| Videos |
| Tara Ballard | ... | Sarah | |
| Betty Bench | ... | Mrs. Gladwin | |
| Frank Bench | ... | Mr. Gladwin | |
| Emma Cooper | ... | Tess Baker | |
| Che Corr | ... | David | |
| Freddie Cunliffe | ... | Jon | |
| Hillary Davies | ... | Therapist | |
| Jane Foxhall | ... | Tess' Mum | |
| Byndley Hutt | ... | Mr. Wilson | |
| Lillian Hutt | ... | Mrs. Wilson | |
| Patricia Loveland | ... | Nan Wilson | |
| Liam McIlfatrick | ... | Rob | |
| Rachel McIntyre | ... | Gail Wilson | |
| Megan Palmer | ... | Rachel | |
| Edward Pinner | ... | Shouting Teacher | |
| Mike Randle | ... | Joel | |
| Kerry Rowe | ... | Dealer | |
| Katie Samuels | ... | Julie | |
| Michael Socha | ... | Mike | |
| Kurt Taylor | ... | Larry |
Directed by | |||
| Duane Hopkins | |||
Writing credits(in alphabetical order) | ||
| Duane Hopkins | writer | |
Produced by | |||
| Helge Albers | .... | co-producer | |
| Peter Carlton | .... | executive producer | |
| Alastair Clark | .... | co-producer (as Al Clark) | |
| Chris Collins | .... | executive producer | |
| Lizzie Francke | .... | executive producer | |
| Samm Haillay | .... | producer | |
| Alexander O'Neal | .... | co-producer | |
| Rachel Robey | .... | producer | |
| David Smith | .... | associate producer | |
| Paul Trijbits | .... | executive producer | |
Original Music by | |||
| Dan Berridge | |||
Cinematography by | |||
| Lol Crawley | |||
Film Editing by | |||
| Christopher Barwell | |||
Production Design by | |||
| Jamie Leonard | |||
Art Direction by | |||
| Jane Levick | |||
Costume Design by | |||
| Mel O'Connor | |||
Makeup Department | |||
| Angie Mudge | .... | hair designer | |
| Angie Mudge | .... | makeup designer | |
Production Management | |||
| Imogen Bell | .... | production manager | |
| Katie Shahrokh | .... | post-production manager | |
Second Unit Director or Assistant Director | |||
| Paul Mindel | .... | third assistant director | |
| Christian Rigg | .... | second assistant director | |
| Nickie Sault | .... | first assistant director | |
Art Department | |||
| Lizzie Dixon | .... | art director: additonal photography | |
Sound Department | |||
| Tom Barrow | .... | sound mixer: second unit | |
| Anthony Ferretti | .... | boom operator | |
| Daniel Goganian | .... | foley recordist | |
| Douglas MacDougall | .... | sound designer | |
| Micheal MacKinnon | .... | foley artist | |
| Micheal MacKinnon | .... | sound re-recording mixer | |
| Patrick Owen | .... | sound recordist | |
| Chris Sinclair | .... | dialogue editor | |
| Chris Sinclair | .... | sound re-recording mixer | |
Special Effects by | |||
| Dan Frye | .... | special effects technician | |
Visual Effects by | |||
| Lewis Saunders | .... | compositor | |
Camera and Electrical Department | |||
| Paul Allen | .... | rigging gaffer: additional photography | |
| Pete Carrier | .... | best boy (as Peter Carrier) | |
| Ben Gibb | .... | clapper loader | |
| Andy McBrearty | .... | gaffer: additional photography | |
| Paul McKay | .... | focus puller: additional photography | |
| Mark Morley | .... | key grip | |
| Ang Richards | .... | second assistant camera: additional photography | |
| Christopher Ross | .... | director of photography: additional photography | |
| Barry Squires | .... | assistant camera | |
| John Watters | .... | focus puller | |
| Lee Wooster | .... | lighting gaffer | |
Editorial Department | |||
| Christian Blood | .... | assistant editor | |
| Andrew Dearnley | .... | digital film supervisor | |
| Dave Hall | .... | digital intermediate technician | |
| Matt James | .... | digital intermediate technician | |
| Steve Knight | .... | digital intermediate technician | |
| Colin Monie | .... | supervising editor | |
| Danielle Palmer | .... | assistant editor | |
| Andy Richards | .... | senior digital intermediate technician | |
| Gareth Spensley | .... | colorist | |
| Gemma Townsend | .... | digital intermediate technician | |
Other crew | |||
| Livia Burton | .... | production coordinator | |
| Leonard Crooks | .... | head of New Cinema Fund: UK Film Council | |
| Julie Daly-Wallman | .... | script supervisor | |
| San Davey | .... | script supervisor | |
| Yvonne Eastmond | .... | production accountant | |
| Dan Hodgett | .... | location services | |
| Andy Hodgson | .... | floor runner | |
| Rachel James | .... | post-production accountant | |
| Himesh Kar | .... | senior executive | |
| Jonathan Wicks | .... | location manager | |
| Recent Posts (updated daily) | User |
|---|---|
| Poor film - Nice art project | system18 |
| filmed in my town | Tiggerdabounce21 |
| DVD release | seagull17 |
| sad sad song | victor_ombre |
| UK Theatrical Release | Rachel_Robey |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
| Add this title to MyMovies |
'Better Things' is Duane Hopkins bleak but brilliant directorial debut set in rural Britain. It tells a series of stories against a backdrop of a countryside that, far from idyllic, has become a wash with drugs, death, intrigue and teenage angst. Shot beautifully any single frame from the first ten minute sequence could be a photograph in an exhibition, as too could certain shots right the way through this movie. Cold and almost bleached out you can really feel the grey and the pain as we get snapshots of peoples lives, people affected by death, drug abuse, isolation, frustration, its not the easiest watch but like last years 'Hunger' it deals with dark subject matter and turns it into a thing of random beauty. Hopkins draws from his cast of first timers a sense of the real like we are privy to their lives and watching a documentary of sorts. But it's in the spaces in-between where the films real strength lie giving the viewer only part of the story and leaving the feverish mind to fill in the gaps. Take for example the old couple, she asks her husband at one point if he will forgive her but you never find out what for, it is probably not as bad as you think it is or maybe its worse. These spaces are like the gaps between verses and choruses in songs, places to let the piece breathe and ultimately they are essential to the overall film. Like peeking through the curtains at the seedy underbelly of Britain 'Better Things' wont be to everybody's taste but anyone who likes a well paced and superbly shot meditation should check it out, a great first film that should see Hopkins move onto bigger and better things.