In Bruges (2008)

User Rating:

8.1/10   

Director:

Martin McDonagh

Writer:

Martin McDonagh (written by)

Release Date:

29 February 2008 (Poland)

Genre:

Crime | Drama | Thriller

Tagline:

Shoot first. Sightsee later.

Plot:

Holed up in Bruges, Belgium after a difficult job, two hit men begin to differ on their views of life and death as they become used to local customs.

Plot Keywords:

Medieval | Belgium | Christmas | Tourist | Drugs

Awards:

Nominated for Oscar. Another 13 wins & 30 nominations

US TV Schedule:

Mon. Nov. 16

2:30 AM

HBO

Cast

Elizabeth Berrington	...	Natalie
Rudy Blomme	...	Ticket Seller
Olivier Bonjour	...	Film Director
Mark Donovan	...	Overweight Man
Ann Elsley	...	Overweight Woman #2
Colin Farrell	...	Ray
Jean-Marc Favorin	...	Policeman
Ralph Fiennes	...	Harry
Brendan Gleeson	...	Ken
Eric Godon	...	Yuri
Zeljko Ivanek	...	Canadian Guy
Sachi Kimura	...	Imamoto
Anna Madeley	...	Denise
Louis Nummy	...	Harry's child #3
Clémence Poésy	...	Chloe

MPAA:

Rated R for strong bloody violence, pervasive language and some drug use.

Runtime:

107 min

Country:

UK | USA

Language:

English | German

Colour:

Colour

Aspect Ratio:

2.35 : 1

Sound Mix:

Dolby Digital | DTS

Certification:

UK:18 | Ireland:16 (theatrical rating) | USA:R (certificate #43954) | Netherlands:16 | Germany:16 | Finland:K-15 | Canada:13+ (Québec) | Canada:14A (Manitoba) | South Africa:16LV | Canada:18A (Alberta/British Columbia/Ontario) | Australia:MA | Austria:14 | New Zealand:R16 | Argentina:16 | Ireland:18 (DVD rating) | Singapore:M18 (cut) | Brazil:16 | Portugal:M/16 | South Korea:18 | Spain:18 | Chile:14 | Mexico:C | Sweden:15 (TV rating) | Iceland:12 (video rating) | Iceland:16 (theatrical rating) | France:U (with warning) | Peru:14

Filming Locations:

Brugge, West-Vlaanderen, Belgium

Company:

Blueprint Pictures

Trivia:

In order to create the feeling of the holiday season, Christmas decorations were kept in some streets of Bruges until the end of March. The town council made an official communication to the people of Bruges explaining the reason why.

Goofs:

Continuity: When Ray is preparing for his date with Chloe and is checking himself in the mirror, he is trying to decide whether to leave his top button open or button it. He decides to button it, then turns to Ken for approval and the camera cuts to a different angle. You can see in his reflection in the mirror that his top button is open. When he faces the mirror again and the screen cuts back, it is buttoned again.

Quotes:

[first lines]
Ray: After I killed him, I dropped the gun in the Thames, washed the residue off me hands in the bathroom of a Burger King, and walked home to await instructions. Shortly thereafter the instructions came through - "Get the fuck out of London, you dumb fucks. Get to Bruges." I didn't even know where Bruges fucking was.
[pause]
Ray: It's in Belgium.

Movie Connections:

References "Fantasy Island" (1978)

Soundtrack:

Touch Of Evil

Plenty of Alcoves in Bruges

Greetings again from the darkness. Award winning playwright Martin McDonagh brings his amazing writing talents to the big screen and scores with his first turn as a feature film director. The city of Bruges (yes, in Belgium) is the perfect setting for the multi-layered story. Its well preserved medieval architecture is like an character unto itself.

Colin Farrell delivers by far his best performance to date. He is funny, dangerous, sexy and emotional throughout. This is exceptional acting from a guy who tends to disappoint. Of course, it helps to have magnificent writing and this one most certainly delivers on that front. The dialogue is quirky and quick ... so tune in early.

Strong work also from Brendon Gleeson, who all will recognize from "Gangs of New York" and the Harry Potter series. He is a tough guy with a streak of humanity. The third piece of the puzzle is Ralph Fiennes as the mastermind bad guy. The supporting work is fine from Jordan Prentice as the dwarf actor (sadly Mr. Prentice is most famous for playing Howard the Duck) and a very cute Clemence Poesy as Farrell's odd love interest.

Very few writers can write dialogue like this and even fewer can juggle as many layers without making a film seem busy, crowded or forced. Hopefully Mr. McDonagh will bring more of his work to the big screen ... he certainly adds a touch of class!