| Videos (see all 6 NEW) |
| Linus Roache | ... | Henry Moores | |
| Rahul Bose | ... | T. K. Neelan | |
| Nandita Das | ... | Sajani | |
| Jennifer Ehle | ... | Laura Moores | |
| Leopold Benedict | ... | Peter Moores | |
| rest of cast listed alphabetically: | |||
| Dr. Ambikathmajan | ... | T.K.'s Headmaster | |
| Indrajith | ... | Manas | |
| Lakshmi Krishnamurthy | ... | T.K.'s mom | |
| Lal | ... | Rajat (as Lal Paul) | |
| John Standing | ... | Charles Humphries | |
| Thilakan | ... | T.K.'s Father | |
| Ejji K. Umamahesh | ... | Inspector Sampath | |
Directed by | |||
| Santosh Sivan | |||
Writing credits(WGA) | ||
| Cathy Rabin | (screenplay) | |
| Dan Verete | (2001 film "Asphalt Zahov") (as Dany Vert) | |
Produced by | |||
| Mark Burton | .... | producer | |
| Steven Cohen | .... | associate producer | |
| Howard Frumes | .... | executive producer | |
| Paul Hardart | .... | producer | |
| Tom Hardart | .... | producer | |
| Doug Mankoff | .... | producer | |
| Pauline Piechota | .... | co-producer | |
| Ashok Rao | .... | executive producer | |
| Mubina Rattonsey | .... | co-producer | |
| Andrew Spaulding | .... | producer | |
| Jessica Stamen | .... | co-producer | |
| Milind Vereker | .... | line producer | |
| Jane Villiers | .... | executive producer | |
| Amotz Zakai | .... | co-producer | |
Original Music by | |||
| Mark Kilian | |||
Cinematography by | |||
| Santosh Sivan | (director of photography) | ||
Film Editing by | |||
| Steven Cohen | |||
| A. Sreekar Prasad | |||
Casting by | |||
| Daniel Hubbard | (as Dan Hubbard) | ||
Production Design by | |||
| Sunil Babu | |||
Costume Design by | |||
| Satheesh S.B. | (as S.B. Satheesan) | ||
Production Management | |||
| Ian Kennedy | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Mohammed Kamal | .... | first assistant director (as Kamal Mohammed) | |
Sound Department | |||
| Caoimhe Doyle | .... | foley artist | |
| Brian Dunlop | .... | assistant sound editor | |
| David Esparza | .... | sound effects supervisor | |
| Robert Jackson | .... | supervising dialogue editor | |
| John Ross | .... | sound re-recording mixer | |
| Paul Schwartz | .... | sound | |
| Leslie Shatz | .... | supervising sound editor | |
| Melissa Sherwood Hofmann | .... | sound re-recording mixer | |
| Don White | .... | foley recording mixer | |
Visual Effects by | |||
| Rachel Clement | .... | digital cleanup artist | |
Camera and Electrical Department | |||
| Alphonse Roy | .... | second unit photographer | |
| Anjuli Shukla | .... | first assistant camera | |
Casting Department | |||
| Kelly Valentine Hendry | .... | casting associate | |
Editorial Department | |||
| Dennis Little | .... | digital intermediate production coordinator | |
| Jon Pehlke | .... | on-line editor | |
| Sarah Priestnall | .... | production supervisor: digital intermediate | |
| Kurt Tuffendsam | .... | digital intermediate project manager | |
Music Department | |||
| Christine Bergren | .... | music clearances | |
| Roman Kovalik | .... | assistant to composer | |
| Jonathan Schultz | .... | score consultant | |
| Matt Shelton | .... | music editor | |
| Casey Stone | .... | music scoring mixer | |
Other crew | |||
| Prince Bagdasarian | .... | film and high definition coordinator | |
| Maryann C. Fondulas | .... | u.s. accountant | |
| J.P. Pettinato | .... | production consultant | |
| Arturo Lopez Uscanga | .... | scanning manager | |
Thanks | |||
| Alpita Patel | .... | special thanks | |
| Vijay Venkataramanan | .... | thanks | |
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| The Bodyguard | Salaam-E-Ishq | The English Patient | 1942: A Love Story | Mississippi Masala |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb India section |
| Add this title to MyMovies |
Before the Rains is a beautifully made drama set in south India in 1937. An engrossing story, it shows us what India was like and awakens our interest in foreign lands. But what stuck in MY mind was the extreme difficulty of having a sexual/romantic encounter in this time and place.
Young people these days take their sex fast and casual. There is no way they can ever understand the restraints of the pre-1960 era (let alone 1937). And this was the case in India, or in the USA. With most women married well before their 18th birthday, with marriage being respected by society, with the remaining single people mostly being (obvious) born losers, non or extra marital sex was virtually impossible, and could lead to the serious and multi-complicated downfalls portrayed in this movie. Easy to say had the lovers handled things wiser or smarter their ultimate problems might have been easier. But wait, they DID handle their situation wisely......