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Directed by | |||
| Baltasar Kormákur | |||
Writing credits(in alphabetical order) | ||
| Arnaldur Indriðason | novel | |
| Baltasar Kormákur | screenplay | |
Produced by | |||
| Oliver Huzly | .... | co-producer | |
| Agnes Johansen | .... | producer | |
| Reinhard Klooss | .... | co-producer | |
| Baltasar Kormákur | .... | producer | |
| Kim Magnusson | .... | executive producer | |
| Lilja Pálmadóttir | .... | producer | |
Original Music by | |||
| Mugison | |||
Cinematography by | |||
| Bergsteinn Björgúlfsson | |||
Film Editing by | |||
| Elísabet Ronaldsdóttir | |||
Production Design by | |||
| Atli Geir Grétarsson | |||
Costume Design by | |||
| Harpa Einarsdottir | |||
Makeup Department | |||
| Ragna Fossberg | .... | makeup artist | |
Second Unit Director or Assistant Director | |||
| Lísa Kristjánsdóttir | .... | first assistant director | |
| Davíd Óskar Ólafsson | .... | second assistant director | |
Art Department | |||
| Erik Hirt | .... | property master | |
Sound Department | |||
| Steingrímur E. Guðmundsson | .... | sound re-recording mixer | |
| Kjartan Kjartansson | .... | sound designer | |
| Kjartan Kjartansson | .... | sound mixer | |
| Ingvar Lundberg | .... | sound editor | |
| Ingvar Lundberg | .... | sound re-recording mixer | |
| Guðrún Ragna Sigurjónsdóttir | .... | sound assistant | |
Special Effects by | |||
| Stefan Jorgen | .... | special effects makeup | |
| Eggert Ketilsson | .... | special effects | |
Visual Effects by | |||
| Anders Bloch-Rose | .... | colorist (as Anders Bloch-Jensen) | |
| Michael Holm | .... | digital compositor | |
Editorial Department | |||
| Ejvind Bording | .... | film color timer | |
| Mette Høst Hansen | .... | post-production coordinator | |
| Marta R. Traustadóttir | .... | assistant editor | |
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| Cry of the City | Twisted | Mystic River | Chuen jik sat sau | Touch of Evil |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Crime section | IMDb Iceland section |
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Inspector Erlendur (Ingvar E. Sigurðsson) has to investigate a "messy and pointless" murder. A dirty old man has had his head bashed in in his flat. "Typical Icelandic", he thinks.
Iceland just touches the Arctic circle. It's a long way from anywhere else. It is grey and gritty, spectacular and melancholy, buffeted by blasts of wind, snow and steam. Against this background Erlendur doggedly untangles the connections and the crimes of the past, digging up corpses and secrets shameful or tragic. Landscape and society alike are revealed and commented on, drily and laconically.
Being based on a novel by Iceland's most successful crime writer, the characters are as well known to the home audience as Rebus, for instance, is in Britain, and carry enough of the baggage of real life to make them credible and sympathetic. There are visual themes of burials and exhumations, post-mortems, pathology labs and fast food, and a sound track of male voices shading into electronic moans and growls, which in turn dissolve into the wind. It's a very well-constructed package, which is thought provoking, gruesome, touching and funny, and it's certainly worth seeing.