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Kam-Yuen Szeto (written by) and
Tin-Shing Yip (written by)
19 October 2006 (Hong Kong) more
Brotherhood, honor, loyalty, assassination - which one is the strongest? more
A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him. full summary | add synopsis
5 wins & 10 nominations more
[DVD Review] Triangle
(From JustPressPlay. 24 September 2009, 3:00 PM, PDT)
The Sniper (2009) Movie Review
(From Beyond Hollywood. 6 June 2009, 1:40 PM, PDT)
As finely tuned as a Swiss watch more (15 total)
| Anthony Wong Chau-Sang | ... | Blaze (as Anthony Wong) | |
| Francis Ng | ... | Tai | |
| Simon Yam | ... | Boss Fay | |
| Nick Cheung | ... | Wo | |
| Richie Ren | ... | Sergeant Chen (as Richie Jen) | |
| Roy Cheung | ... | Cat | |
| Josie Ho | ... | Jin | |
| Suet Lam | ... | Fat (as Lam Suet) | |
| Ka Tung Lam | ... | Boss Keung (as Lam Ka Tung) | |
| Siu-Fai Cheung | ... | Jeff (as Cheung Siu Fai) | |
| Ellen Chan | ... | Hooker | |
| Ping-Man Tam | ... | Uncle Fortune (as Tam Ping Man) | |
| Shiu Hung Hui | ... | Sergeant Shan (as Hui Siu Hung) | |
| Ronald Yan | ... | Underground Doctor | |
| Wah Wo Wong | ... | Sergeant Shan's driver (as Wong Wah Wo) | |
| Chi Wai Wong | ... | Blackie | |
| rest of cast listed alphabetically: | |||
| Libby Brien | ... | Jin (voice: English version) | |
| Philip Hersh | ... | Tai (voice: English version) | |
| Wai Leung Hung | ... | Sergeant Shan's Partner (uncredited) | |
Directed by | |||
| Johnnie To | |||
Writing credits | ||
| Kam-Yuen Szeto | (written by) (as Szeto Kam Yuen) and | |
| Tin-Shing Yip | (written by) (as Yip Tin Shing) | |
Produced by | |||
| Catherine Chan | .... | production executive | |
| John Chong | .... | executive producer | |
| Elos Gallo | .... | consultant producer | |
| Maylie Ho | .... | administrative producer | |
| Kok Leung Kuk | .... | line producer (as Kuk Kok Leung) | |
| Shirley Lau | .... | production executive | |
| Johnnie To | .... | producer | |
Original Music by | |||
| Dave Klotz | |||
| Guy Zerafa | |||
Cinematography by | |||
| Siu-keung Cheng | (director of photography) (as Cheng Siu Keung) | ||
Film Editing by | |||
| David M. Richardson | (as David Richardson) | ||
Art Direction by | |||
| Tony Yu | |||
Costume Design by | |||
| Stanley Cheung | |||
Makeup Department | |||
| Kit Ling Chan | .... | dresser (as Chan Kit Ling) | |
| Miko Chu | .... | makeup artist (as Mico Chu) | |
| Joe Kwong | .... | hair stylist | |
| Yun-Ling Man | .... | makeup artist (as Man Yuen Ling) | |
Production Management | |||
| Pou Ian Ao | .... | production manager: Macau (as Ao Pou Ian) | |
| Alice Augusto | .... | production manager: Macau | |
| Elaine Chu | .... | project manager | |
| Yuin Shan Ding | .... | production supervisor (as Ding Yuin Shan) | |
| Jackson Ha | .... | production manager | |
| Chiu Chi Shing | .... | unit manager (as Chiu Chi Shing) | |
Second Unit Director or Assistant Director | |||
| Joe Chan | .... | second assistant director | |
| Ka-kit Cheung | .... | first assistant director (as Jeff Cheung) | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
| Andy Ma | .... | second assistant director | |
Art Department | |||
| Kin Wah Ko | .... | property master (as Ko Kin Wah) | |
| Wai Ming Lam | .... | property master (as Lam Wai Ming) | |
| Brian Lau | .... | assistant art director | |
| Wing Hing Law | .... | property master (as Law Wing Hing) | |
| Fu Kei Tse | .... | property master (as Fu Kei Tse) | |
Sound Department | |||
| Tony Cheng | .... | location sound | |
| Charlie Lo | .... | sound designer | |
| Charlie Lo | .... | sound mixer | |
| May Mok | .... | sound designer | |
| May Mok | .... | sound mixer | |
| Chun Ming Wong | .... | boom operator (as Wong Chun Ming) | |
| Tomy Yu | .... | foley artist (as Tommy Yu) | |
Visual Effects by | |||
| Jacky Chung | .... | CGI animator | |
| Pak Chung Kwan | .... | CGI animator (as Kwan Pak Chung) | |
| Peony Lam | .... | visual effects coordinator | |
| Stephen Ma | .... | visual effects supervisor | |
| Lai Kuen Wong | .... | optical effects coordinator (as Wong Lai Kuen) | |
| Tsz Ping Yuen | .... | CGI animator (as Yuen Tsz Ping) | |
Stunts | |||
| Chun Pong Ling | .... | action choreography (as Ling Chun Pong) | |
| Chi Wai Wong | .... | action choreography (as Wong Chi Wai) | |
Camera and Electrical Department | |||
| Hong Chun Kwan | .... | making-of camera (as Kwan Hong Chun) | |
| Ting Fung Kwong | .... | best boy (as Kwong Ting Fong) | |
| Chok Shun Tang | .... | still photographer (as Tang Chak Shun) | |
