In 2005, the only thing hurting Los Angeles Times columnist Steve Lopez more than his face from a recent bike accident was his pressing need for story ideas. That is when he discovers Nathaniel Ayers, a mentally ill, homeless street musician who possesses extraordinary talent, even through his half-broken instruments. Inspired by his story, Lopez writes an acclaimed series of articles about Ayers and attempts to do more to help both him and the rest of the underclass of LA have a better life. However, Lopez's good intentions run headlong in the hard realities of the strength of Ayers' personal demons and the larger social injustices facing the homeless. Regardless, Lopez and Ayers must find a way to conquer their deepest anxieties and frustrations to hope for a brighter future for both of them.
Written by Kenneth Chisholm (kchishol@rogers.com)
Jamie Foxx had his teeth ground down for the role of Ayers. He says, "My teeth are just so big and white - a homeless person would never have them."
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Goofs
Continuity:
Lopez is seen standing trying to open the drink that was offered by Nathaniel. You then see Lopez leaning against the wall with the can held close to Lopez's body as the camera quickly cuts away between shots.
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At the end of the credits, the music concludes with the sound of a cassette tape grinding to a stop, referencing Lopez's omnipresent recorder.
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