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Overview

User Rating:
6.4/10   734 votes
MOVIEmeter: ?
Down 1% in popularity this week. See why on IMDbPro.
Writers:
Sharon Chung (written by)
Kenny Kan (written by)
more
Contact:
View company contact information for Triangle on IMDbPro.
Release Date:
1 October 2007 (China) more
Genre:
Action more
Tagline:
Temptation. Jealousy. Destiny. more
Plot:
Told in three 30-minute segments, three friends seek out the buried treasure of a mysterious stranger. | add synopsis
Awards:
1 win more
NewsDesk:
DVD Playhouse--September 2009
 (From The Hollywood Interview. 26 September 2009, 1:01 PM, PDT)

User Comments:
As messy as you'd expect more (7 total)

Cast

  (Credited cast)
Louis Koo ... Fai

Simon Yam ... Lee Bo Sam
Honglei Sun ... Mok Chung Yuan (as Sun Hong Lei)
Ka Tung Lam ... Wen (as Lam Ka Tung)
Kelly Lin ... Ling
Yong You ... Policeman (as Yao Yung)
Suet Lam ... Fat Bo (as Lam Suet)
Haitao Li (as Li Hai Tao)
Kai Wa Chan (as Chan Kai Wa)
Chun Yip (as Yip Chun)
Ho Sai Chan (as Chan Ho Sai)
rest of cast listed alphabetically:

Libby Brien ... Fai's Mother / Radio Voices (voice: English version)

Philip Hersh ... Wen (voice: English version)
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Additional Details

Also Known As:
Triangle (Hong Kong: English title) (International: English title)
Iron Triangle (Hong Kong: English title) (literal title)
Tie san jiao (Hong Kong: Mandarin title)
more
MPAA:
Rated R for some violence.
Runtime:
France:101 min (Cannes Film Festival) | Hong Kong:93 min
Country:
China | Hong Kong
Language:
Cantonese
Colour:
Colour
Aspect Ratio:
2.35 : 1 more
Sound Mix:
Dolby Digital
Certification:
Singapore:PG | Hong Kong:IIB | USA:R | France:U (with warning)
Filming Locations:
Hong Kong, China

Fun Stuff

Soundtrack:
LOVE IS LIKE A BALLOON more

FAQ

This FAQ is empty. Add the first question.
4 out of 5 people found the following comment useful.
As messy as you'd expect, 22 April 2008
5/10
Author: Simon Booth from UK

A novel idea, originating in Tsui Hark I believe, to make a film based on the old game of incremental story-telling, passing the baton between 3 of Hong Kong's (once) top directors (they should have swapped Johnnie To for John Woo and called it "The Victims of Jean-Claude Van-Damme Rehabilitation Project"). The result is, sadly, almost as incoherent as a nay-sayer might expect it to be.

The first third of the film (Tsui) is kind of scatter-shot, throwing ideas out there for the other directors to pick up on, centred around a heist movie setup with 3 main protagonists (Simon Yam, Louis Koo and Sun Hong-Lei) - setting up a triangle that clearly hints where he really wants the movie to go. This section does suffer from that amphetamine-high lack of focus that sometimes afflicts Tsui Hark when he has too many ideas for a movie, and can't decide which ones are really important.

Ringo Lam takes over just before 30 minutes in, and the mood shifts - he evidently wants to create a psychological horror instead of a crime movie, and shifts the focus more to the characters played by Kelly Lin and Gordon Lam. This part is eerie and oblique, a little surreal at times but much more focused.

Then Johnnie To comes in for the final act, and decides that the film should really be... a farce! Perhaps it's his way of commenting on the baby he has been left holding. Every character that's been introduced so far is brought back into play, along with a couple of new ones (notably Lam Suet), and the plot plays itself out in an elaborate comedy of errors hinged upon a series of entirely implausible coincidences. The finale is a gun battle vaguely reminiscent of those in THE MISSION or EXODUS, but with a more comical coating. It's a bit Shakespearean, but falls short of The Bard's wit.

The shifting of tones, and the diverting focus of the narrative, is exactly the sort of problem you'd expect a movie with three directors and three script-writing teams to have. Perhaps that was the point, and each director deliberately took the movie into their own favourite territory when they took the reins. I guess that's how it usually happens when people play the game amongst themselves (I forget the name of it, never really saw the appeal), but they perhaps failed to factor in that the game is more fun for the people playing it than for somebody who simply gets handed the end result. The production process may be interesting to talk or think about, but probably makes for a less enjoyable film than a more conventional collaboration would have.

I did enjoy Ringo Lam's section though - hopefully it's a sign he's going to be doing more work in Hong Kong again!

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playing in NYC next week Taito
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