| Hung Mo To | .... | cinematographer: second unit (as To Hung Mo) | |
| Kwok Chiu Wu | .... | gaffer (as Wu Kwok Chiu) | |
Costume and Wardrobe Department | |||
| Eva Law | .... | assistant costume designer | |
| Kar Yan Yip | .... | assistant costume designer (as Karen Yip) | |
Editorial Department | |||
| Simon Fung | .... | assistant editor | |
| Cathy Lau | .... | post-production assistant | |
| Calmen Lui | .... | post-production executive | |
Music Department | |||
| Dave Klotz | .... | music arranger | |
| Dave Klotz | .... | music recordist | |
| Dave Klotz | .... | orchestrator | |
| Guy Zerafa | .... | music arranger | |
| Guy Zerafa | .... | music recordist | |
| Guy Zerafa | .... | orchestrator | |
Other crew | |||
| Catherine Chan | .... | production executive | |
| Jack Lai | .... | continuity | |
| Shirley Lau | .... | production executive | |
| Ching Ting Law | .... | set runner (as Lu Ching Ting) | |
| Wing-cheong Law | .... | associate director (as Law Wing Cheong) | |
Exiled (International: English title) (USA) (new title)
Fang zhu (Hong Kong: Mandarin title)
more
Rated R for strong violence and some sexual content.
110 min
2.35 : 1 more
Singapore:M18 | Argentina:16 | Germany:18 | Netherlands:12 | Ireland:16 | USA:R | Hong Kong:IIB (cut) | Australia:M | UK:15 | South Korea:18 | Finland:K-15 | Hong Kong:III | Japan:PG-12
For the film, actress Josie Ho did not work with a script. Director Johnnie To wanted the actors to come to the set with their minds clean, so he could draw whatever he could on them. Ho did not find this method of improvisational acting difficult. more
Errors made by characters (possibly deliberate errors by the filmmakers): As Josie Ho's character is praying the rosary, she repeats the Our Father on the small beads when it should be the Hail Marys. more
Spoofs Per qualche dollaro in più (1965) more
CAMILLE more
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| Chik loh go yeung | Cheung fo | Batman Begins | De battre mon coeur s'est arrêté | Dak ging san yan lui |
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I saw this film at the Toronto International Film Festival. Among lovers of Hong Kong cinema, Johnnie To is legendary. He had three films showing in this year's festival (Election (2005) and Election 2 (2006) screened together, as well as this film) and this was my first experience seeing one of his films. I'll be seeking out some others. Exiled is an incredibly well- constructed film. It's like a Swiss watch, with every scene precisely set up and choreographed and nothing wasted. To has created a self-contained world and set his characters loose in it. Set just around the time of Macau's reversion to the Chinese government, it concerns a group of hit men who come together when their boss orders a hit on one of them. Two pairs of men arrive at the target's new home. The first to warn him, the second to kill him. After a kinetic set piece involving three shooters, precisely 18 bullets, and the target's wife and infant son, the group ends up helping still-alive Wo move furniture into his new place, before settling down to eat.
The mixture of action, comedy, and sentiment is probably a staple of Hong Kong gangster films, but I found it fresh. The plot continues when the assassins agree to give Wo some time to carry out one last job to make some cash for his soon to be widowed wife and orphaned child. Things don't go as planned, however, and the film bumps along from set piece to set piece until an inevitable but satisfying end. Each choreographed set piece is set up in such a way as to heighten the anticipation, and you almost don't mind that none of these trained killers seems to be a very good shot. It's enough that they're all ludicrously macho, swilling scotch from the bottle and smoking as they fire bullets at each other.
Seeing this one on the big screen is a must, just for the sound. The musical score, by Canadian Guy Zerafa, veered between James Bond and spaghetti westerns, with a bit of mournful harmonica thrown in. It worked perfectly, as did the fact that the viewer can hear every single shell casing hit the ground throughout the film. Even the gunshots themselves seemed different from those in American films, with less blast and more metallic sounds. It certainly helped create atmosphere. While this and the choreographed gunplay never let you forget you're watching a created thing rather than any semblance of reality, that actually made me more appreciative of the creator. He's certainly created another Johnnie To fan.