |||
| Marcel Dykiert | .... | extras casting | |
| Iris Müller | .... | extras casting | |
Editorial Department | |||
| Kenneth Laugaard Andersen | .... | assistant editor | |
| Troels Kampmann Kay | .... | assistant editor | |
| Carsten Søsted | .... | additional editor | |
| Emil Tralov | .... | first assistant editor | |
Transportation Department | |||
| Mirko Reichwald | .... | production driver: Berlin, Potsdam | |
| Steffen Schuchardt | .... | production driver | |
Other crew | |||
| Linda Daae | .... | script supervisor | |
| Roberto Geroldi | .... | production secretary | |
| Dewi Grobecker | .... | production accountant | |
| Christoffer Harding | .... | location scout | |
| Michael Höhne | .... | expert advisor | |
| Christof Jork | .... | location manager | |
| Uwe Kolbe | .... | legal & business affairs | |
| Dusan Matic | .... | extras coordinator | |
| Artur Niemczuk | .... | assistant set manager | |
| Jens Næsland | .... | extras coordinator | |
| Regine Otto | .... | production coordinator | |
| Carola Richter | .... | location scout | |
| Jordan Savel | .... | marketing manager | |
| Lukas Trantina | .... | runner | |
| Honza Zuska | .... | location manager | |
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| Munich | Defiance | The Baader Meinhof Complex | Enemy at the Gates | Miracle at St. Anna |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb Denmark section |
I am very impressed, and pleasantly surprised. I do not know any of the other work of the director, but I will have to consider anything else I see his name attached to. My opinion of what we Danes manage to put together in the medium of film is hardly a secret... I tend to find myself underwhelmed. Before tonight, I only really considered two such recent features truly great(the more notable of those, in my view, being Murk), and, well... as cliché as it is, that number is now three. The plot is magnificent, and the twists so marvelous and unexpected. There is maybe one thread that I found unsatisfying, perhaps especially because of how much attention was paid to it, but that's it. The acting is excellent... the one bad performance was had by a kid, and it didn't need to be better than it was. Lindhardt and Mikkelsen haven't a single weak moment between them, and Mygind... thumbs up. The cinematography is spectacular, though I did find the, all in all relatively few, zooms a bit distracting, save for one or two(these may be a Scandinavian thing, something similar appeared in Show Me Love). The editing is effective... the action(do note that this is not a straight-on piece within that genre) works, the drama likewise, and the only real criticism I can come with in this area is that there are a handful of places where things could be clearer. The writing there is infinitely little to complain about, and a long line of positives about, including the psychology, the complexity, the characters(the consistency of which is almost entirely flawless, and the only real problem within that is really how at least one major character disappears from the movie) and the incredibly accurate depiction of the time, the environment, the types of people. This is remarkably engaging. There is a little sexuality, and some language, as well as a measure of violence, but I wouldn't call any of it gratuitous. You do need a basic knowledge about the period, the place and the people, before watching this, but hey, nowhere near as much is required as for Der Untergang/Downfall. I don't know if this is entirely historically accurate, but little, heck, hardly any, is Hollywoodized, and it's undeniably entertaining and strong. I recommend this to any fan of drama, and anyone who wants a visual representation of the situation this revolves around. 8/10