IMDb > "Xena: Warrior Princess" Who's Gurkhan? (2000)
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"Xena: Warrior Princess" Who's Gurkhan? (2000)



Overview

User Rating:
6.3/10   66 votes
Director:

Michael Hurst

Writers:

R.J. Stewart (teleplay)
Robert G. Tapert (story)

Original Air Date:

23 October 2000 (Season 6, Episode 4)

Plot:

Gabrielles comes home to Potedaia, where she meets her sister Lila. There, Lila tells her that a man called Gurkhan kidnapped her daughter... more | full synopsis

Plot Keywords:

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User Comments:

The danger of vengeance more (1 total)


Cast

  (Episode Credited cast)

Lucy Lawless ... Xena

Renée O'Connor ... Gabrielle

Adrienne Wilkinson ... Eve

William Gregory Lee ... Virgil
Willa O'Neill ... Lila
Calvin Tuteao ... Gurkhan
Tandi Wright ... Sonata / Sarah

Gina Varela ... Milda
Michelle Langstone ... Lana
Stephen Hall ... Auctioneer
rest of cast listed alphabetically:
Jo Lo ... Yo
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Additional Details

Language:

English


Fun Stuff

Quotes:

Woman: In my village, the choices were: marry a sober poor man... or a drunk poor man. It was a toss-up, really. The sober men would be less likely to beat you... but the drunk men would be less likely to keep you pregnant all the time. more


FAQ

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1 out of 1 people found the following comment useful.
The danger of vengeance, 22 September 2007
7/10
Author: xenatorres from Canada

Directed by the very talented Michael Hurst, "Who's Gurkhan?" dealt with some very dark subject material.

Revenge is not an uncommon theme on "Xena", it's not even an original concept for Gabrielle to be the one seeking it, but "Who's Gurkhan?" dares to take Gabrielle closer to the edge than "The Return of Callisto". It is the darkest Gabrielle ever is in the series.

While Gabrielle's character explores her dark side, Virgil finally shows his "Joxer" colour as he is sadly reduced to the comic relief. Not that Lee can't pull off the humour, but, until now, he's always been a much more dramatic character. Both Lee and Wilkinson were woefully underused.

Make-up, sets and costume outdid themselves again, which gave Hurst more to play with, which, with his cineographic eye, made for a very visually stunning episode.

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