À l'intérieur (2007)

Directors:

Alexandre Bustillo
Julien Maury

Writer:

Alexandre Bustillo (writer)

Release Date:

13 June 2007 (France)

Genre:

Horror

Plot:

Four months after the death of her husband, a woman on the brink of motherhood is tormented in her home by a strange woman who wants her unborn baby.

Plot Keywords:

Night | Baby | Bathroom | Christmas Eve | Death

Awards:

5 wins & 1 nomination

Cast

Béatrice Dalle	...	La femme
Alysson Paradis	...	Sarah
Nathalie Roussel	...	Louise
François-Régis Marchasson	...	Jean-Pierre
Jean-Baptiste Tabourin	...	Matthieu
Dominique Frot	...	L'infirmière
Claude Lulé	...	Le médecin
Hyam Zeytoun	...	Policière municipale
Tahar Rahim	...	Policier municipal 1
Emmanuel Guez	...	Policier municipal 2
Ludovic Berthillot	...	Policier BAC
Emmanuel Lanzi	...	Policier BAC 2
Nicolas Duvauchelle	...	Policier BAC 3
Aymen Saïdi	...	Abdel

Also Known As:

Inside (USA) (festival title)

MPAA:

Rated R for strong bloody violence, gruesome and disturbing content, and language.

Runtime:

83 min | USA:75 min (R-rated cut)

Country:

France

Language:

French

Colour:

Colour

Aspect Ratio:

1.85 : 1

Sound Mix:

Dolby Digital EX | DTS-ES

Certification:

France:-16 | USA:R (cut) | USA:NC-17 (orginal rating) | Japan:R-18 | Finland:K-18 (self applied) | Argentina:18 | Mexico:C | Germany:(Banned) (cut) | UK:18 | Canada:16+ (Quebec)

Filming Locations:

Paris, France

Company:

La Fabrique de Films

Trivia:

In the scene where the three policemen come check on Sarah, you can see to the left end of the screen the house number, it's 666.

À L'Intérieur - the geometry of a microbudget wonder!

The best reassurance that the Hellraiser remake is in good hands, is actually watching Alexandre Bustillo and Julien Maury's first movie. Once the credits roll, it becomes very clear why the team behind À L'Intérieur comes with Clive Barker's seal of approval.

The signs were on the wall. If Haute Tension and Scheitan were not enough proof that France is the epicentre of euro horror right now, this one just hammers the point home effortlessly. Taking a very simple premise (pregnant woman attacked by maniac woman in her house), the same awareness of scope and budget that made Saw effective, GALLONS of blood and a European flair for atmosphere, À L'Intérieur is simultaneously emotionally draining and bruising. The story takes place inside a house and that's it. It's more like three rooms actually. Very straight-forward and simple. That's called budget-awareness Asylum. And yes, it's very short too, clocking at a measly 78 minutes (5 of which are the credits). But, frankly, it couldn't have been anymore. It was enough to leave me exhausted.

There are easily more gory or more disturbing movies out there, but I can say that À L'Intérieur left me satisfied in both departments. There's something disturbing about pregnant women in peril and combined with scissors, exploding heads, custom built flame throwers and stabbing in the balls, it's gore heaven with the occasional cringe-worthy moment.

The violence is relentless and numbing. The splatter, of the same spraying variety that made Haute Tension's first half so beautiful. A particular scene of blood spraying across a wall would make Dario Argento and fans of Tenebre proud. Although, unlike HT, there are no gimmicks and ridiculous twists here. What makes À L'Intérieur so effective by comparison is that the violence piles up and leads to a climactic finale. And the final image is haunting beyond words...

Some people might be eager to dismiss it as torture porn, a hack term often thrown around these days. It might be so. But unlike rubbish like Hostel, it's packed with atmosphere, tension and has its heart set in all the right places. In the end of the day it's a horror movie. If some people want their horror watered-down, harmless and PG-13, the big studios will have something in store for them. À L'Intérieur is for the rest of us blood-hounds.

Anyways, grab it if you can find it. It just goes to show what you can do with a relatively small budget and DV technology.